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2 produkter
2 produkter
Unknown Theatre of Jerzy Grotowski
Performances in the Theatre of 13 Rows, 1959–1964
Häftad, Engelska, 2023
408 kr
Skickas inom 7-10 vardagar
Examines the previously unresearched formative years of Polish director Jerzy Grotowski’s career. Polish director Jerzy Grotowski (1933–1999) was an international leader in experimental theater who became famous in the late 1960s for his revolutionary approach to audience involvement. This volume is devoted to Grotowski’s early work—the performances he directed in the Theatre of 13 Rows (later Laboratory Theatre of 13 Rows) between 1959 and 1964 when the theater was working in the provincial town Opole in south-western Poland. Having decided to work in his own independent theater, Grotowski moved to Opole in September 1956 and developed his ideas with young, inexperienced actors, creating important performances that foreshadowed his renowned masterpieces of the late 1960s. In The Unknown Theatre of Jerzy Grotowski, Dariusz Kosiński and Wanda Świątkowska reconstruct, analyze, and interpret each of the nine performances directed by Grotowski over this period: from Orpheus based onJean Cocteau (1959) to Hamlet Study based on Stanisław Wyspiański (1964). Previously mentioned mainly in the context of the development of Grotowski’s method, these performances dealt with important social, political, and philosophical problems of postwar and post-Holocaust Poland. Grotowski also used these performances to experiment with the forces and problems that he later tried to be discreet about, such as sexuality. Revealing unnoticed and forgotten aspects of Grotowski’s theater, this landmark book presents new materials and perspectives that give fresh life to the study of a genius of twentieth-century theater.
1 448 kr
Kommande
Grotowski's Process is a passionate dialogue between progressive Polish scholarship, represented by Dariusz Kosinski, and an investigative scholarship in the American Milieu, represented by Kris Salata.These two scholarly perspectives seek reconciliation in their interrogation and analysis of the performance-making and performer-training of one of the world’s foremost formative figures in twentieth-century theatre, Jerzy Grotowski, who shattered the traditional understanding of theatrical legacy.Grotowski’s cutting-edge theatrical and post-theatrical laboratory work continues to challenge the approaches to performance-making. This book reintroduces Grotowski’s main ideas in ways that are directly meaningful to contemporary theatre makers as practical investigations of the nature of performance.The authors consult and quote from Grotowski’s texts and unpublished archival documents, to explore how the actor’s process was re-examined as an interdisciplinary and intercultural endeavour.