Bringing together a variety of critical approaches and interdisciplinary perspectives, this work reflects the continuing vitality and breadth of George Sand scholarship around the world. It contains twenty-eight papers and a keynote address presented at the Seventh International George Sand Conference. Contributors include leading European, American, and Asian scholars in the field.The volume opens with essays by Henri Peyre and Marilyn French focusing on George Sand's relation to her own period and society and her continuing relevance to modern readers. The next three sections are devoted to an examination of Sand's work in specific genres: the novel, travel writing, and autobiography. Other subject areas addressed include the relation of text to personal ideology, political views, and sexual politics and identity. The remaining chapters explore Sand's relationships with her contemporaries, including Alfred de Musset, Balzac, Flaubert, and Alexandre Dumas fils. Presenting the best in current scholarship in the field, this work will be of interest for studies and courses relating to nineteenth century women writers, French literature, women's studies, cultural and social history, and related subjects.

Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate, far from her native Ile Bourbon (now Réunion). Written in 1832, the novel appeared during a period of French history marked by revolution and regime change, civil unrest and labor concerns, and slave revolts and the abolitionist movement, when women faced rigid social constraints and had limited rights within the institution of marriage. With this politically charged history serving as a backdrop for the novel, Sand brings together Romanticism, realism, and the idealism that would characterize her work, presenting what was deemed by her contemporaries a faithful and candid representation of nineteenth-century France.This volume gathers pedagogical essays that will enhance the teaching of Indiana and contribute to students' understanding and appreciation of the novel. The first part gives an overview of editions and translations of the novel and recommends useful background readings. Contributors to the second part present various approaches to the novel, focusing on four themes: modes of literary narration, gender and feminism, slavery and colonialism, and historical and political upheaval. Each essay offers a fresh perspective on Indiana, suited not only to courses on French Romanticism and realism but also to interdisciplinary discussions of French colonial history or law.

Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate, far from her native Ile Bourbon (now Réunion). Written in 1832, the novel appeared during a period of French history marked by revolution and regime change, civil unrest and labor concerns, and slave revolts and the abolitionist movement, when women faced rigid social constraints and had limited rights within the institution of marriage. With this politically charged history serving as a backdrop for the novel, Sand brings together Romanticism, realism, and the idealism that would characterize her work, presenting what was deemed by her contemporaries a faithful and candid representation of nineteenth-century France.This volume gathers pedagogical essays that will enhance the teaching of Indiana and contribute to students' understanding and appreciation of the novel. The first part gives an overview of editions and translations of the novel and recommends useful background readings. Contributors to the second part present various approaches to the novel, focusing on four themes: modes of literary narration, gender and feminism, slavery and colonialism, and historical and political upheaval. Each essay offers a fresh perspective on Indiana, suited not only to courses on French Romanticism and realism but also to interdisciplinary discussions of French colonial history or law.

An award–winning, "deeply researched and thoroughly analyzed" account of the Confederate cavalry''s mistakes that turned Chickamauga into a Pyrrhic victory (Eric J. Wittenberg, award-winning author of The Battle of Brandy Station). Tales of the Confederate cavalry''s raids and daring exploits create a whiff of lingering romance about the horse soldiers of the Lost Cause. Sometimes, however, romance obscures history. In August 1863 William Rosecrans'' Union Army of the Cumberland embarked on a campaign of maneuver to turn Braxton Bragg''s Army of Tennessee out of Chattanooga, one of the most important industrial and logistical centers of the Confederacy. Despite the presence of two Southern cavalry corps—nearly 14,000 horsemen—under legendary commanders Nathan Bedford Forrest and Joe Wheeler, Union troops crossed the Tennessee River unopposed and unseen, slipped through the passes cutting across the knife-ridged mountains, moved into the narrow valleys, and turned Bragg''s left flank. Threatened with the loss of the railroad that fed his army, Bragg had no choice but to retreat. He lost Chattanooga without a fight. After two more weeks of maneuvering, skirmishing, and botched attacks, Bragg struck back at Chickamauga, where he was once again surprised by the position of the Union army and the manner in which the fighting unfolded. Although the combat ended with a stunning Southern victory, Federal counterblows that November reversed all that had been so dearly purchased. David A. Powell''s Failure in the Saddle is the first in-depth attempt to determine what role the Confederate cavalry played in both the loss of Chattanooga and the staggering number of miscues that followed up to, through, and beyond Chickamauga. Powell draws upon an array of primary accounts and his intimate knowledge of the battlefield to reach several startling conclusions: Bragg''s experienced cavalry generals routinely fed him misleading information, failed to screen important passes and river crossings, allowed petty command politics to routinely influence their decision-making, and on more than one occasion disobeyed specific and repeated orders that may have changed the course of the campaign. Richly detailed, Failure in the Saddle offers new perspectives on the role of the Rebel horsemen in every combat large and small waged during this long and bloody campaign and, by default, a fresh assessment of the generalship of Braxton Bragg. This judiciously reasoned account includes a guided tour of the cavalry operations, several appendices of important information, and original cartography. Winner of the Civil War Round Table of Atlanta''s Richard Harwell Award

Winner of the Laney Book Prize from the Austin Civil War Round Table: "The post-battle coverage is simply unprecedented among prior Chickamauga studies." —James A. Hessler, award-winning author of Sickles at GettysburgThis third and concluding volume of the magisterial Chickamauga Campaign trilogy, a comprehensive examination of one of the most important and complex military operations of the Civil War, examines the immediate aftermath of the battle with unprecedented clarity and detail.The narrative opens at dawn on Monday, September 21, 1863, with Union commander William S. Rosecrans in Chattanooga and most of the rest of his Federal army in Rossville, Georgia. Confederate commander Braxton Bragg has won the signal victory of his career, but has yet to fully grasp that fact or the fruits of his success. Unfortunately for the South, the three grueling days of combat broke down the Army of Tennessee and a vigorous pursuit was nearly impossible.In addition to carefully examining the decisions made by each army commander and the consequences, Powell sets forth the dreadful costs of the fighting in terms of the human suffering involved. Barren Victory concludes with the most detailed Chickamauga orders of battle (including unit strengths and losses) ever compiled, and a comprehensive bibliography more than a decade in the making.Includes illustrations

Wars change the course of history and touch in intensely personal ways the lives of everyone involved. Thankfully, surviving firsthand accounts offer modern readers a deeply personal window into earlier times. From Camp Douglas to Vicksburg: The Civil War Letters of William J. Kennedy, 55th Illinois Infantry, 1861-1863, edited and annotated by Rachael E. Mellen and David A. Powell, constitutes a rich and informative glimpse into one such life.William J. Kennedy was a second-generation Irish-American born in New York in 1827. By 1861 he was a harness-maker running his own business in the small town of LaSalle, Illinois. When Governor Yates called for volunteers, Kennedy jumped at the chance. He even recruited many of his friends and relatives into Company G of the 55th Illinois Infantry, a new regiment being organized in Chicago under Col. David Stuart. Kennedy had ambitions to become a captain and, like most men his age, dreamed of battlefield heroics.With a sharp eye and an even sharper wit, Kennedy played the role of embedded reporter during some of the most momentous events in the Western Theater. His letters to his wife Jane, family members, and friends are often as detailed as newspaper accounts and battle reports. His observations span the gamut, from corruption in the army and the alien culture in Tennessee and Mississippi, to his unyielding confidence in President Lincoln’s judgment. Most students of the war will treasure his previously unseen descriptions of the fighting at Shiloh, the siege of Corinth, the triumphal entry into Memphis, the disaster of Chickasaw Bayou, and the misery of digging canals around Vicksburg. Sadly, it was there, on the undulating hills near the Mississippi River during the final fatal assault against that fortress, that William lost his life.His original letters reside in the Abraham Lincoln Presidential Library and Archives in Springfield, Illinois. A genealogical long shot led Mellen to discover the connection between her family and the letters at the library. Editors Mellen and Powell used their expertise to sift through genealogical records, histories of the war, and other regimental accounts to flesh out the people, places, and events that can now be shared with everyone. These documents have brought William Kennedy and his family back to life for their 21st century relatives and a wider audience.From Camp Douglas to Vicksburg adds significantly to the historiography of the war and is one of the finest Western Theater letter collections to reach print in many years.

The scope, drama, and importance of the 1864 Atlanta Campaign was on a par with Ulysses S. Grant’s Overland Campaign in Virginia. Despite its criticality and massive array of primary source material, the north Georgia operations have lingered in the shadows of other campaigns. Award-winning author David Powell’s first of five installments, The Atlanta Campaign: Volume 1: Dalton to Cassville, May 1–19, 1864, treated the opening phase of the campaign—weeks of maneuver and several days of heavy fighting at Resaca, after which the Confederates slipped out of Sherman’s traps and escaped across the Oostanaula and Etowah rivers. His second offering, From the Etowah River to Kennesaw Mountain, May 21 to June 27, 1864, marches with the armies and their leaders deeper into Georgia.The heavyweight match unfolding between Grant and Lee in the Wilderness and fields and woodlots of Spotsylvania increased the pressure on Sherman to do everything he could to prevent Joe Johnston from sending troops to reinforce Virginia. Sherman had closed half the distance to Johnston’s base at Atlanta, but the Army of Tennessee had grown in numbers, and the odds that were once 2 to 1 against it were now almost even.Sherman opened the second phase of the campaign on May 23 by throwing his army across the Etowah. Instead of moving down the railroad to Allatoona, however, he marched west of Marietta to Dallas. The next five weeks were by some measures the hardest of the entire summer as maneuvering gave way to trench warfare, first along the New Hope Line, then Pine and Lost mountains, along the Mud Creek Line, and finally, atop the imposing slopes of Kennesaw Mountain. The daily grind, punctuated by periodic assaults at New Hope Church, Pickett’s Mill, Gilgal Church, and Pigeon and Cheatham hills, took a terrible toll on both armies. The heavy rain through most of June made life in the field a misery, sick lists spiked, and men and horses broke down or died. As June drew to a close, neither side could claim victory. Sherman remained undaunted. He would return to flanking, and this time, Atlanta was a mere dozen miles distant.This multi-volume study is based heavily on hundreds of primary accounts (many of which have never been used), 21 original maps, a firm understanding of the terrain, and a keen grasp of military strategy and tactics. Powell’s The Atlanta Campaign is this generation’s definitive treatment of one of the most important and fascinating confrontations of the entire Civil War. And it will stand the test of time.

Horatio Quiggle was that rarest of Civil War soldiers, serving continuously from the conflict’s outset to its conclusion. He initially joined the 14th Ohio Infantry, a three-month militia unit from northwestern Ohio, in April 1861. After its term expired that August, he promptly reenrolled in the three-year organization of the 14th, serving with the Army of the Ohio (later christened the Army of the Cumberland). On December 17, 1863, he again reenlisted for the duration of the war, not mustering out until the summer of 1865. His enduring commitment offers a unique perspective on the entire wartime experience.Through the Civil War with the Fourteenth Ohio Infantry: Horatio Quiggle’s Memoir of Service, 1861-1865 presents a fascinating, previously unpublished glimpse into the life of this “fighting regiment” and the men who filled its ranks. The 14th Ohio earned its reputation as a formidable combat unit. Out of a total enrollment of 1,404, the regiment suffered significant losses: 146 men killed in action, 186 to disease and accident, and 329 to non-lethal wounds. It fought at Mill Springs in early 1862 and engaged repeatedly under Generals Don C. Buell, William S. Rosecrans, and George H. Thomas. Among its most brutal engagements were the battles in Georgia at Chickamauga in September 1863, and a year later at Jonesboro outside Atlanta. Quiggle’s firsthand descriptions of Chickamauga’s bloody scenes are particularly striking, offering vivid insight into the realities of combat.Though he escaped serious physical injury, Quiggle endured profound personal loss, including his brother, late in the war. His memoir offers a poignant and often humorous recounting of his experiences, imbued with deep humanity. Enlisting as a 23-year-old farmer, he emerged from the conflict a profoundly transformed individual. While rich in detail and drawn from his wartime diary, Quiggle’s memoir does not present a purely tactical or analytical history of the 14th Ohio Infantry. Given the scarcity of other primary sources for the 14th, the Quiggle manuscript stands as an invaluable addition to the history of the 14th Ohio and the broader narrative of the war in the Western Theater.

A fully illustrated narrative of the Atlanta campaign complete with maps, illustrations, and diagrams. The campaign for Atlanta was pivotal to the outcome of the American Civil War. Roughly 190,000 men waged war across northern Georgia in a struggle that lasted 133 days. Today a national park at Kennesaw commemorates this titanic fight, and there are a surprising number of physical reminders still extant across the state. The struggle for Atlanta divides naturally into two stages. The first half of the campaign, from May to mid-July, can be defined as a war of maneuver, called by one historian the "Red Clay Minuet." Under Joseph E. Johnston the Confederate Army of Tennessee repeatedly invited battle from strong defensive positions. Under William T. Sherman, the combined Federal armies of the Cumberland, the Tennessee, and the Ohio repeatedly avoided attacking those positions; Sherman preferring to outflank them instead. Though there were a number of sharp, bloody engagements during this phase of the campaign, the combats were limited. Only the battles of Resaca and Kennesaw Mountain could be considered general engagements. Johnston''s repeated retreats and the commensurate loss of terrain finally forced Confederate President Jefferson Davis to replace him with a more aggressive commander—John B. Hood. This work will portray the first half of the Atlanta Campaign in text and images, using both historic sketches and photographs, as well as post-war and modern images. Extant trenches, rifle pits, redoubts, shoupades, and other works, as well as the battlefields, will be covered, as well as surviving historic structures and the monuments and cemeteries that commemorate the campaign.

Bringing together a variety of critical approaches and interdisciplinary perspectives, this work reflects the continuing vitality and breadth of George Sand scholarship around the world. It contains twenty-eight papers and a keynote address presented at the Seventh International George Sand Conference. Contributors include leading European, American, and Asian scholars in the field.The volume opens with essays by Henri Peyre and Marilyn French focusing on George Sand's relation to her own period and society and her continuing relevance to modern readers. The next three sections are devoted to an examination of Sand's work in specific genres: the novel, travel writing, and autobiography. Other subject areas addressed include the relation of text to personal ideology, political views, and sexual politics and identity. The remaining chapters explore Sand's relationships with her contemporaries, including Alfred de Musset, Balzac, Flaubert, and Alexandre Dumas fils. Presenting the best in current scholarship in the field, this work will be of interest for studies and courses relating to nineteenth century women writers, French literature, women's studies, cultural and social history, and related subjects.

Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate, far from her native Ile Bourbon (now Réunion). Written in 1832, the novel appeared during a period of French history marked by revolution and regime change, civil unrest and labor concerns, and slave revolts and the abolitionist movement, when women faced rigid social constraints and had limited rights within the institution of marriage. With this politically charged history serving as a backdrop for the novel, Sand brings together Romanticism, realism, and the idealism that would characterize her work, presenting what was deemed by her contemporaries a faithful and candid representation of nineteenth-century France.This volume gathers pedagogical essays that will enhance the teaching of Indiana and contribute to students' understanding and appreciation of the novel. The first part gives an overview of editions and translations of the novel and recommends useful background readings. Contributors to the second part present various approaches to the novel, focusing on four themes: modes of literary narration, gender and feminism, slavery and colonialism, and historical and political upheaval. Each essay offers a fresh perspective on Indiana, suited not only to courses on French Romanticism and realism but also to interdisciplinary discussions of French colonial history or law.

Indiana, George Sand's first solo novel, opens with the eponymous heroine brooding and bored in her husband's French countryside estate, far from her native Ile Bourbon (now Réunion). Written in 1832, the novel appeared during a period of French history marked by revolution and regime change, civil unrest and labor concerns, and slave revolts and the abolitionist movement, when women faced rigid social constraints and had limited rights within the institution of marriage. With this politically charged history serving as a backdrop for the novel, Sand brings together Romanticism, realism, and the idealism that would characterize her work, presenting what was deemed by her contemporaries a faithful and candid representation of nineteenth-century France.This volume gathers pedagogical essays that will enhance the teaching of Indiana and contribute to students' understanding and appreciation of the novel. The first part gives an overview of editions and translations of the novel and recommends useful background readings. Contributors to the second part present various approaches to the novel, focusing on four themes: modes of literary narration, gender and feminism, slavery and colonialism, and historical and political upheaval. Each essay offers a fresh perspective on Indiana, suited not only to courses on French Romanticism and realism but also to interdisciplinary discussions of French colonial history or law.

An award–winning, "deeply researched and thoroughly analyzed" account of the Confederate cavalry''s mistakes that turned Chickamauga into a Pyrrhic victory (Eric J. Wittenberg, award-winning author of The Battle of Brandy Station). Tales of the Confederate cavalry''s raids and daring exploits create a whiff of lingering romance about the horse soldiers of the Lost Cause. Sometimes, however, romance obscures history. In August 1863 William Rosecrans'' Union Army of the Cumberland embarked on a campaign of maneuver to turn Braxton Bragg''s Army of Tennessee out of Chattanooga, one of the most important industrial and logistical centers of the Confederacy. Despite the presence of two Southern cavalry corps—nearly 14,000 horsemen—under legendary commanders Nathan Bedford Forrest and Joe Wheeler, Union troops crossed the Tennessee River unopposed and unseen, slipped through the passes cutting across the knife-ridged mountains, moved into the narrow valleys, and turned Bragg''s left flank. Threatened with the loss of the railroad that fed his army, Bragg had no choice but to retreat. He lost Chattanooga without a fight. After two more weeks of maneuvering, skirmishing, and botched attacks, Bragg struck back at Chickamauga, where he was once again surprised by the position of the Union army and the manner in which the fighting unfolded. Although the combat ended with a stunning Southern victory, Federal counterblows that November reversed all that had been so dearly purchased. David A. Powell''s Failure in the Saddle is the first in-depth attempt to determine what role the Confederate cavalry played in both the loss of Chattanooga and the staggering number of miscues that followed up to, through, and beyond Chickamauga. Powell draws upon an array of primary accounts and his intimate knowledge of the battlefield to reach several startling conclusions: Bragg''s experienced cavalry generals routinely fed him misleading information, failed to screen important passes and river crossings, allowed petty command politics to routinely influence their decision-making, and on more than one occasion disobeyed specific and repeated orders that may have changed the course of the campaign. Richly detailed, Failure in the Saddle offers new perspectives on the role of the Rebel horsemen in every combat large and small waged during this long and bloody campaign and, by default, a fresh assessment of the generalship of Braxton Bragg. This judiciously reasoned account includes a guided tour of the cavalry operations, several appendices of important information, and original cartography. Winner of the Civil War Round Table of Atlanta''s Richard Harwell Award

Winner of the Laney Book Prize from the Austin Civil War Round Table: "The post-battle coverage is simply unprecedented among prior Chickamauga studies." —James A. Hessler, award-winning author of Sickles at GettysburgThis third and concluding volume of the magisterial Chickamauga Campaign trilogy, a comprehensive examination of one of the most important and complex military operations of the Civil War, examines the immediate aftermath of the battle with unprecedented clarity and detail.The narrative opens at dawn on Monday, September 21, 1863, with Union commander William S. Rosecrans in Chattanooga and most of the rest of his Federal army in Rossville, Georgia. Confederate commander Braxton Bragg has won the signal victory of his career, but has yet to fully grasp that fact or the fruits of his success. Unfortunately for the South, the three grueling days of combat broke down the Army of Tennessee and a vigorous pursuit was nearly impossible.In addition to carefully examining the decisions made by each army commander and the consequences, Powell sets forth the dreadful costs of the fighting in terms of the human suffering involved. Barren Victory concludes with the most detailed Chickamauga orders of battle (including unit strengths and losses) ever compiled, and a comprehensive bibliography more than a decade in the making.Includes illustrations

Wars change the course of history and touch in intensely personal ways the lives of everyone involved. Thankfully, surviving firsthand accounts offer modern readers a deeply personal window into earlier times. From Camp Douglas to Vicksburg: The Civil War Letters of William J. Kennedy, 55th Illinois Infantry, 1861-1863, edited and annotated by Rachael E. Mellen and David A. Powell, constitutes a rich and informative glimpse into one such life.William J. Kennedy was a second-generation Irish-American born in New York in 1827. By 1861 he was a harness-maker running his own business in the small town of LaSalle, Illinois. When Governor Yates called for volunteers, Kennedy jumped at the chance. He even recruited many of his friends and relatives into Company G of the 55th Illinois Infantry, a new regiment being organized in Chicago under Col. David Stuart. Kennedy had ambitions to become a captain and, like most men his age, dreamed of battlefield heroics.With a sharp eye and an even sharper wit, Kennedy played the role of embedded reporter during some of the most momentous events in the Western Theater. His letters to his wife Jane, family members, and friends are often as detailed as newspaper accounts and battle reports. His observations span the gamut, from corruption in the army and the alien culture in Tennessee and Mississippi, to his unyielding confidence in President Lincoln’s judgment. Most students of the war will treasure his previously unseen descriptions of the fighting at Shiloh, the siege of Corinth, the triumphal entry into Memphis, the disaster of Chickasaw Bayou, and the misery of digging canals around Vicksburg. Sadly, it was there, on the undulating hills near the Mississippi River during the final fatal assault against that fortress, that William lost his life.His original letters reside in the Abraham Lincoln Presidential Library and Archives in Springfield, Illinois. A genealogical long shot led Mellen to discover the connection between her family and the letters at the library. Editors Mellen and Powell used their expertise to sift through genealogical records, histories of the war, and other regimental accounts to flesh out the people, places, and events that can now be shared with everyone. These documents have brought William Kennedy and his family back to life for their 21st century relatives and a wider audience.From Camp Douglas to Vicksburg adds significantly to the historiography of the war and is one of the finest Western Theater letter collections to reach print in many years.

The scope, drama, and importance of the 1864 Atlanta Campaign was on a par with Ulysses S. Grant’s Overland Campaign in Virginia. Despite its criticality and massive array of primary source material, the north Georgia operations have lingered in the shadows of other campaigns. Award-winning author David Powell’s first of five installments, The Atlanta Campaign: Volume 1: Dalton to Cassville, May 1–19, 1864, treated the opening phase of the campaign—weeks of maneuver and several days of heavy fighting at Resaca, after which the Confederates slipped out of Sherman’s traps and escaped across the Oostanaula and Etowah rivers. His second offering, From the Etowah River to Kennesaw Mountain, May 21 to June 27, 1864, marches with the armies and their leaders deeper into Georgia.The heavyweight match unfolding between Grant and Lee in the Wilderness and fields and woodlots of Spotsylvania increased the pressure on Sherman to do everything he could to prevent Joe Johnston from sending troops to reinforce Virginia. Sherman had closed half the distance to Johnston’s base at Atlanta, but the Army of Tennessee had grown in numbers, and the odds that were once 2 to 1 against it were now almost even.Sherman opened the second phase of the campaign on May 23 by throwing his army across the Etowah. Instead of moving down the railroad to Allatoona, however, he marched west of Marietta to Dallas. The next five weeks were by some measures the hardest of the entire summer as maneuvering gave way to trench warfare, first along the New Hope Line, then Pine and Lost mountains, along the Mud Creek Line, and finally, atop the imposing slopes of Kennesaw Mountain. The daily grind, punctuated by periodic assaults at New Hope Church, Pickett’s Mill, Gilgal Church, and Pigeon and Cheatham hills, took a terrible toll on both armies. The heavy rain through most of June made life in the field a misery, sick lists spiked, and men and horses broke down or died. As June drew to a close, neither side could claim victory. Sherman remained undaunted. He would return to flanking, and this time, Atlanta was a mere dozen miles distant.This multi-volume study is based heavily on hundreds of primary accounts (many of which have never been used), 21 original maps, a firm understanding of the terrain, and a keen grasp of military strategy and tactics. Powell’s The Atlanta Campaign is this generation’s definitive treatment of one of the most important and fascinating confrontations of the entire Civil War. And it will stand the test of time.

Horatio Quiggle was that rarest of Civil War soldiers, serving continuously from the conflict’s outset to its conclusion. He initially joined the 14th Ohio Infantry, a three-month militia unit from northwestern Ohio, in April 1861. After its term expired that August, he promptly reenrolled in the three-year organization of the 14th, serving with the Army of the Ohio (later christened the Army of the Cumberland). On December 17, 1863, he again reenlisted for the duration of the war, not mustering out until the summer of 1865. His enduring commitment offers a unique perspective on the entire wartime experience.Through the Civil War with the Fourteenth Ohio Infantry: Horatio Quiggle’s Memoir of Service, 1861-1865 presents a fascinating, previously unpublished glimpse into the life of this “fighting regiment” and the men who filled its ranks. The 14th Ohio earned its reputation as a formidable combat unit. Out of a total enrollment of 1,404, the regiment suffered significant losses: 146 men killed in action, 186 to disease and accident, and 329 to non-lethal wounds. It fought at Mill Springs in early 1862 and engaged repeatedly under Generals Don C. Buell, William S. Rosecrans, and George H. Thomas. Among its most brutal engagements were the battles in Georgia at Chickamauga in September 1863, and a year later at Jonesboro outside Atlanta. Quiggle’s firsthand descriptions of Chickamauga’s bloody scenes are particularly striking, offering vivid insight into the realities of combat.Though he escaped serious physical injury, Quiggle endured profound personal loss, including his brother, late in the war. His memoir offers a poignant and often humorous recounting of his experiences, imbued with deep humanity. Enlisting as a 23-year-old farmer, he emerged from the conflict a profoundly transformed individual. While rich in detail and drawn from his wartime diary, Quiggle’s memoir does not present a purely tactical or analytical history of the 14th Ohio Infantry. Given the scarcity of other primary sources for the 14th, the Quiggle manuscript stands as an invaluable addition to the history of the 14th Ohio and the broader narrative of the war in the Western Theater.

A fully illustrated narrative of the Atlanta campaign complete with maps, illustrations, and diagrams. The campaign for Atlanta was pivotal to the outcome of the American Civil War. Roughly 190,000 men waged war across northern Georgia in a struggle that lasted 133 days. Today a national park at Kennesaw commemorates this titanic fight, and there are a surprising number of physical reminders still extant across the state. The struggle for Atlanta divides naturally into two stages. The first half of the campaign, from May to mid-July, can be defined as a war of maneuver, called by one historian the "Red Clay Minuet." Under Joseph E. Johnston the Confederate Army of Tennessee repeatedly invited battle from strong defensive positions. Under William T. Sherman, the combined Federal armies of the Cumberland, the Tennessee, and the Ohio repeatedly avoided attacking those positions; Sherman preferring to outflank them instead. Though there were a number of sharp, bloody engagements during this phase of the campaign, the combats were limited. Only the battles of Resaca and Kennesaw Mountain could be considered general engagements. Johnston''s repeated retreats and the commensurate loss of terrain finally forced Confederate President Jefferson Davis to replace him with a more aggressive commander—John B. Hood. This work will portray the first half of the Atlanta Campaign in text and images, using both historic sketches and photographs, as well as post-war and modern images. Extant trenches, rifle pits, redoubts, shoupades, and other works, as well as the battlefields, will be covered, as well as surviving historic structures and the monuments and cemeteries that commemorate the campaign.