Häftad, Engelska, 2018
232 kr
Skickas inom 3-6 vardagar
David Christopher – författare
Visar alla böcker från författaren David Christopher. Handla med fri frakt och snabb leverans.
12 produkter
12 produkter
- Häftad, Engelska, 2020
230 kr
Skickas inom 5-8 vardagar
- Häftad, Engelska, 2013
114 kr
Skickas inom 5-8 vardagar
- Häftad, Engelska, 2013
114 kr
Skickas inom 5-8 vardagar
- Häftad, Engelska, 2013
114 kr
Skickas inom 5-8 vardagar
- Häftad, Engelska, 2013
104 kr
Skickas inom 5-8 vardagar
- E-bokEngelska, 2012
59 kr
Läs direkt efter köp
People buy dogs for many reasons. Sometimes they want a companion or perhaps they want some security. Either way, dogs make great pets and often become thought of as family members. If you have an unruly dog, then they are thought of as obnoxious but lovable family members. If anything, dogs can sometimes be a tad bit too enthusiastic and that is when obedience training comes in handy. Obedience training will help give your dog the discipline that they need to wreck less havoc in your household and will help eliminate a lot of the stress that stems from having an untrained dog. Dog training and obedience classes can be costly but they are also not necessary. It is possible to train your dog yourself, at home to follow some basic commands, such as sit, come, down, stay, heel, leave it and go to your spot. If you would like to train your dog without spending extra money for fancy classes, this is the book for you. - Inbunden, Engelska, 2025
1 261 kr
Skickas inom 5-8 vardagar
The Toronto New Wave (TNW) comprises a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics. Several of the TNW filmmakers openly identify as anarchists and/or acknowledge a debt to anarchism in their production of highly apocalyptic narratives as part of their cinematic political projects. However, recognition of anarchism’s progressive apocalyptic theoretical relevance has yet to be substantially taken up by scholarship in cinema analysis. This analysis introduces an anarchist-inflected analytical methodology to understand the apocalyptic-revelatory political work these films attempt to accomplish in the perceptual space between the filmic texts and both their auteurs and potential viewers, and to re-locate the TNW within cinema history as an ongoing phenomenon with new significance in an apocalyptic era of digital distribution. - E-bokEngelska, 2020
151 kr
Läs direkt efter köp
Meet Bernie Cohen a.k.a. David Christopher. Pussyman! Attention deficit disordered storyteller, marijuana enthusiast, conspiracy theorist, pop culture savant, unabashed exhibitionist, lifelong missionary for the power of female sexuality! Actor, writer, director, and producer of adult films. This book is part family history, part cultural history of the late American century, part porn industry tell-all, part stoner comedy.
David was born in 1950 in a middle-class Jewish suburb south of Boston. Eschewing his filial destiny to become a meatman, he fled to New York City at first chance. He went to college in 1969, came of age in the era of free love, and has been in porn since 1975. His first scene was in the fourth movie by the director of Deep Throat. In the ''80s, he was part of the iconic S&M Avon Theater scene (with his live-in dominatrix girlfriend, Candice). Later, he ran the last big production company in New York - Coast to Coast - before the industry relocated to Los Angeles. In the early ''90s, he won Film of the Year for the first installment in his career-defining series, Pussyman. Three marriages later, we find him in Encino, California living in a small house with his beloved Lola (half-Lab, half-Rottweiler). His career downturned when his entire oeuvre was uploaded to Internet tube sites and made available for free.
Alternately ridiculous, complex, surprising, hilarious, he is, let''s say, a character. Here''s his portrait.
- Häftad, Engelska, 2027
261 kr
Kommande
100 Apocalypse Films explores one of cinema’s most enduring and revealing narrative genres through 100 key movies from around the world. From killer viruses and alien invasions to zombie plagues, nuclear war, and even mutant plants, apocalypse films imagine the end of the world in terrifying and spectacular ways. David Christopher explores how these depictions have changed in response to shifting global concerns. Alongside cult classics like Godzilla (Japan, 1954), Dawn of the Dead (USA, 1978), and 28 Days Later (UK, 2002), the book also highlights lesser-known films such as Go Goa Gone (India, 2008), Crumbs (Ethiopia, 2015), and The Unthinkable (Sweden, 2018), offering a rich, global perspective on a genre often dominated by Hollywood.In his introduction, Christopher traces the genre's history, explaining why it is particularly relevant to our contemporary moment — an era increasingly shaped by anxieties around war, climate change, global pandemics, and evolving technologies. He provides clear, engaging commentaries on each film’s narrative and aesthetic strategies, while tracing their evolution across decades and cultures. In doing so, he shows how end-of-the-world narratives have become one of cinema’s most adaptable and revealing forms. - Inbunden, Engelska, 2027
895 kr
Kommande
- Häftad, Engelska, 2027
331 kr
Kommande
The Toronto New Wave (TNW) comprises a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics. Several of the TNW filmmakers openly identify as anarchists and/or acknowledge a debt to anarchism in their production of highly apocalyptic narratives as part of their cinematic political projects. However, recognition of anarchism’s progressive apocalyptic theoretical relevance has yet to be substantially taken up by scholarship in cinema analysis. This analysis introduces an anarchist-inflected analytical methodology to understand the apocalyptic-revelatory political work these films attempt to accomplish in the perceptual space between the filmic texts and both their auteurs and potential viewers, and to re-locate the TNW within cinema history as an ongoing phenomenon with new significance in an apocalyptic era of digital distribution.
