David Foster Wallace – författare
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Lenore Beadsman har en tilltrasslad tillvaro med en försvunnen Wittgensteinstuderande farfarsmor, en dominant far som gör experiment med barnmat, en pratsam papegoja som blir frälst, en alltmer påträngande psykoterapeut – och dessutom sitter hon i en telefonväxel som har blivit vansinnig – samtidigt som hon försöker hålla liv i en svårhanterlig kärlekshistoria. Allt skildrat i halsbrytande vändningar och ett rasande tempo.
Systemets sopkvast är David Foster Wallaces debutroman från 1987 och hyllades då som en av 80-talets stora generationsromaner. Boken utgavs på svenska 1989 och beskrevs som ”en skarpsinnig kartläggning av vår tids ångest …” Denna nya utgåva har försetts med en introduktion till David Foster Wallaces författarskap av Malte Persson.
David Foster Wallace (1962–2008) föddes i Ithaka, New York och växte upp i Illinois. Han studerade engelska och filosofi vid Amherst College och innehade en professur i kreativt skrivande vid Pomona College i Claremont, Kalifornien. Utöver ett flertal romaner och essäsamlingar skrev han noveller för tidskrifter som The Paris Review, Harper’s Magazine, The New Yorker och Science.
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The unabridged, downloadable audiobook edition of The Pale King, David Foster Wallace''s final and most ambitious undertaking - an audacious and hilarious look into the abyss of ordinary life. Read by the actor Robert Petkoff.The agents at the IRS Regional Examination Centre in Peoria, IL, appear ordinary enough to newly arrived trainee David Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.The Pale King remained unfinished at the time of David Foster Wallace''s death, but it is a deeply intriguing and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions - questions of life''s meaning and of the ultimate value of work and family - through characters imagined with the interior force and generosity that were Wallace''s unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for a writer who dared to take on the most daunting subjects the human spirit can imagine.
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The Pulitzer Prize finalist and author of The Pale King and Infinite Jest weighs in on a philosophical controversy in this fascinating early work. In 1962, the philosopher Richard Taylor used six commonly accepted presuppositions to imply that human beings have no control over the future. David Foster Wallace not only took issue with Taylor's method, which, according to him, scrambled the relations of logic, language, and the physical world, but also detected a semantic trick at the heart of Taylor's argument.Fate, Time, and Language presents Wallace's brilliant critique of Taylor's work. Written long before the publication of his fiction and essays, Wallace's thesis reveals his great skepticism of abstract thinking and any school of thought that abandons "the very old traditional human verities that have to do with spirituality and emotion and community." As Wallace rises to meet the challenge to free will presented by Taylor, we witness the developing perspective of this major novelist, along with his struggle to establish solid logical ground for his convictions. This volume, edited by Steven M. Cahn and Maureen Eckert, reproduces Taylor's original article and other works on fatalism cited by Wallace. James Ryerson's introduction connects Wallace's early philosophical work to the themes and explorations of his later fiction, and Jay Garfield supplies a critical biographical epilogue.
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