David Hunter - Böcker

Developing original accounts of the many aspects of belief, On Believing puts the believer at the heart of the story. Hunter argues that to believe something is to be in position to do, think, and feel things in light of a possibility whose obtaining would make one right. The logical aspect is that being right depends only on whether that possibility obtains. The psychological one concerns how that possibility can rationalise what one does, thinks, and feels. But, Hunter argues, beliefs are not causes, capacities, or dispositions. Rather, believing rationalises because possibilities are potential reasons. Hunter also denies that believing is a form of representing. The objects of belief are possibilities, not representations, and belief states are not themselves true or false. Hunter defends this modal view against familiar objections and explores how objective and subjective limits to belief generate credal illusions and ground credal necessities. Developing a novel account of the normativity of belief, he argues that voluntary acts of inference make us responsible for our beliefs. While denying that believing is intrinsically normative, Hunter grounds the ethics of belief in attributive goodness. Believing something is to our credit when it shows us to be good in some way, and what we ought to believe depends on what we ought to know, and not on the evidence we have. The ethics of belief, Hunter argues, concern how a believer ought to be positioned in a world of possibilities.

Advice to young singers often follows the standard line of the great French singer Claire Croiza: "Study the poem away from the music, so that you know what the words really mean." But Croiza's advice is notoriously difficult to follow when performing French mélodies. Just how do you approach a French poem? In the lyric poetry on which the mélodie is based, meaning is conveyed not just through the words but also through the poem's formal structure. Understanding French Verse: A Guide for Singers explains this formal structure and sets out the basics of French versification, using examples drawn from a wide range of well-known song settings. Its chapters examine French meters, stanzaic forms, sonnets, rondels and other fixed forms, rhyme and sound patterning, and free verse poems. Written in a clear and concise way, it explains the Alexandrine, how to distinguish different meters by counting syllables, and how to identify stresses in French verse. The book also illustrates how rhyme works and the ways in which a French sonnet differs from its counterpart in English. And it demonstrates how the understanding of verse techniques enhances the interpretation and enjoyment of the mélodie. The book also offers valuable resources, including a brief history of French versification, detailed analysis of several poems, a glossary of technical terms, and suggestions for further reading. While other books help singers with French diction, or offer translations of French texts, no other book helps a singer understand the meaning behind what they are singing. Understanding French Verse is an essential tool for singers, accompanists, and other musicians who want to understand more about the French texts with which they are working. It also provides a useful basic introduction to students of French poetry.

Our world is rich in things of varying degrees of quality. This book argues that sortal quality, what others have called goodness of a kind, is the fundamental evaluative notion. It shows how it is woven into the most fundamental parts of our cognitive, emotional, and practical lives. It explains how people can identify a sortal's standards of quality and figure out how a thing measures up. It argues that sortal quality is a primary source of pleasure, showing how pleasure is a cognitive response to sortal quality. Even sensory pleasure, it argues, is tied to sortal quality. But people don't just discern and enjoy sortal quality, they also bear it. They are good in some respects and not so good in others. The book shows how a person's desires are grounded in sortal quality and how rational action is under its guise. It explains how the idea of a morally good person can be understood as a case of sortal quality, and how this grounds moral emotions like shame and resentment. By tracing how sortal quality sits at the heart of our moral psychology, the book shows how our world can be rich in sortal quality--including moral quality--even if nothing is intrinsically good or has absolute value. Those traditional evaluative notions, the book argues, are not needed to understand normativity and the roles it plays in our lives.

Clinical Governance is integral to healthcare and all doctors must have an understanding of both basic principles, and how to apply them in daily practice. Within the Clinical Governance framework, patient safety is the top priority for all healthcare organisations, with the prevention of avoidable harm a key goal. Traditionally medical training has concentrated on the acquisition of knowledge and skills related to diagnostic intervention and therapeutic procedures. The need to focus on non-technical aspects of clinical practice, including communication and team working, is now evident; ensuring tomorrow's staff are competent to function effectively in any healthcare facility. This book provides a guide to how healthcare systems work; their structure, regulation and inspection, and key areas including risk management, resource effectiveness and wider aspects of knowledge management. Changing curricula at undergraduate level reflect this, but post-graduate training is lagging behind and does not always equip trainees appropriately for a hectic clinical environment. An Introduction to Clinical Governance and Patient Safety presents a simple overview of clinical governance in context, highlighting important principles required to function effectively in a pressurised healthcare environment. It is presented in short sections based on the original seven pillars of clinical governance. These have been expanded to include the fundamental principles of systems, team working, leadership, accountability, and ownership in healthcare, with examples from everyday practice. This format is designed to facilitate use as a 'pocket guide' which can be dipped into during the working day, as well as for general reading. Examples from all branches of medicine are presented to facilitate understanding. Contributors are taken from a broad base - from junior doctors to internationally recognised experts - ensuring issues are addressed from all perspectives.

Understanding French Verse: A Guide for Singers explains the formal structure of the French language and sets out the basics of French versification, using examples drawn from a wide range of well-known song settings. In clear and concise style, it explains the Alexandrine meter typically used in French-language poetry, how to distinguish different meters by counting syllables, how to identify stresses and rhyme in French verse, and ultimately, how to enhance the interpretation and enjoyment of the melodie . The book also offers valuable resources, including a brief history of French versification, detailed analysis of several poems, a glossary of technical terms, and suggestions for further reading. While other books help singers with French diction, or offer translations of French texts, no other book helps a singer understand the meaning behind what they are singing. Understanding French Verse is an essential tool for singers, accompanists, and other musicians who want to understand more about the French texts with which they are working.

In this issue of�Clinics in Geriatric Medicine,�guest�editor�Dr. David Hunter�brings�his�considerable expertise to the topic of�Osteoarthritis. Top experts in the field cover key topics such�as�obesity and nutrition influences in osteoarthritis, the genesis of pain in osteoarthritis, overview of disease management,�and more.

Transparency and Apperception: Exploring the Kantian Roots of a Contemporary Debate explores the links between the idea that belief is transparent and Kant’s claims about apperception. Transparency is the idea that a person can answer questions about whether she, for instance, believes something by considering, not her own psychological states, but the objects and properties the belief is about. This marks a sharp contrast between a first-person and third-person perspective on one’s current mental states. This idea has deep roots in Kant’s doctrine of apperception, the claim that the human mind is essentially self-conscious, and Kant held that it underlies the responsibility that a person has for certain of their own mental states. Nevertheless, the idea of transparency and its roots in apperception remain obscure and give rise to difficult methodological and exegetical questions. The contributions in this work address these questions and will be required reading for anyone working on this intersection of the philosophy of mind and language, and epistemology.The chapters in this book were originally published in a special issue of the Canadian Journal of Philosophy.

Transparency and Apperception: Exploring the Kantian Roots of a Contemporary Debate explores the links between the idea that belief is transparent and Kant’s claims about apperception. Transparency is the idea that a person can answer questions about whether she, for instance, believes something by considering, not her own psychological states, but the objects and properties the belief is about. This marks a sharp contrast between a first-person and third-person perspective on one’s current mental states. This idea has deep roots in Kant’s doctrine of apperception, the claim that the human mind is essentially self-conscious, and Kant held that it underlies the responsibility that a person has for certain of their own mental states. Nevertheless, the idea of transparency and its roots in apperception remain obscure and give rise to difficult methodological and exegetical questions. The contributions in this work address these questions and will be required reading for anyone working on this intersection of the philosophy of mind and language, and epistemology.The chapters in this book were originally published in a special issue of the Canadian Journal of Philosophy.

This volume provides a new and innovative overview of the key debates relating to public health policy in the UK at a time when concern over public health has never been greater. Mounting public disquiet over a range of crises, such as foot and mouth, BSE and other food safety issues, public transport, pollution, obesity and the environment have fuelled this renewed interest. Yet, health policy remains preoccupied with health-care services. In this book, David Hunter explains that, while they are important, health-care services are not the principal determinants of health. Why then, do they absorb the bulk of resources and attention of policy-makers? The reasons for the extraordinary difficulties encountered in putting health before health care are multiple and complex. Separate chapters cover a range of issues, including: the relationship between health and health care, health-care management and the powerful interests at work which prevent policy aspiration from becoming reality, attempts in the UK since 1992 to pay greater attention to health issues, and examples from Europe and Canada, where a similar policy imbalance exists. In conclusion, Hunter sets out the policy implications for the future and offers a way forward based on the concept of managing for health. The approach throughout the book is accessible and user-friendly. It will be essential reading for students of public policy, health studies, social policy and sociology, and will also be invaluable to scholars, policy-makers, and health professionals interested in public health policy in the UK.

This volume provides a new and innovative overview of the key debates relating to public health policy in the UK at a time when concern over public health has never been greater. Mounting public disquiet over a range of crises, such as foot and mouth, BSE and other food safety issues, public transport, pollution, obesity and the environment have fuelled this renewed interest. Yet, health policy remains preoccupied with health-care services. In this book, David Hunter explains that, while they are important, health-care services are not the principal determinants of health. Why then, do they absorb the bulk of resources and attention of policy-makers? The reasons for the extraordinary difficulties encountered in putting health before health care are multiple and complex. Separate chapters cover a range of issues, including: the relationship between health and health care, health-care management and the powerful interests at work which prevent policy aspiration from becoming reality, attempts in the UK since 1992 to pay greater attention to health issues, and examples from Europe and Canada, where a similar policy imbalance exists. In conclusion, Hunter sets out the policy implications for the future and offers a way forward based on the concept of managing for health. The approach throughout the book is accessible and user-friendly. It will be essential reading for students of public policy, health studies, social policy and sociology, and will also be invaluable to scholars, policy-makers, and health professionals interested in public health policy in the UK.

This bibliography offers descriptions of almost 200 issues of secular voice music published in England, 1703-1726, including works by Giovanni Bononcini, Henry Purcell, John Weldon, Attilio Ariosti and Richard Leveridge. 2296 song first lines are listed and indexed. The books described represent the first extended effort to issue entirely commercial printed versions of musical stage works and they are also the first song books to be printed by engraving on a systematic basis.In addition to clarifying the bibliographic history of the books through examination of 856 copies (92% of those identified), the bibliography tests and extends the standard concepts of bibliographical description. Several new descriptive features are introduced. There are over 200 illustrations of title-pages, frontispieces and musical engraving styles. By permitting access to material that is not currently widely available in print, the bibliography will be of assistance to musicians, music and theatre historians, and literary scholars, as well as to librarians and bibliographers.

These are exciting times for philosophical theorizing about propositions, with the last 15 years seeing the development of new approaches and the emergence of new theorists. Propositions have been invoked to explain thought and cognition, the nature and attribution of mental states, language and communication, and in philosophical treatments of truth, necessity and possibility. According to Frege and Russell, and their followers, propositions are structured mind- and language-independent abstract objects which have essential and intrinsic truth-conditions. Some recent theorizing doubts whether propositions really exist and, if they do, asks how we can grasp, entertain and know them? But most of the doubt concerns whether the abstract approach to propositions can really explain them. Are propositions really structured, and if so where does their structure come from? How does this structure form a unity, and does it need to? Are the representational and structural properties of propositions really independent of those of thinking and language? What does it mean to say that an object occurs in or is a constituent of a proposition? The volume takes up these and other questions, both as they apply to the abstract object approach and also to the more recently developed approaches. While the volume as a whole does not definitively and unequivocally reject the abstract objection approach, for the most part, the papers explore new critical and constructive directions. This book was originally published as a special issue of the Canadian Journal of Philosophy.

These are exciting times for philosophical theorizing about propositions, with the last 15 years seeing the development of new approaches and the emergence of new theorists. Propositions have been invoked to explain thought and cognition, the nature and attribution of mental states, language and communication, and in philosophical treatments of truth, necessity and possibility. According to Frege and Russell, and their followers, propositions are structured mind- and language-independent abstract objects which have essential and intrinsic truth-conditions. Some recent theorizing doubts whether propositions really exist and, if they do, asks how we can grasp, entertain and know them? But most of the doubt concerns whether the abstract approach to propositions can really explain them. Are propositions really structured, and if so where does their structure come from? How does this structure form a unity, and does it need to? Are the representational and structural properties of propositions really independent of those of thinking and language? What does it mean to say that an object occurs in or is a constituent of a proposition? The volume takes up these and other questions, both as they apply to the abstract object approach and also to the more recently developed approaches. While the volume as a whole does not definitively and unequivocally reject the abstract objection approach, for the most part, the papers explore new critical and constructive directions. This book was originally published as a special issue of the Canadian Journal of Philosophy.

Almost 21 million people in the United States are afflicted by osteoarthritis and it accounts for nearly 25% of all visits to primary care physicians. Moreover, close to 50% of those 65 and older will develop symptoms of this disorder This issue of Medical Clinics examines the clinically important aspects of osteoarthritis and features articles on the following topics: epidemiology; etiopathogenesis; the role of bone and meniscus in disease genesis; genetics; joint mechanics; symptoms, imaging; overview of management; obesity and management of body weight; the role of muscle in disease genesis; use of orthotic devices; the role of analgesics and intra-articular injections in disease management; potential pharmacologic treatments; and surgical interventions.

The Dancing Savior"", by David Hunter, is a novel about the thin line between madness and sanity. Readers are plunged headfirst into a world where the bizarre is the daily norm. Hunter's story of one cop's journey to redemption is both moving and haunting"", said Steven Womack, Edgar-winning author of Chain of Fools.""

The Dancing Savior"", by David Hunter, is a novel about the thin line between madness and sanity. Readers are plunged headfirst into a world where the bizarre is the daily norm. Hunter's story of one cop's journey to redemption is both moving and haunting"", said Steven Womack, Edgar-winning author of Chain of Fools.""

How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?To evaluate the familiar, even over-familiar, story of Handel's life could be seen as a quixotic endeavour. How can there be anything new to say? This book seeks to distinguish fact from fiction, not only to produce a new biography but also to explore the concepts of biography and dissemination by using Handel's life and lives as a case study. By examining the images of Handel to be found in biographies and music histories - the genius, the religious profound, the master of musical styles, the distiller into music of English sentiment, the glorifier of the Hanoverians, the hymner of the middle class, the independent, the prodigious, the generous, the sexless, the successful, the wealthy, the bankrupt, the pious, the crude, the heroic, the devious, the battler of ill-fortune, the moral exemplar - and by adding new factual information, David Hunter shows how events are manipulated into stories and tropes. One such trope has been employed to portray numerous persons as Handel's enemies regardless of whether Handel considered them as such. Picking apart the writing of Handel's biographers and other reporters, Hunter exposes the narrative underpinnings - the lies, confusions, presumptions, and conclusions, whether direct and inferred or assumed - to show how Handel's 'lives' in biographies and histories have moulded our understanding of the musician, the man and the icon.DAVID HUNTER is Music Librarian at the University of Texas at Austin.

Written by leading authors in the field of osteoarthritis, the book discusses classification, etiology and risk factors for osteoarthritis, the disease course and determinants of osteoarthritis progression, clinical features and diagnosis as well as imaging methods to assess joint damage.