David Malcolm – författare

This is the first biography in over 100 years of the great Tom Morris of St Andrews, who presided over one of the most illustrious periods in the history of golf, who - more than anyone before or since in any game - stamped his individual character upon his sport and how, in large measure, made golf what it is today.Born in a humble weaver's cottage in St Andrews in 1821, by the time of his death in 1908, he had become a figure of international renown. When he was buried with all the pomp and ceremony befitting an eminent Victorian, newspapers around the world reported his funeral, followed by his internment below the effigy of his son, Tommy, amidst the ruins of St Andrews Cathedral.In the course of his long life, he witnessed huge social and scientific changes in the world, none more so than in the game of golf that he had, in many respects, overseen and directed. By the time of his death, the game had expanded to become the most popular and geographically widespread of all sports and the essential recreational pursuit of gentlemen. Tom Morris was a sporting hero in an age of heroes, as well as golf's first iconic figure.

A comprehensive and scholarly review of contemporary British and Irish PoetryWith contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries.Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetryContains contributions from leading scholars of British and Irish poetryIncludes an analysis of the most prominent Irish and British poetsPuts contemporary Irish and British poetry in contextWritten for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.

A comprehensive and scholarly review of contemporary British and Irish Poetry

With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries.

Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book:

Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context

Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.

A comprehensive and scholarly review of contemporary British and Irish Poetry

With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries.

Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book:

Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context

Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.

A COMPANION TO THE BRITISH AND IRISH SHORT STORY A COMPANION TO THE BRITISH AND RISH SHORT STORY A Companion to the British and Irish Short Story chronicles the development of this important literary form in Britain and Ireland from 1880 to the present. Part I covers the years up to 1945 and examines the short fiction that emerged around such themes as imperial adventures, responses to war, and detective and crime stories. Authors covered in this period include Robert Louis Stevenson, James Joyce, Liam O’Flaherty, and Elizabeth Bowen. Part II reflects the range of themes, and richer diversity of authorship, that developed during the postwar years, including feminist writings, gay and lesbian fiction, science fiction, fantasy, and short stories by Asian and Afro-Caribbean writers. Doris Lessing, Angela Carter, Hanif Kureishi, J.G. Ballard, and Ben Okri, are just some of the authors discussed in these chapters. Incorporating a wide range of approaches, A Companion to the British and Irish Short Story captures the astonishing range of modern short fiction produced in Britain and Ireland from the end of the nineteenth century.

A COMPANION TO THE BRITISH AND IRISH SHORT STORY

A COMPANION TO THE BRITISH AND RISH SHORT STORY

A Companion to the British and Irish Short Story chronicles the development of this important literary form in Britain and Ireland from 1880 to the present. Part I covers the years up to 1945 and examines the short fiction that emerged around such themes as imperial adventures, responses to war, and detective and crime stories. Authors covered in this period include Robert Louis Stevenson, James Joyce, Liam O’Flaherty, and Elizabeth Bowen. Part II reflects the range of themes, and richer diversity of authorship, that developed during the postwar years, including feminist writings, gay and lesbian fiction, science fiction, fantasy, and short stories by Asian and Afro-Caribbean writers. Doris Lessing, Angela Carter, Hanif Kureishi, J.G. Ballard, and Ben Okri, are just some of the authors discussed in these chapters.

Incorporating a wide range of approaches, A Companion to the British and Irish Short Story captures the astonishing range of modern short fiction produced in Britain and Ireland from the end of the nineteenth century.

The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D’Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War

The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D’Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War

A scholarly edition of a neglected and provocative masterpiece of the fin-de-siècle avant-gardeOffers a comprehensive analysis and interpretation of Crackanthorpe’s first volume of short storiesContextualizes the volume in terms of Crackanthorpe’s other work, in terms of contemporary writers and fin-de-siècle culture and society in Britain and EuropeIncludes two non-fiction pieces by Crackanthorpe, which he published in Albemarle and The Yellow Book in 1892 and 1894Contains an uncollected short story "The Haseltons," which Crackanthorpe published in The Yellow Book in 1894 Hubert Crackanthorpe was a skilful and technically innovative English realist/naturalist writer. This edition of his powerful first collection of short stories features a carefully contextualised introduction to the author and his work. Providing a detailed analysis of his short stories, David Malcolm situates the author within the fin-de-siècle culture and society in Britain and Europe. Appendices contain additional works that reflect Crackanthorpe’s perspective on fiction and contemporary literary trends.

A scholarly edition of a neglected and provocative masterpiece of the fin-de-siècle avant-gardeOffers a comprehensive analysis and interpretation of Crackanthorpe’s first volume of short storiesContextualizes the volume in terms of Crackanthorpe’s other work, in terms of contemporary writers and fin-de-siècle culture and society in Britain and EuropeIncludes two non-fiction pieces by Crackanthorpe, which he published in Albemarle and The Yellow Book in 1892 and 1894Contains an uncollected short story "The Haseltons," which Crackanthorpe published in The Yellow Book in 1894 Hubert Crackanthorpe was a skilful and technically innovative English realist/naturalist writer. This edition of his powerful first collection of short stories features a carefully contextualised introduction to the author and his work. Providing a detailed analysis of his short stories, David Malcolm situates the author within the fin-de-siècle culture and society in Britain and Europe. Appendices contain additional works that reflect Crackanthorpe’s perspective on fiction and contemporary literary trends.

This is a discussion of the work of one of Britain's most highly regarded novelists and the winner of the 1998 Booker Prize. David Malcolm places Ian McEwan's work in the context of British literature's particular dynamism in the last decades of the 20th century. He also examines McEwan's relationship to feminism, concern with rationalism and science, use of moral perspective, and proclivity toward fragmentation. Malcolm offers close readings of McEwan's early short stories, which he recognizes as traditional and conservative in technique despite their shocking subject matter, and all of McEwan's novels. Employing the third novel, ""The Child in Time"", as the fulcrum for his discussion, Malcolm explores the themes of incest, espionage, moral self-flagellation, sexual fixation, political dysfunction, and personal antipathy evident in the other fiction. He illuminates the continuities obscured by the conventional approach to McEwan's fiction and raises the question whether McEwan is a novelist of brilliant fragments or of overall coherence.