When writer David McFadden sets out on a tour of Ireland, he is determined to so do in a relatively innocent state. Using as a guide only In Search of Ireland, a 1930 title by travel writer H. V. Morton, he plans to follow the same route, to try to determine how things have changed and how they have remained the same.This he proceeds to do – at least at first. But soon he is wandering more and more erratically around the country, poking into any corner and musing over any sight that takes his fancy – from a cozy guest house in Kilcullen to the legendary Hill of Tara, from the south-coast pub run by twin sisters to the windswept reaches of the Ballaghbeama Gap. And increasingly he is drawn to the prehistoric monuments of ancient Ireland. As he goes, he records his very personal impressions in a clear-eyed and wryly humorous way.Wisely, McFadden also lets the many characters he meets speak for themselves; he loves a good chat and he gives ample space to the various loquacious barmen, shopkeepers, hoteliers, and passersby along the way. And of all the eccentric and appealing characters that he encounters, one of the most intriguing is his travelling companion, the mysterious Spanish chambermaid and poet Lourdes Brasil.Amusing, quirky, compassionate but unsentimental, An Innocent in Ireland is a treat for any armchair traveller.

In 1995, David W. McFadden published An Innocent in Ireland: Curious Rambles and Singular Encounters, a quirky and affectionate account of his travels around Ireland. In undertaking the trip, he chose as his guide H. V. Morton, the prolific travel writer of the 1920s and 1930s, whose In Search of Ireland (part of Morton’s famous In Search of... series) had been familiar to him since childhood.Now, setting out to explore Scotland, his family’s ancestral home, McFadden plans to use the same technique: to follow Morton’s route around the country, observing how things have changed and in what ways they remain the same. As in An Innocent in Ireland, however, his own inquiring mind and engaging personality take over, and Morton appears less and less as McFadden becomes increasingly absorbed by the landscape – and particularly by the people.Starting in the Lowlands, he travels through Burns country (examining verses that Burns is alleged to have inscribed on a Dumfries window with his diamond ring) and up the east coast to the Highlands. There he lingers by Loch Ness (spotting nothing but tourists), before heading over to the west coast and falling in love with it – particularly with the islands of Mull and Iona. Through the entire trip, McFadden charts an erratic course, led only by H. V. Morton and his own acute eye and very lively curiosity. As he does so, he records his extremely personal impressions, which are wry, amused – and often more astute than he lets on.The reader won’t find many of the traditional Scottish tourist sites in this account. Rather, as in An Innocent in Ireland, McFadden loves a good chat, and he wisely lets the many characters he meets speak for themselves. He gives generous attention to a variety of talkative barmen, hoteliers, shopkeepers, as well as to passersby that he encounters in the course of his travels. Their conversations, ranging from the instructive or humorous to the eccentric and even surreal, give a thoroughly entertaining view of a Scotland the guidebooks never reveal.Still quirky, affectionate, always ready to be intrigued or amused, David McFadden makes an ideal companion for any armchair traveller.

With An Innocent in Ireland (1995), David McFadden began his eccentric journeys to the heart of some of the world’s most unique island nations. Now McFadden rambles through the highs and lows of Cuba, home to cigars, Guantanamera, and of course Castro. The beautiful Caribbean landscape, along with Cuba’s rich history, culture, and uncertain future, lend themselves to the quirky eye and wry witticisms of our innocent Canadian guide.Poking into the nation’s many corners, McFadden offers a series of vignettes of the people, cities,villages, roads, and countryside of the island the author refers to as “the most famous little country in the world.” Warm and colourful, An Innocent in Cuba is a musical, sensuous, flirtatious, joyful tribute to the Cuban spirit in all its incarnations.

When writer David McFadden sets out on a tour of Ireland, he is determined to so do in a relatively innocent state. Using as a guide only In Search of Ireland, a 1930 title by travel writer H. V. Morton, he plans to follow the same route, to try to determine how things have changed and how they have remained the same.This he proceeds to do – at least at first. But soon he is wandering more and more erratically around the country, poking into any corner and musing over any sight that takes his fancy – from a cozy guest house in Kilcullen to the legendary Hill of Tara, from the south-coast pub run by twin sisters to the windswept reaches of the Ballaghbeama Gap. And increasingly he is drawn to the prehistoric monuments of ancient Ireland. As he goes, he records his very personal impressions in a clear-eyed and wryly humorous way.Wisely, McFadden also lets the many characters he meets speak for themselves; he loves a good chat and he gives ample space to the various loquacious barmen, shopkeepers, hoteliers, and passersby along the way. And of all the eccentric and appealing characters that he encounters, one of the most intriguing is his travelling companion, the mysterious Spanish chambermaid and poet Lourdes Brasil.Amusing, quirky, compassionate but unsentimental, An Innocent in Ireland is a treat for any armchair traveller.

David McFadden travels around Newfoundland. Who knows which was most charmedIn An Innocent in Ireland (1995) and An Innocent in Scotland (1999), poet and traveller David McFadden let the spirit of the country – and his own interests – guide his rambles. He has now done the same in Newfoundland.Zigzagging across the province in his rented car, he charts an erratic course, admiring lawn sculpture (in his opinion a new local art), visiting fellow poets and publishers, wandering at dusk among the Viking mounds at L’Anse aux Meadows, rooming with a Salvation Army family in a distant outport (and discovering a family tragedy), hanging on in a stiff wind to watch birds nesting on a cliff face, and enjoying the social life in countless bars and restaurants.It soon becomes clear that McFadden’s love of a good chat is shared widely by the people he meets in Newfoundland and he is wise enough to let them tell their own stories. For, as ever, his interest is in the heart of a place – and not just its scenery.Alert, somewhat eccentric, always ready to amuse and be amused, David McFadden is an ideal travelling companion.

This second edition provides you with additional insight on the topic of fireground investigation, taking you through the various procedures necessary for reconstructing the events that led to the fire. Included are discussions related to fire behavior, heat sources ,interior and exterior evidence, documentation, and reporting procedures, as well as new case studies. Contents: The scope and purpose of fireground investigation The influence of fire behavior on fire investigation Factors that influence fire behavior Heat/ignition sources Fireground observations Investigating the fire: building exterior Investigating the fire: building interior Vehicle fires Evidence Motivation for arson Answers to study questions.

A Governor General’s Award nominee, this book of poetry critiques the commercialism and shallowness of modern society.

Anonymity Suite reaffirms David McFadden’s reputation as one of the more interesting and completely enjoyable voices in Canadian poetry. Like a Pre-Raphaelite painter, he is able to join various objects, experiences, voices, and moods in a single canvas. A poem may begin with someone studying Italian on the shore of Lake Como, or drinking kava with firewalkers in the South Seas, and end up with Kelly Gruber and the notorious Skydome heckler. Formally, this is very much a suite of poems, using images from nature, history, and culture to unite thematic strands dealing with sentimentality and anonymity, joy and grief, personality and universality, and a wealth of philosophical and ethical concerns.From the Trade Paperback edition.

Competition is recognised as a key driver of growth and innovation. Competition ensures that businesses continually improve their goods and services whilst striving to reduce their costs. Anti-competitive conduct by businesses, such as price-fixing, causes harm to the economy, to other businesses and to consumers. It is small businesses and the consumer who ultimately pay the price for anti-competitive conduct. A coherent competition policy that is both effectively implemented and effectively enforced is essential in driving growth and innovation in a market economy. The importance of competition was recently emphasised when the EU/ECB/IMF ''Troika'' included a number of competition specific conditions to the terms of Ireland''s bailout. Both Irish and Community law recognise the right for parties injured by anti-competitive conduct to sue for damages. This right to damages, in theory, allows those that have suffered loss to recover that loss whilst helping to deter others from taking the illegal route to commercial success. However private actions for damages in Ireland are rare. This book asks what the purpose of private competition litigation is and questions why there has been a dearth of this litigation in Ireland. The author makes a number of suggestions for reform of the law to enable and encourage private competition litigation. The author takes as his starting point the European Commission''s initiative on damages actions for breach of the EC antitrust rules and compares the position in Ireland to that currently found in the UK and US.

When writer David McFadden sets out on a tour of Ireland, he is determined to so do in a relatively innocent state. Using as a guide only In Search of Ireland, a 1930 title by travel writer H. V. Morton, he plans to follow the same route, to try to determine how things have changed and how they have remained the same.This he proceeds to do – at least at first. But soon he is wandering more and more erratically around the country, poking into any corner and musing over any sight that takes his fancy – from a cozy guest house in Kilcullen to the legendary Hill of Tara, from the south-coast pub run by twin sisters to the windswept reaches of the Ballaghbeama Gap. And increasingly he is drawn to the prehistoric monuments of ancient Ireland. As he goes, he records his very personal impressions in a clear-eyed and wryly humorous way.Wisely, McFadden also lets the many characters he meets speak for themselves; he loves a good chat and he gives ample space to the various loquacious barmen, shopkeepers, hoteliers, and passersby along the way. And of all the eccentric and appealing characters that he encounters, one of the most intriguing is his travelling companion, the mysterious Spanish chambermaid and poet Lourdes Brasil.Amusing, quirky, compassionate but unsentimental, An Innocent in Ireland is a treat for any armchair traveller.

In 1995, David W. McFadden published An Innocent in Ireland: Curious Rambles and Singular Encounters, a quirky and affectionate account of his travels around Ireland. In undertaking the trip, he chose as his guide H. V. Morton, the prolific travel writer of the 1920s and 1930s, whose In Search of Ireland (part of Morton’s famous In Search of... series) had been familiar to him since childhood.Now, setting out to explore Scotland, his family’s ancestral home, McFadden plans to use the same technique: to follow Morton’s route around the country, observing how things have changed and in what ways they remain the same. As in An Innocent in Ireland, however, his own inquiring mind and engaging personality take over, and Morton appears less and less as McFadden becomes increasingly absorbed by the landscape – and particularly by the people.Starting in the Lowlands, he travels through Burns country (examining verses that Burns is alleged to have inscribed on a Dumfries window with his diamond ring) and up the east coast to the Highlands. There he lingers by Loch Ness (spotting nothing but tourists), before heading over to the west coast and falling in love with it – particularly with the islands of Mull and Iona. Through the entire trip, McFadden charts an erratic course, led only by H. V. Morton and his own acute eye and very lively curiosity. As he does so, he records his extremely personal impressions, which are wry, amused – and often more astute than he lets on.The reader won’t find many of the traditional Scottish tourist sites in this account. Rather, as in An Innocent in Ireland, McFadden loves a good chat, and he wisely lets the many characters he meets speak for themselves. He gives generous attention to a variety of talkative barmen, hoteliers, shopkeepers, as well as to passersby that he encounters in the course of his travels. Their conversations, ranging from the instructive or humorous to the eccentric and even surreal, give a thoroughly entertaining view of a Scotland the guidebooks never reveal.Still quirky, affectionate, always ready to be intrigued or amused, David McFadden makes an ideal companion for any armchair traveller.

With An Innocent in Ireland (1995), David McFadden began his eccentric journeys to the heart of some of the world’s most unique island nations. Now McFadden rambles through the highs and lows of Cuba, home to cigars, Guantanamera, and of course Castro. The beautiful Caribbean landscape, along with Cuba’s rich history, culture, and uncertain future, lend themselves to the quirky eye and wry witticisms of our innocent Canadian guide.Poking into the nation’s many corners, McFadden offers a series of vignettes of the people, cities,villages, roads, and countryside of the island the author refers to as “the most famous little country in the world.” Warm and colourful, An Innocent in Cuba is a musical, sensuous, flirtatious, joyful tribute to the Cuban spirit in all its incarnations.

When writer David McFadden sets out on a tour of Ireland, he is determined to so do in a relatively innocent state. Using as a guide only In Search of Ireland, a 1930 title by travel writer H. V. Morton, he plans to follow the same route, to try to determine how things have changed and how they have remained the same.This he proceeds to do – at least at first. But soon he is wandering more and more erratically around the country, poking into any corner and musing over any sight that takes his fancy – from a cozy guest house in Kilcullen to the legendary Hill of Tara, from the south-coast pub run by twin sisters to the windswept reaches of the Ballaghbeama Gap. And increasingly he is drawn to the prehistoric monuments of ancient Ireland. As he goes, he records his very personal impressions in a clear-eyed and wryly humorous way.Wisely, McFadden also lets the many characters he meets speak for themselves; he loves a good chat and he gives ample space to the various loquacious barmen, shopkeepers, hoteliers, and passersby along the way. And of all the eccentric and appealing characters that he encounters, one of the most intriguing is his travelling companion, the mysterious Spanish chambermaid and poet Lourdes Brasil.Amusing, quirky, compassionate but unsentimental, An Innocent in Ireland is a treat for any armchair traveller.

David McFadden travels around Newfoundland. Who knows which was most charmedIn An Innocent in Ireland (1995) and An Innocent in Scotland (1999), poet and traveller David McFadden let the spirit of the country – and his own interests – guide his rambles. He has now done the same in Newfoundland.Zigzagging across the province in his rented car, he charts an erratic course, admiring lawn sculpture (in his opinion a new local art), visiting fellow poets and publishers, wandering at dusk among the Viking mounds at L’Anse aux Meadows, rooming with a Salvation Army family in a distant outport (and discovering a family tragedy), hanging on in a stiff wind to watch birds nesting on a cliff face, and enjoying the social life in countless bars and restaurants.It soon becomes clear that McFadden’s love of a good chat is shared widely by the people he meets in Newfoundland and he is wise enough to let them tell their own stories. For, as ever, his interest is in the heart of a place – and not just its scenery.Alert, somewhat eccentric, always ready to amuse and be amused, David McFadden is an ideal travelling companion.

This second edition provides you with additional insight on the topic of fireground investigation, taking you through the various procedures necessary for reconstructing the events that led to the fire. Included are discussions related to fire behavior, heat sources ,interior and exterior evidence, documentation, and reporting procedures, as well as new case studies. Contents: The scope and purpose of fireground investigation The influence of fire behavior on fire investigation Factors that influence fire behavior Heat/ignition sources Fireground observations Investigating the fire: building exterior Investigating the fire: building interior Vehicle fires Evidence Motivation for arson Answers to study questions.

A Governor General’s Award nominee, this book of poetry critiques the commercialism and shallowness of modern society.

Anonymity Suite reaffirms David McFadden’s reputation as one of the more interesting and completely enjoyable voices in Canadian poetry. Like a Pre-Raphaelite painter, he is able to join various objects, experiences, voices, and moods in a single canvas. A poem may begin with someone studying Italian on the shore of Lake Como, or drinking kava with firewalkers in the South Seas, and end up with Kelly Gruber and the notorious Skydome heckler. Formally, this is very much a suite of poems, using images from nature, history, and culture to unite thematic strands dealing with sentimentality and anonymity, joy and grief, personality and universality, and a wealth of philosophical and ethical concerns.From the Trade Paperback edition.

Competition is recognised as a key driver of growth and innovation. Competition ensures that businesses continually improve their goods and services whilst striving to reduce their costs. Anti-competitive conduct by businesses, such as price-fixing, causes harm to the economy, to other businesses and to consumers. It is small businesses and the consumer who ultimately pay the price for anti-competitive conduct. A coherent competition policy that is both effectively implemented and effectively enforced is essential in driving growth and innovation in a market economy. The importance of competition was recently emphasised when the EU/ECB/IMF ''Troika'' included a number of competition specific conditions to the terms of Ireland''s bailout. Both Irish and Community law recognise the right for parties injured by anti-competitive conduct to sue for damages. This right to damages, in theory, allows those that have suffered loss to recover that loss whilst helping to deter others from taking the illegal route to commercial success. However private actions for damages in Ireland are rare. This book asks what the purpose of private competition litigation is and questions why there has been a dearth of this litigation in Ireland. The author makes a number of suggestions for reform of the law to enable and encourage private competition litigation. The author takes as his starting point the European Commission''s initiative on damages actions for breach of the EC antitrust rules and compares the position in Ireland to that currently found in the UK and US.