David Salle – författare
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3 produkter
3 produkter
169 kr
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In How to See, David Salle explores how art works and how it moves us, informs us and challenges us. This internationally renowned painter’s incisive essay collection illuminates the work of many of the most influential artists of the twentieth century. Engaging with a wide range of Salle’s friends and contemporaries—from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein and Alex Katz—How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.Salle writes with humour and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result is a master class on how to see with an artist’s eye.
451 kr
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The definitive monograph on the acclaimed German artist Neo Rauch, one of the most influential figurative painters working todayNeo Rauch is one of the world’s most successful and popular contemporary artists. A leading force of the Leipzig School, the group of artists that emerged from East Germany in the early 1990s after the fall of the Berlin Wall, Rauch quickly established himself internationally through his large canvases featuring a crossover between Surrealism and popular imagery.Characterized by a bright acidic palette, Rauch’s ambiguous landscapes are populated by spatially connected, alienated figures conjuring a mysterious atmosphere of distorted nostalgia and failed Utopia. This career-spanning monograph was made in close collaboration with the artist, showcasing Rauch’s work alongside essays and texts that illuminate his work and career.
556 kr
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Published on the occasion of the exhibition David Salle: New Pastorals at Gladstone, New York in 2024.Foreword by Nancy Spector and essay by Ben Lerner.To create this new series of dynamically constructed paintings, the New Pastorals (2024–),Salle developed an AI training model in partnership with engineer Grant Davis, focused exclusively on hisown previous work, namely his Pastorals series from the late 1990s and early 2000s. These canvases, accordingto the artist, provided the perfect range of data to deconstruct and reassemble: their compositions are divided intodiscrete interlocking shapes; there are several distinct color palettes operating simultaneously; and they are suffusedwith a myriad of detail. What resulted, when the machine was torqued by a lever that determines degrees of similarityand dissimilarity, were irreal mountain landscapes populated by fragmenting bodies, vestiges of bathers and shepherdssuccumbing to the determinant forces of code.