David Wojnarowicz – författare

I am glad I am alive to witness these things; giving words to this life of sensations is a relief. Smell the flowers while you can.Close to the Knives is the artist, writer and activist David Wojnarowicz's extraordinary memoir. Filthy, beautiful, and sharp to the point of piercing, it is both an exploration of the world seen through the eyes of an artist, and a moving portrait of a generation living, grieving, and dying through the AIDS crisis. It is a triumphant hymn of resistance, and a dizzying celebration of the joys of seeing and living in the world.

Voices from the margins of American life tell tales of trickery, betrayal, sex, and defeat in these short monologues by "a spokesman for the unspeakable" (New York magazine). In his full but regrettably brief lifetime, David Wojnarowicz was many things: a visual and performance artist whose radical work incensed the right-wing establishment, a tireless AIDS and anticensorship activist, and, most emphatically, a writer. His Waterfront Journals are a remarkable collection of fictionalized stories spoken in the voices of unforgettable characters the author met during his time spent living on America''s streets and traveling her back roads. The narrators speak from the heart and from the depths of despair, creating an often shocking and powerfully moving mosaic of life in the shadows. Here are junkies and boy hustlers, truckers and hoboes. A runner tells of his encounter with two drug-using priests who openly and proudly discuss their various sexual exploits. Whores tell of johns who brutalized them and corrupt cops who did the same. A young man relays his tale of a seedy movie balcony pickup and his shocking discovery that his "date" was not who she seemed. Another man describes sex with an amputee Vietnam veteran. Each of their stories stuns with hard and haunting truths that will leave the reader staggered and breathless, yet exhilarated. From a Lambda Literary Award winner and the subject of a new documentary by Chris McKim, these are "dispatches from that region of dissolute grace at the city''s edge" (Time Out New York).

From life in the streets and love in the alleys to fame in the spotlight and an untimely death—raw, biting, and brilliant selections from the personal journals of one of the most uniquely creative artists of the late twentieth centuryWhen his life ended at age thirty-seven—a casualty of the AIDS epidemic that took so many before their time—David Wojnarowicz had long since established himself as one of America''s most vital artists and activists. In the Shadow of the American Dream is a stunning collection of riveting and revealing chapters from Wojnarowicz''s extensive personal diaries—thirty volumes'' worth of memories and lucid observations, some bitter, some sweet—that the author began writing when he was seventeen and continued until his death two decades later. Here is a brilliant chronicle of an artist''s emergence—a young man''s still achingly fresh memories of his unhappy adolescence and his glorious discovery of self. Wojnarowicz recalls his life on Manhattan''s Lower East Side with no shame or regret, and shares his hitchhiking journeys across the country. He talks of art and love and sex—embracing who he is fully and accepting his heartbreaking fate without pathos—while providing fascinating glimpses into the vibrant and colorful New York art scene and poignant views of life and death among the AIDS community.At once frightening and courageous, joyous and disturbing, enlightening and honest, In the Shadow of the American Dream is a treasured addition to the enduring literary legacy of David Wojnarowicz and a true testament to his unique brilliance.

The "fierce, erotic, haunting, truthful" memoirs of an extraordinary artist, activist, and iconoclast who lit up late-twentieth-century New York (Dennis Cooper).One of the New York Times'' "50 Best Memoirs of the Past 50 Years"David Wojnarowicz''s brief but eventful life was not easy. From a suburban adolescence marked by neglect, drugs, prostitution, and abuse to a squalid life on the streets of New York City, to fame—and infamy—as an activist and controversial visual artist whose work was lambasted in the halls of Congress, all before his early death from AIDS at age thirty-seven, Wojnarowicz seemed to be at war with a homophobic "establishment" and the world itself. Yet what emerged from the darkness was a truly extraordinary artist and human being—an angry young man of remarkable poetic sensibilities who was inordinately sympathetic to those who, like him, lived and struggled outside society''s boundaries.Close to the Knives is his searing yet strangely beautiful account told in a collection of powerful essays. An author whom reviewers have compared to Kerouac and Genet, David Wojnarowicz mesmerizes, horrifies, and delights in equal measure with his unabashed honesty. At once savage and funny, poignant and sexy, compassionate and unforgiving, his words and stories cut like knives, leaving indelible marks on all who read them.

Autobiographical stories and drawings by the artist and AIDS activist featured in the new documentary by Chris McKim.   For most of his life, David Wojnarowicz considered himself the ultimate outsider and a true invisible man. “I’m a blank spot in a hectic civilization,” he writes in this fierce and unforgettable collection of four blistering autobiographical pieces, illustrated with his own arresting ink drawings. Wojnarowicz, who died of AIDS in New York City at the age of thirty-seven, left behind a body of work that was staggering in its variety and originality. Painter, writer, photographer, performance artist, and filmmaker, he made an indelible mark on virtually every stage of the national arts scene. Yet nowhere does his anger, love, or compassion show itself as strongly as in his writing, which earned a Lambda Literary Award and prompted critics to call him the Jack Kerouac of his generation.   The horrors of Wojnarowicz’s past inform his literature—his years spent as a child prostitute and living homeless on the New York streets, his outspoken, very public battle against the disease that would eventually take his life, and the entrenched government bureaucracy that sat by and did nothing. The world as seen through Wojnarowicz’s eyes in these four masterful short works is stark, cruel, and cold—and yet gloriously alive, ennobled by surprising acts of heartrending humanity. Memories That Smell Like Gasoline is a celebration of sorts: of sex, of love, of art, and of having truly lived.

David Wojnarowicz’s use of photography, at times in conjunction with text and painting, was extraordinary, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. Brush Fires in the Social Landscape , begun in col - laboration with the artist before his death in 1992 and first published in 1994, engaged what Wojnarowicz would refer to as his “tribe” or community. Contributors—from artist and writer friends such as Karen Finley, Nan Goldin, Kiki Smith, Vince Aletti, Cynthia Carr, and Lucy R. Lippard, to David Cole, the lawyer who represented him in his case against Donald Wildmon and the American Family Association—together offer a compelling, provocative understanding of the artist and his work. Brush Fires is also the only book that features the breadth of Wojnarowicz’s work with photography. Now, on the twentieth anniversary of Brush Fires , when interest in the artist’s work has increased exponentially, this expanded and redesigned edition of this seminal publication puts the work in front of an audience all over again while maintaining the integrity of the original. Through the lens of various contributors, the book address Wojnarowicz’s profound legacy: the relentless tugs, allegiances, censorship, and ethical issues, alongside his aesthetic brilliance, courage, and influence.

"Wojnarowicz is a spokesman for the unspeakable." —New York MagazineDavid Wojnarowicz, one of the most provocative artists of his generation, explores memory, violence, and the erotism of public space—all under the specter of AIDS.Here are David Wojnarowicz’s most intimate stories and sketches, from the full spectrum of his life as an artist and AIDS activist. Four sections—"Into the Drift and Sway," "Doing Time in a Disposable Body," "Spiral," and “Memories that Smell like Gasoline”—are made of images and indictments of a precocious adolescence, and his later adventures in the streets of New York. Combining text and image, tenderness and rage, Wojnarowicz’s Memories that Smell like Gasoline is a disavowal of the world that wanted him dead, and a radical insistence on life.The new and revised edition features a foreword by Ocean Vuong and a note from the editor, Amy Scholder.

A visceral and carnivalesque mosaic of life at the fringesThe Waterfront Journals is a road trip through the sensuous, perilous landscape of alternative America - a series of fictional monologues that ventriloquise the real people Wojnarowicz met on his travels while he was sleeping rough.We meet these hustlers, runaways and dreamers in unassuming locations - in truck stops, bus stations and parks. Their stories are disturbing, often shocking; but they're told with an honesty and a hallucinatory intensity that simply demands to be heard.Published for the first time in the UK, this electrifying collection confirms that David Wojnarowicz was not only one of millennial America's most necessary and visionary artists, but also among its most humane and urgent literary chroniclers.