Dawn Raffel – författare

The extraordinary tale of how a mysterious immigrant "doctor" became the revolutionary innovator of saving premature babies--by placing them in incubators in World''s Fair side shows and on Coney Island and Atlantic City.  Was Martin Couney a charlatan or a good doctor?As Dawn Raffel artfully recounts, Dr. Couney figured out he could use incubators and careful nursing to keep previously doomed infants alive, and at the same time make good money displaying these babies alongside sword swallowers, bearded ladies, and burlesque shows. How this turn-of-the-twentieth-century émigré became the savior to families with premature infants, known then as "weaklings"--while ignoring the scorn of the medical establishment--is one of the most astounding stories of modern medicine. And as readers will find, Dr. Couney, for all his opportunistic entrepreneurial gusto, is a surprisingly appealing character, someone who genuinely cared for the well-being of his tiny patients. But he was not, after all, a doctor.Drawing on newly discovered documents, obscure contemporary reports, and interviews with some of the now elderly surviving infants, acclaimed journalist and magazine editor Dawn Raffel tells the marvelously eccentric story of Couney''s mysterious carnival career, his larger-than-life personality, and his unprecedented success as the savior of tiny babies.

Elise, a young woman with a mysteriously ill son, returns to her childhood home years after running away with a lover. Now destitute, she begins to search for an object hidden somewhere in the house, which has been in a state of disrepair since her mother''s untimely death. Her father, who fled political terror in in his youth, is frail and often dreaming. So it falls to Elise''s older sister, who has never left home, to maintain family order. Unraveled by alcohol and her own longing for escape, "Aunt," as Elise''s sister is simply known, is further disturbed by the child''s illness and his mother''s irresponsibility. To placate the child, she turns to the bedtime tale of the Three Little Pigs, which becomes increasingly corrupted with each telling. As Aunt struggles to take care of the child, she recalls -- with a mixture of jealousy and resentment -- the day her sister left home. Meanwhile, Elise continues her search, with consequences that will alter Aunt''s life irrevocably. A writer of "obvious and extreme talent" (Los Angeles Times), Raffel uses starkly beautiful, stunningly precise language to etch this compelling portrait of a family torn apart by longing, miscommunication, and misdirected love. Meticulously crafted and utterly absorbing, Carrying The Body is ultimately about the inescapable emotional legacies passed from generation to generation, and our dreams of refuge and release.

“Dawn Raffel''s stories are like prismatic drops of rain, hanging from the edge of a roof or sliding down a windshield, reflecting an entire world within. The language of motherhood, of adulthood, of childhood — the language of family and individual — has never been like this. Sly and probing, with the sting of precision and pain.” —Susan Straight“In Dawn Raffel''s Further Adventures in the Restless Universe the oppressive truth of our mortality unsettles but does not vanquish the spirit. The woman as drudge may be "a failure at folding," but she is a rare songmaker whose dialogues with a son, a sister — the usual figures from the family romance — make for a musical and philosophical call and response. The son proposes one way to keep birds from crashing into fatally clear windows is to ‘open the windows all over the world.’ These stories promise more life. Take them to heart!” —Christine SchuttWhen Dawn Raffel was a very small child, her father used to read to her nightly from The Restless Universe—a layman’s guide to physics by the Nobel Laureate Max Born. Although she loved the time spent with her father, she didn’t—despite his statements to the contrary—comprehend a word of the physics. It was her first recognition that love so often comes with imperfect understanding.The 21 stories in Further Adventures in the Restless Universe are about fathers, daughters, mothers, sisters, husbands, wives, strangers, lovers, sons, neighbors, kings, death, faith, astronomical phenomena, and the way the heart warps time. Of her previous work, one reviewer stated, “Raffel takes conventions and smashes them to bits” and another called it “extreme literature.” Of Further Adventures, Publisher’s Weekly says, “Raffel''s stripped-to-the-bone prose is a model of economy and grace.”Dawn Raffel is the author of a previous collection of short stories, In the Year of Long Division, and a novel, Carrying the Body. Her work has appeared in O, The Oprah Magazine, Conjunctions, NOON, Open City, The Mississippi Review, The Quarterly, Unsaid, and numerous other periodicals and anthologies. She has taught creative writing in the MFA program at Columbia University and is a magazine editor in New York City.“Readers have come to expect from Dawn Raffel’s prose nothing less than the syllable-by-syllable perfections of purest poetry and the boldest wisdom a human heart can hold. Her new collection of pithy, exquisite fictions about the timeless crises of mothers, daughters, and wives is breathtaking and haunting in its majestic exactitudes.” —Gary Lutz“Less has never been more than in Dawn Raffel''s Further Adventures in the Restless Universe. These spare, high-intensity stories of brave people at the end of their ropes are not only models of writerly integrity, but monuments of the spirit asserting itself out of the depths of silence.” – David Gates

Elise, a young woman with a mysteriously ill son, returns to her childhood home years after running away with a lover. Now destitute, she begins to search for an object hidden somewhere in the house, which has been in a state of disrepair since her mother's untimely death. Her father, who fled political terror in in his youth, is frail and often dreaming. So it falls to Elise's older sister, who has never left home, to maintain family order. Unraveled by alcohol and her own longing for escape, "Aunt," as Elise's sister is simply known, is further disturbed by the child's illness and his mother's irresponsibility. To placate the child, she turns to the bedtime tale of the Three Little Pigs, which becomes increasingly corrupted with each telling. As Aunt struggles to take care of the child, she recalls -- with a mixture of jealousy and resentment -- the day her sister left home. Meanwhile, Elise continues her search, with consequences that will alter Aunt's life irrevocably.A writer of "obvious and extreme talent" (Los Angeles Times), Raffel uses starkly beautiful, stunningly precise language to etch this compelling portrait of a family torn apart by longing, miscommunication, and misdirected love. Meticulously crafted and utterly absorbing, Carrying The Body is ultimately about the inescapable emotional legacies passed from generation to generation, and our dreams of refuge and release.

A collection of sixteen short stories provides an extraordinary journey into the human soul that explores the uneasiness of individuals as they cope with experiences outside of themselves.