Diana Abu-Jaber – författare

In Diana Abu-Jaber's "impressive, entertaining" (Chicago Tribune) first novel, a small, poor-white community in upstate New York becomes home to the transplanted Jordanian family of Matussem Ramoud: his grown daughters, Jemorah and Melvina; his sister Fatima; and her husband, Zaeed. The widower Matuseem loves American jazz, kitschy lawn ornaments, and, of course, his daughters. Fatima is obsessed with seeing her nieces married—Jemorah is nearly thirty! Supernurse Melvina is firmly committed to her work, but Jemorah is ambivalent about her identity and role. Is she Arab? Is she American? Should she marry and, if so, whom?Winner of the Oregon Book Award and finalist for the National PEN/Hemingway Award, Arabian Jazz is "a joy to read…You will be tempted to read passages out loud. And you should" (Boston Globe). USA Today praises Abu-Jaber's "gift for dialogue...her Arab-American rings musically, and hilariously, true."

Sirine, the heroine of this "deliciously romantic romp" (Vanity Fair) is thirty-nine, never married, and living in the Arab-American community of Los Angeles. She has a passion for cooking and works contentedly in a Lebanese restaurant, while her storytelling uncle and her saucy boss, Umm Nadia, believe she should be trying harder to find a husband. One day Hanif, a handsome professor of Arabic literature, an Iraqi exile, comes to the restaurant. Sirine falls in love and finds herself questioning everything she thought she knew about Hanif, as well as her own torn identity as an Arab-American.

Secretly, in her heart of hearts, Lena Dawson hides the strangest of beliefs about her childhood. Hiding behind a cool competence as a superb fingerprint analyst in a crime lab in snowy Syracuse, New York, she feels totally out of place in the ordinary world of human interaction. Especially since the controlling husband who guided and protected her, then cheated and left her (though now he wants her back). Her uncanny ability to read a crime scene draws her into investigating a mysterious series of crib deaths—but ultimately the most difficult puzzle she must solve is the one of her own origins.Diana Abu-Jaber, a “gifted and graceful writer” (Chicago Tribune), masterfully “transcends formula” (Kirkus Reviews) as “the tension of Origin escalates, shaped as much by beautifully nuanced prose as menacing events” (New York Daily News).

At thirteen, Felice Muir ranaway from home to punish herself for some horrible thing she had done—leaving ahole in the hearts of her pastry-chef mother, her real estate attorney father,and her foodie-entrepreneurial brother. After five years of scrounging forfood, drugs, and shelter on Miami Beach, Felice is now turning eighteen, andshe and the family she left behind must reckon with the consequences of heractions—and make life-affirming choices about what matters to them most, nowand in the future.

On one side, there is Grace: prize-winning author Diana Abu-Jaber’s tough, independent sugar-fiend of a German grandmother, wielding a suitcase full of holiday cookies. On the other, Bud: a flamboyant, spice-obsessed Arab father, full of passionate argument. The two could not agree on anything: not about food, work, or especially about what Diana should do with her life. Grace warned her away from children. Bud wanted her married above all—even if he had to provide the ring. Caught between cultures and lavished with contradictory “advice” from both sides of her family, Diana spent years learning how to ignore others’ well-intentioned prescriptions.Hilarious, gorgeously written, poignant, and wise, Life Without a Recipe is Diana’s celebration of journeying without a map, of learning to ignore the script and improvise, of escaping family and making family on one’s own terms. As Diana discovers, however, building confidence in one’s own path sometimes takes a mistaken marriage or two—or in her case, three: to a longhaired boy-poet, to a dashing deconstructionist literary scholar, and finally to her steadfast, outdoors-loving Scott. It also takes a good deal of angst (was it possible to have a serious writing career and be a mother?) and, even when she knew what she wanted (the craziest thing, in one’s late forties: a baby!), the nerve to pursue it.Finally, fearlessly independent like the Grace she’s named after, Diana and Scott’s daughter Gracie will heal all the old battles with Bud and, like her writer-mom, learn to cook up a life without a recipe.

Amani is hooked on a mystery—a poem on airmail paper that slips out of one of her father’s books. It seems to have been written by her grandmother, a refugee who arrived in Jordan during the First World War.Soon the perfect occasion to investigate arises: her Uncle Hafez, an advisor to the King of Jordan, invites her father to celebrate the king’s sixtieth birthday—and to fence with the king, as in their youth. Her father has avoided returning to his homeland for decades, but Amani persuades him to come with her. Uncle Hafez will make their time in Jordan complicated—and dangerous—after Amani discovers a missing relative and is launched into a journey of loss, history and, eventually, a fight for her own life.Fencing with the King masterfully draws on King Lear and Arthurian fable to explore the power of inheritance, the trauma of displacement and whether we can release the past to build a future.

The King of Jordan is turning 60! How better to celebrate the occasion than with his favourite pastime—fencing—and with his favourite sparring partner, Gabriel Hamdan, who must be enticed back from America, where he lives with his wife and his daughter, Amani.Amani, a divorced poet, jumps at the chance to accompany her father to his homeland for the King’s birthday. Her father’s past is a mystery to her—even more so since she found a poem on blue airmail paper slipped into one of his old Arabic books, written by his mother, a Palestinian refugee who arrived in Jordan during World War I. Her words hint at a long-kept family secret, carefully guarded by Uncle Hafez, an advisor to the King, who has quite personal reasons for inviting his brother to the birthday party. In a sibling rivalry that carries ancient echoes, the Hamdan brothers must face a reckoning, with themselves and with each other—one that almost costs Amani her life.With sharp insight into modern politics and family dynamics, taboos around mental illness and our inescapable relationship to the past, Fencing with the King asks how we contend with inheritance: familial and cultural, hidden and openly contested. Shot through with warmth and vitality, intelligence and spirit, it is absorbing and satisfying on every level, a wise and rare literary treat.