Die Neue Sammlung – The Design Museum – författare

Karen Pontoppidan (b. 1968), Curator and Professor of Jewellery and Devices at the Munich Academy of Fine Arts, invites 30 international artists to the annual jewellery exhibition at Die Neue Sammlung - The Design Museum to present contemporary positions in studio jewellery. The publication SCHMUCKISMUS reveals that artists of this medium of expression no longer start from the mere decoration of individuals. Instead jewellery becomes a platform for discourse on cultural norms and values. Reflecting less on themselves as individuals, this new generation of artists is concentrating more on issues affecting society as a whole, such as ecology, consumer society or feminism. This book accompanies the exhibition at Die Neue Sammlung - The Design Museum, Munich (DE), 16 March - 16 June 2019 ARTISTS: T. Alm (SE), Y. Aydin (TR/SE), D. Bernadisiute (LT/SE), B. Brovia (IT/SE), C. Castiajo (PT), N. Cheng (HK/SE), E. Chun (KR/DE), S. Cohen (IL), I. Eichenberg (DE/US), C. Gimeno (AR), D. Hakim (IL), S. Hanagarth (FR), S. Heuser (DE), H. Hedman (SE), M. Iwamoto (JP/DE), H. Joris (BE/US), S. Khalil (LB), M. Klein (DE), G. Kling (SE), N. Kuffner (DE), B. Lignel (FR), J. Matzakow (DE), N. Melland (NO), N. Scholz (DE), K. Spranger (DE/GB), G. Stach (DE), V. Touloumidi (GR/DE), T. Tuupanen (FI), J. Yang (CN/DE), P. Zimmermann (AT) Text in English and German.

This exhibition catalogue for a show at the Neue Sammlung (Design Museum) in Munich documents the first solo show by Swiss jewellery artist Therese Hilbert, former student of Max Fröhlich in Zurich and Hermann Jünger in Munich. It features 250 works, going back 50 years and beginning with her earliest, unknown pieces through to her newest work created in 2020. One of her life-long passions is volcanoes: she has climbed many of them and has used them as a theme in her jewellery design for many years. The sense of heat below the surface of her minimalist designs underlines her passion for the subject. Her work is in the collections of the Design Museum (Munich), the National Gallery of Victoria, the Dallas Museum of Art, and Museum of Arts and Design (New York).Features texts by Heike Endter, Otto Künzli, Ellen Maurer-Zilioli, Pravu Mazumdar, Angelika Nollert, Warwick Freeman and Petra Hölscher.Text in English and German.

Hollow goose eggs, natural sponges, packaging, balloons featuring smileys, shoe soles, scientific gauges, or even his mother’s gallstones – the repertoire of things elevated to jewellery objects knows no bounds for the Norwegian artist Sigurd Bronger. His “portable objects” are turned into wearables by means of artful hanging mechanisms. For Bronger, jewellery is a means of communication. The questions he poses with his works relate to function and use, decoration, aesthetic, and beauty, and his works invite us to see things anew: does the beautiful really have to be useless and the practical aesthetically uninteresting? Through the witty yet subtle cosmos of this extraordinary artist, our own “world of things” is becoming a good deal greater.Text in English and German.

Warwick Freeman (b. 1953) is regarded as one of the world’s most influential contemporary jewellery artists. His works tell of his life, culture, and history, as well as the history of Aotearoa New Zealand and the country’s unique materials from millimetre thick mother-of-pearl from the pearl shell to the iridescent inner membrane of the pāua (a rainbow abalone).In the 1980s Freeman co-revolutionised the world of New Zealand jewellery, which led to the creation of a unique artistic language. Initially influenced by western jewellery traditions, and later impacted by a growing awareness of Māori and Pacific adornment practices, Freeman has built a language of emblematic forms across five decades. Through jewellery making he discovers symbols that connect us – from Hook to Hand to Heart to Star.Text in English and German.