Dimple Godiwala – författare

This book on Gems has a thesis or a ''backbone'' which elicits the title ''Queer Mythologies''. Pam Gems has written over 25 plays, and has not had adequate detailed analysis of her plays to date. She is a popular playwright produced often at the West End and has a widespread appeal by being on the pulse of cultural iconology. Gems writes strong central characters for both male and female actors, and often writes almost cinematically, with time shifts in a non-linear narrativization. Her characters are metaphors for contemporary women and men and she often herstoricizes, thus righting the balance of dramatic history by creating parts for women in British drama. Her dramaturgy brings to the mainstream theatre the identities and subcultures of class, race, ethnicity, gender and sexuality making her plays queer mythologies. ‘This volume marks a significant contribution to the rehabilitation of Pam Gems’ reputation and Dr. Godiwala reveals herself as a major critical voice on the contemporary literary and theatrical scene. This monograph is an absolute necessity for any students of Gems’ work and an important extension of applied critical theory in performance.’ – Prof. Tim Prentki, University of Winchester

Alternatives Within the Mainstream: British Black and Asian Theatres is the first comprehensive collection of critical essays on the subject. Edited by Dimple Godiwala, the anthology is in six parts: A lengthy Introduction is followed by Part II (Histories and Trajectories) which contains chapters which survey the work of the Black Theatre Forum and the histories of Black and Asian theatres in Britain. Part III (Histories of Theatre Companies and Arts Venues) charts brief histories of the major theatre companies, Talawa, Tara and Tamasha and contains a survey of Birmingham's changing arts venues. Part IV called simply Controversies is a document of the Sikh diaspora's uproar over Behzti and issues of censorship. Part V (The Dramatists) critically explores the work of several dramatists such as Killion M. Gideon, Liselle Kayla, Roselia John Baptiste, Trish Cooke, Zindika, Jackie Kay, Valerie Mason-John, Wole Soyinka, Sol B. River, Roy Williams, Kwame Kwei-Armah, Anu Kumar, Rukhsana Ahmad, Bettina Gracias, Bapsi Sidhwa, Tanika Gupta, Deepak Verma, Gurpreet Kaur Bhatti and Yasmin Whittaker Khan. Part V (Theatre Voices) consists of autobiographical essays by some of Britain's theatremakers. This contains contributions by Jatinder Verma, Yvonne Brewster, Sol B. River, Valerie Mason-John, Bapsi Sidhwa.A long overdue book which examines in imaginative depth the 'universe inside' an often trivialised area of British theatre. Alternatives Within The Mainstream provides serious academic opinion and detailed textual analysis in abundance. The book's impressive collection of facts and analyses challenge the culture of myth which too often obscures the relevance of Black and Asian work. There are also many absorbing revelations: did you know, for instance, that Ignatius Sancho was Garrick's friend? Yvonne Brewster

This book on Gems has a thesis or a 'backbone' which elicits the title 'Queer Mythologies'. Pam Gems has written over 25 plays, and has not had adequate detailed analysis of her plays to date. She is a popular playwright produced often at the West End and has a widespread appeal by being on the pulse of cultural iconology. Gems writes strong central characters for both male and female actors, and often writes almost cinematically, with time shifts in a non-linear narrativization. Her characters are metaphors for contemporary women and men and she often herstoricizes, thus righting the balance of dramatic history by creating parts for women in British drama. Her dramaturgy brings to the mainstream theatre the identities and subcultures of class, race, ethnicity, gender and sexuality making her plays queer mythologies. ‘This volume marks a significant contribution to the rehabilitation of Pam Gems’ reputation and Dr. Godiwala reveals herself as a major critical voice on the contemporary literary and theatrical scene. This monograph is an absolute necessity for any students of Gems’ work and an important extension of applied critical theory in performance.’ – Prof. Tim Prentki, University of Winchester