Dorinda G Dallmeyer – författare

New essays that illuminate and interpret William Bartram’s journey through what would become the southeastern United StatesWilliam Bartram, author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the Extensive Territories of the Muscogulees, or Creek Confederacy, and the Country of the Chactaws, was colonial America’s first native born naturalist and artist, and the first author in the modern genre of writers who portrayed nature through personal experience as well as scientific observation. His book, first published in 1791, was based on his journeys through southern Indian nations and Britain’s southern colonies in the years just prior to the American Revolution and provides descriptions of the natural and cultural environments of what would soon become the American South. Scholars and general readers alike have long appreciated Bartram’s lush, vivid prose, his clarity of observation and evident wonder at the landscapes he traversed, and his engagement with the native nations whose lands he traveled through.The Attention of a Traveller: Essays on William Bartram’s “Travels” and Legacy offers an interdisciplinary assessment of Bartram’s influence and evolving legacy, opening new avenues of research concerning the flora, fauna, and people connected to Bartram and his writings. Featuring 13 essays divided into five sections, contributors to the volume weave together scholarly perspectives from geology, art history, literary criticism, geography, and philosophy, alongside the more traditional Bartram-affiliated disciplines of biology and history. The collection concludes with a comprehensive treatment of the book as a material historical artifact.

New essays that illuminate and interpret William Bartram’s journey through what would become the southeastern United StatesWilliam Bartram, author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the Extensive Territories of the Muscogulees, or Creek Confederacy, and the Country of the Chactaws, was colonial America’s first native born naturalist and artist, and the first author in the modern genre of writers who portrayed nature through personal experience as well as scientific observation. His book, first published in 1791, was based on his journeys through southern Indian nations and Britain’s southern colonies in the years just prior to the American Revolution and provides descriptions of the natural and cultural environments of what would soon become the American South. Scholars and general readers alike have long appreciated Bartram’s lush, vivid prose, his clarity of observation and evident wonder at the landscapes he traversed, and his engagement with the native nations whose lands he traveled through.The Attention of a Traveller: Essays on William Bartram’s “Travels” and Legacy offers an interdisciplinary assessment of Bartram’s influence and evolving legacy, opening new avenues of research concerning the flora, fauna, and people connected to Bartram and his writings. Featuring 13 essays divided into five sections, contributors to the volume weave together scholarly perspectives from geology, art history, literary criticism, geography, and philosophy, alongside the more traditional Bartram-affiliated disciplines of biology and history. The collection concludes with a comprehensive treatment of the book as a material historical artifact.

The global market is the largest and most powerful socioeconomic institution on the planet, and as such it demands that those who desire to benefit from it or those who seek to regulate it realize the economic and environmental consequences of their actions.The contributors to Environmental Ethics and the Global Marketplace argue that the health of the environment is inextricably linked to the health of the economy, and economic strength depends on the preservation of environmental values. Ultimately, economic and environmental sciences must merge more completely if we are to arrive at ethically justified principles as the basis for national and international environmental policy process, enabling environmental ethics to move beyond academic venues into domestic and international decision making.

The human impact on vast areas of the oceans remains relatively unregulated. Sometimes, in fact, the only controls over our exploitation of marine resources lie in our environmental consciousness. While the field of environmental ethics has explored rights and duties for land use, stewardship, and policy, relatively little attention has been given to comparable issues of marine environments.Values at Sea makes an important step toward moving environmental ethics discussions into a broader framework. Gathered here are fifteen papers by an interdisciplinary group of scholars, including ethicists, marine scientists, anthropologists, economists, geographers, lawyers, and activists. From the Great Lakes to the Pacific Islands, from the open sea to coastal areas, the papers cover a broad array of ethical issues and policy matters related to such topics as the valuation of marine life, indigenous peoples’ knowledge and environmental stewardship, endemic and exotic species, aquaculture, oil spills, and species protection.

Nature writers know that to be fully human is to be engaged with our natural surroundings. Elemental South is a gathering of works by some of the region's best nature writers—people who can coax from words the mysteries of our place in the landscape and the human relationship to wildness.Arranged by theme according to the basic elements by which many cultures on earth interpret—earth, air, fire, water—the writings consider our actual and assumed connections in the greater scheme of functioning ecosystems. As we read of bears, ancient magnolias, swallow-tail kites, the serenity of a country childhood, the pleasure of eating real food, the remarkable provenance of ancient pottery shards, and much more, these works lure us deep into the southern landscape, away from the constructs of humanity and closer to a recognition of our inextricable ties to the earth.The writers are all participants in the Southern Nature Project, an ongoing endeavor founded on the conviction that writing like the kind gathered here can help us to lead more human, profound, and courageous lives in terms of how we use our earth. Some of the featured writers are originally from the South, and others migrated here—but all have honed their voices on the region's distinctive landscapes.

Formed by the confluence of the Ocmulgee and Oconee Rivers, the Altamaha is the largest free-flowing river on the East Coast and drains its third-largest watershed. It has been designated as one of the Nature Conservancy’s seventy-five Last Great Places because of its unique character and rich natural diversity. In evocative photography and elegant prose, Altamaha captures the distinctive beauty of this river and offers a portrait of the man who has become its improbable guardian.Few people know the Altamaha better than James Holland. Raised in Cochran, Georgia, Holland spent years on the river fishing, hunting, and working its coastal reaches as a commercial crabber. Witnessing a steady decline in blue crab stocks, Holland doggedly began to educate himself on the area’s environmental and political issues, reaching a deep conviction that the only way to preserve the way of life he loved was to protect the river and its watershed. In 1999, he began serving as the first Altamaha Riverkeeper, finding new purpose in protecting the river and raising awareness about its plight with people in his community and beyond.At first Holland used photography to document pollution and abuse, but as he came to appreciate and understand the Altamaha in new ways, his photographs evolved, focusing more on the natural beauty he fought to save. More than 230 color photographs capture the area’s majestic landscapes and stunning natural diversity, including a generous selection of some the 234 species of rare plants and animals in the region. In their essays, Janisse Ray offers a profile of Holland’s transformation from orphan and troubled high school dropout to river advocate, and Dorinda G. Dallmeyer celebrates the biological richness and cultural heritage that the Altamaha offers to all Georgians.

The global market is the largest and most powerful socioeconomic institution on the planet, and as such it demands that those who desire to benefit from it or those who seek to regulate it realize the economic and environmental consequences of their actions.The contributors to Environmental Ethics and the Global Marketplace argue that the health of the environment is inextricably linked to the health of the economy, and economic strength depends on the preservation of environmental values. Ultimately, economic and environmental sciences must merge more completely if we are to arrive at ethically justified principles as the basis for national and international environmental policy process, enabling environmental ethics to move beyond academic venues into domestic and international decision making.

In 1934, when William G. Haynes Jr. was an art student in New York City, he illustrated his own version of the 1791 classic Bartram's Travels. William Bartram's poetic descriptions transcended science to deeply influence an array of nineteenth-century Romantic poets in America and abroad. Similarly, Haynes's watercolors were inspired by vivid descriptions from Bartram's Southern expedition spanning 1773–1777.These ninety-five watercolors accompanied by Bartram's text tell Haynes's version of the Bartram story, drawn from twentieth-century landscapes Haynes knew intimately from childhood: coastal Georgia, western North Carolina, and northern Florida. Although Bartram never drew a self-portrait, Haynes features Bartram on nearly every page: botanizing, engaging with Native Americans and settlers alike, and sometimes battling alligators and the elements.Following service in World War II and postwar study of typography, Haynes returned home to Darien, Georgia, in 1955 to start the Ashantilly Press. It became not only a place to create beautiful books and broadsides but also to teach this craft and inspire the next generation of artists and environmentalists. This book is especially timely as America marks the 250th anniversary of Bartram's travels across the South—a man whose impact is still felt in American science, arts, and letters.