Doro Globus – författare

"A fun celebration of team work, collaboration and creativity" – The Sunday PostPerfect for aspiring singers, songwriters, DJs, music producers and more! A great follow-on title to the bestselling Little People, Big Dreams series.Ever wondered how a song goes from hum in your head to a tune on the radio? Meet our songwriter, who is here to take you on a joyful journey to learn all about how songs are made and about the amazing teams that make them happen!From the initial spark of inspiration to the recording studio, record label, music video recording and fan-filled concert – this is a comprehensive look at the team and process behind making a song. For curious readers who love music to those interested in what working in music is really like, this is the perfect first introduction to the music industry for ages 6+.Written and illustrated by internationally bestselling duo, Doro Globus and Rose Blake, this is a brilliant book about the joy of teamwork, collaboration and creativity. So grab your headphones and get listening!Other books in the series: We Made a Movie

Perfect for aspiring actors, movie makers, directors and more! A great follow-on title to the bestselling Little People, Big Dreams series.Ever wondered how a movie goes from an idea to the big screen? Meet our producer, who is here to take you on a joyful journey to learn all about how movies are made.From the first draft of the script to the star-studded premiere – this is a comprehensive look at the team and creative process behind making a movie. For curious film fanatics to aspiring actors and directors, this narrative non-fiction title is the perfect introduction to the movie industry for ages 6+.Written by internationally bestselling author Doro Globus and illustrated by movie-geek Serge Seidlitz, this is a brilliant book about the joy of teamwork, collaboration and creativity. So grab your popcorn and get watching!Other books in the series: We Made a Song

“It never occurred to me while growing up that art is an industry involving countless jobs, so if this book helps shed light to just one kid that it is a viable career option, then it has done its job, as art is indescribably important!” —Oliver Jeffers, Artist and Illustrator“This book so beautifully explains to kids what goes into making an art exhibition. It’s not just about an artist hanging something on a wall for people to see: it’s so much more lively, layered, and community-driven. Even I learned a ton about what truly goes into a fantastic art show!” —Joy Cho, Author and Founder of Oh Joy!“I wish I’d had this book when I was a kid! I always wanted my art to be in a big museum one day but, growing up in a small town, that just seemed impossible. Making a Great Exhibition is a beautifully illustrated behind-the-scenes peek at exactly how art makes its way from an artist’s mind to the big white walls of a fancy gallery. Turns out, there are a lot of people, with some very cool jobs, who make the magic happen—and any book that shows kids (and parents!) they can grow up to have a career in the arts is okay by me!” —Danielle Krysa, The Jealous CuratorAn exciting insight into the workings of artists and museums, Making a Great Exhibition is a colorful and playful introduction geared to children ages 3 to 7.How does an artist make a sculpture or a painting? What tools do they use? What happens to the artwork next? This fun, inside look at the life of an artwork shows the journey of two artists’ work from studio to exhibition. Stopping along the way we meet colorful characters—curators, photographers, shippers, museum visitors, and more!Both illustrator and author were raised in the art world, spending their time in studios, doing homework in museum offices, and going to special openings. They have teamed up to share their experiences and love for this often mysterious world to a young audience. London-based illustrator Rose Blake is best known for her work in A History of Pictures for Children, by David Hockney and Martin Gayford, which has been a worldwide success. Author Doro Globus brings her love for the arts and kids together with this fun journey.

“I spend every day thinking about the paintings and sculptures I will be creating, which fills my life with great joy. Art is an important means of identifying human existence and can send a wonderful message to the world. I believe that artists will create a new world and hope that everyone will share their own messages with the world.” —Yayoi Kusama, artist “This book has not only entertained but has also encouraged my students to express themselves in new and powerful ways.” —Raleigh Young, Kindergarten Teacher at Polytechnic School, Pasadena, CA “I wish I had this book when I was a youngster, to help me understand just how many ways you could approach being an artist, and all the tools you can use to make your work.” —Sharna Jackson, Author of Black Artists Shaping the World A follow-up book to the popular Making a Great Exhibition, I Am an Artist offers young readers exciting insights into the many ways artists work and the reasons they make art. Geared to children ages 4 to 8, but with appeal for all ages, this colorful and playful book asks: Who are artists? Why do they make art? What materials do they use? What tools do they work with? What forms do their artworks take? Structured as a tour of an artists’ studio complex, readers are introduced to street artists, ceramicists, conceptual artists, textile artists, photographers, glassblowers, and more! Each artist shares their working space and their techniques while explaining why they make art. Blake and Globus’s first publication, Making a Great Exhibition, published in 2021, was acclaimed by The New York Times for “demystifying the art world and making it accessible to budding young artists,” and lauded by renowned author and illustrator Oliver Jeffers, who wrote, “If this book helps shed light to just one kid that [art] is a viable career option, then it has done its job, as art is indescribably important!” Now Rose and Doro have teamed up for a second time to bring their experiences with and love for the often mysterious world of art to a young audience.

Explore the world of artist Ruth Asawa in this lively, interactive lift-the-flap book for children ages 0–3.Ruth Asawa found inspiration everywhere—whether she looked to her children, her garden, or the warmth of her home, she believed that anything could become art. Her engaging work invites young artists to discover how creativity can sprout from anywhere.Through her unique wire sculptures and natural watercolors, Asawa demonstrated that even the simplest materials can be transformed into something extraordinary. Her work encourages children to explore their own imaginations and to see the beauty in the everyday world around them.The What Artists Make series of lift-the-flap books, geared toward children under the age of three, shares the different ways artists view the world. In each book, one artist’s unique method of making or outlook on creativity is explored through rhythmic sentences and photographs of artworks selected to delight and inspire. Beneath the flap, a short explanation of the artist’s practice provides added context, allowing adults to engage with the art on a deeper level and to share the knowledge with their children.

Explore the world of artist Yayoi Kusama in this lively, interactive lift-the-flap book for children ages 0–3.Pumpkins, polka dots, flowers, and so much more! Yayoi Kusama creates art that's bursting with color and creativity, bringing “never-ending joy” to children. Her playful and vibrant masterpieces are perfect for young artists who love to explore and have fun with colors and shapes. Kusama's radiant world invites young imaginations to run wild, offering endless possibilities for creative expression. With her signature bold patterns, she encourages kids to embrace their own unique artistic voices.The What Artists Make series of lift-the-flap books, geared toward children under the age of three, shares the different ways artists view the world. In each book, one artist’s unique method of making or outlook on creativity is explored through rhythmic sentences and photographs of artworks selected to delight and inspire. Beneath the flap, a short explanation of the artist’s practice provides added context, allowing adults to engage with the art on a deeper level and to share the knowledge with their children.

Art historian and curator Dawn Ades is a leading voice on Dada, Surrealism, abstraction and art from Latin America. This volume collects her important essays for the first time, addressing themes fundamental to the history of modern art and the avant-garde. Arranged thematically, this collection of essays represents the breadth of Ades’s critical and curatorial interests, ranging from avant-garde poster design, to photomontage, to the representation of the female in Mexico, but with an overarching foundation in abstraction, identity and the influence of new mediums. As well as working as a professor and curator – which earned her an OBE for her services to art history – Ades has written on a wide range of artists since 1980. Spanning the likes of Francis Bacon, Richard Deacon, Salvador Dalí and Hannah Höch, this body of essays is ingrained with Ades’s consistently clear and intellectually stimulating observations. To introduce the book, Ades is interviewed by Doro Globus, who explores the writer’s relationship to curating, teaching and art history.

The essays range from biographical and career overviews to detailed analysis of specific aspects or themes that occur throughout Riley’s career. The selection reflects a rich body of work, which sustains the interest of important authors, as evidenced by multiple pieces by Éric de Chassey, Lynne Cooke, Robert Kudielka, Paul Moorhouse and Richard Shiff. Together, this volume of essays tells the story of an artist whose art has continuously evolved over nearly six decades.Most of the critical texts have been written in close consultation with the artist, the result of long conversations, studio visits and archive access. Largely commissioned on the occasion of particular exhibitions, these essays track and trace Riley’s focus and influences at different moments in time. Each essay builds upon the next, with more recent authors clearly responding and referencing earlier discourse. The result is a collection of great breadth and cohesion.An important resource, About Bridget Riley represents a monumental body of research and analysis by some of the most important art historians of today. It also offers the opportunity for the reader and the viewer to approach Riley from a plethora of perspectives to form their own view, much reflecting Riley’s own particular approach to art history. As John Elderfield puts it: ‘Effectively, Riley makes a pact with the viewer, through the medium of the painting, that they will collaborate in eliciting from a particular painting a particular sort of mobile visual array. And, when the viewer stops looking at the painting, it will therefore be as if leaving something that continues to go on.’