Dorothy Scarborough – författare
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Classic ghost stories of the nineteenth and early twentieth centuries by Edgar Allan Poe, Arthur Machen, and others.
In 1920, acclaimed author and editor Dorothy Scarborough collected what she believed to be the finest ghost stories of her time. Her quintessential anthology Famous Modern Ghost Stories includes entries from such pioneering horror writers as Ambrose Bierce, Algernon Blackwood, Guy de Maupassant, and Myla Jo Closser.
As Scarborough says in her introduction to this volume: “Ghosts are the true immortals, and the dead grow more alive all the time.” The deceased and their mysterious spirits prove to be a source of endless fascination in the stories collected here, including Leonid Andreyev’s biblical speculation Lazarus; Fitz-James O’Brien’s gothic evocation of a New York City boarding house, What Was It?; Mary. E. Wilkins Freeman’s haunting narrative of three sisters, The Shadows on the Wall; and others.386 kr
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The wind was the cause of it all. The sand, too, had a share in it, and human beings were involved, but the wind was the primal force, and but for it the whole series of events would not have happened. there was nothing to break the sweep of the wind across the treeless prairies, when the sand blew in blinding fury across the plains. The winds were cruel to women that came under their tyranny. They were at them ceaselessly, buffeting them with icy blasts in winter, burning them with hot breath in summer, parching their skins and roughening their hair, and trying to wear down their nerves by attrition, and drive them away. The Wind by Dorothy Scarborough is a tensely written story about Letty Mason’s descent into madness. The novel opens with Letty, an 18-year-old orphan from Virginia, on a westbound train headed to Sweetwater Texas. Letty, coming from the lush and verdant Virginia, is not prepared for the drought-burdened Texas desert where there is no escape from the incessant wind. Nor can she cope with the financial desperation of everyday life in Sweetwater. Masterfully written, liberally sprinkled with genuine Texas vernacular.
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