Eckart Goebel – författare

According to Freud's later works, we do not really feel well or free within civilization. Our discontent never disappears, and we shall never become completely reliable members of society. Alcohol already suffices, Freud tells us, to ruin the fragile architecture of sublimations. Since 'Beyond the Pleasure Principle,' sublimation seems to be nothing more than a euphemism for suppressing the drives. We sublimate because we did not get or were not allowed to have what we 'actually' wanted. Is sublimation a mere surrogate or perhaps even the name psychoanalysis found for 'theoria' in the twentieth century? With Freud as its pivot, Goebel provides an intellectual history of sublimation, which also serves as an introduction to other key ideas associated with the authors discussed, such as Schopenhauer's philosophy of music, the will to power in Nietzsche, the structure of Freudian psychoanalysis, Adorno's concept of modern art, or Lacanian ethics. In examining both its prehistory and reception, Goebel argues that sublimation can be reconsidered as the road toward an individual and social life beyond discontent.

We describe people who are “consumed” or “devoured” by ambition as if by a predator or an out-of-control inferno.Thinkers since deepest antiquity have raised these questions, approaching the subject of ambition with ambivalence and often trepidation—as when the ancient Greek poet Hesiod proposed a differentiation between the good and the bad goddess Eris. Indeed, ambition as a longing for immortal fame seems to be one of the unique hallmarks of the human species. While philosophy has touched only occasionally on the problem of burning ambition, sociology, psychoanalysis, and world literature have provided rich and more revealing descriptions and examples of its shaping role in human history.Drawing on a long and varied tradition of writing on this topic, ranging from the works of Homer through Shakespeare, Freud, and Kafka and from the history of ancient Greece and Rome to the Italian Renaissance and up to the present day (to modernity and the current neoliberal era), Eckart Goebel explores our driving passion for recognition — that insatiable hunter in the mirror — and power.

We describe people who are “consumed” or “devoured” by ambition as if by a predator or an out-of-control inferno.Thinkers since deepest antiquity have raised these questions, approaching the subject of ambition with ambivalence and often trepidation—as when the ancient Greek poet Hesiod proposed a differentiation between the good and the bad goddess Eris. Indeed, ambition as a longing for immortal fame seems to be one of the unique hallmarks of the human species. While philosophy has touched only occasionally on the problem of burning ambition, sociology, psychoanalysis, and world literature have provided rich and more revealing descriptions and examples of its shaping role in human history.Drawing on a long and varied tradition of writing on this topic, ranging from the works of Homer through Shakespeare, Freud, and Kafka and from the history of ancient Greece and Rome to the Italian Renaissance and up to the present day (to modernity and the current neoliberal era), Eckart Goebel explores our driving passion for recognition — that insatiable hunter in the mirror — and power.

Konzepte des Ausgleichens und Aufwiegens, Balancierens und Kompensierens gehören ins Basisrepertoire kultureller Reflexion. Ob prästabilierte Harmonie, Krafterhaltung und balance naturelle, balance of powers oder Work-Life-Balance – die Denkfigur des Ausgleichs durchquert und verbindet die unterschiedlichsten kulturellen Felder. Als Harmonie und Proportion prägen sie auch ästhetische Vorstellungen von der Antike bis zur Gegenwart. Dabei sind Gleichgewicht und Balance kaum je gegeben, sondern bezeichnen meist Zielstellungen, denen man sich durch komplizierte Techniken des Abwägens, Abmessens, Vergleichens, Verhandelns und Austarierens nähern kann. Der vorliegende Band widmet sich theoretischen wie künstlerischen Versuchen, Balancen zu denken und herzustellen.