Eden Robinson – författare

Monkey Beach combines both joy and tragedy in a harrowing yet restrained story of grief and survival, and of a family on the edge of heartbreak. In the first English-language novel to be published by a Haisla writer, Eden Robinson offers a rich celebration of life in the Native settlement of Kitamaat, on the coast of British Columbia. The story grips the reader from the beginning. It is the morning after the narrator’s brother has gone missing at sea; the mood is tense in the family house, as speculations remain unspoken. Jimmy is a prospective Olympic swimmer, seventeen years old and on the edge of proposing to his beautiful girlfriend Karaoke. As his elder sister, Lisa, faces possible disaster, she chain-smokes and drifts into thoughts of their lives so far. She recalls the time when she and Jimmy saw the sasquatch, or b’gwus – and this sighting introduces the novel''s fascinating undercurrent of characters from the spirit world. These ghostly presences may strike the reader as mysterious or frightening, but they provide Lisa with guidance through a difficult coming of age.In and out of the emergency room as a child, Lisa is a fighter. Her smart mouth and temper constantly threaten to land her in serious trouble. Those who have the most influence on her are her stubbornly traditional, machete-wielding grandmother, and her wild, passionate, political Uncle Mick, who teaches her to make moose calls. When they empty fishing nets together, she pretends she doesn’t feel the jellyfish stinging her young hands – she’s Uncle Mick’s “little warrior.” We watch Lisa leave her teenage years behind as she waits for news of her younger brother. She reflects on the many rich episodes of their lives – so many of which take place around the water, reminding us of the news she fears, and revealing the menacing power of nature. But Lisa has a special recourse – a “gift” that enables her to see and hear spirits, and ask for their help.Monkey Beach, Eden Robinson’s first novel, was nominated for Canada’s two largest literary prizes: the Giller Prize and the Governor General’s Literary Award. The book was also published in Great Britain, the United States and Germany, and was a Canadian bestseller for many weeks. Monkey Beach is beautifully written, in prose that is simple and subtle, bold and vivid, and pervaded by humour.Robinson fills her novel with details of Haisla culture and the rich wildlife surrounding Kitamaat. She uses traditional elements of storytelling – such as dreams, and people’s ties to nature – but also demystifies Native beliefs, simultaneously peeling away and intensifying the mystery surrounding spirits. Ancient rituals are shown as part of the reality of a modern Native community, along with Kraft Dinner and TV soaps and the legacy of residential schools. Robinson’s previous book of stories, Traplines, was remarked upon for being brutally honest, featuring rapists and drunks and drug dealers, psychopaths and sadists – proving to The New York Times that “Canadians are as weird and violent as anyone else.” Monkey Beach is just as honest, but only hints at the darker elements. In the words of the author, “None of the characters are bad. They’re just reacting like anyone else to situations of loss and death.”From the Trade Paperback edition.

From Canada''s internationally acclaimed "Generation X laureate" (The New York Times) come four unforgettable stories told with icy clarity and great heart. This is a world in which fast food, banged-up cars and the grunge of modern adolescence barely camouflage the dark extremes of sex, fear and desire — and the longing for love.

With striking originality and precision, Eden Robinson, the Giller-shortlisted author of the classic Monkey Beach and winner of the Writers’ Trust Engel/Findley Award, blends humour with heartbreak in this compelling coming-of-age novel. Everyday teen existence meets indigenous beliefs, crazy family dynamics, and cannibalistic river otter . . . The exciting first novel in her trickster trilogy.Everyone knows a guy like Jared: the burnout kid in high school who sells weed cookies and has a scary mom who''s often wasted and wielding some kind of weapon. Jared does smoke and drink too much, and he does make the best cookies in town, and his mom is a mess, but he''s also a kid who has an immense capacity for compassion and an impulse to watch over people more than twice his age, and he can''t rely on anyone for consistent love and support, except for his flatulent pit bull, Baby Killer (he calls her Baby)--and now she''s dead.     Jared can''t count on his mom to stay sober and stick around to take care of him. He can''t rely on his dad to pay the bills and support his new wife and step-daughter. Jared is only sixteen but feels like he is the one who must stabilize his family''s life, even look out for his elderly neighbours. But he struggles to keep everything afloat...and sometimes he blacks out. And he puzzles over why his maternal grandmother has never liked him, why she says he''s the son of a trickster, that he isn''t human. Mind you, ravens speak to him--even when he''s not stoned.     You think you know Jared, but you don''t.

A young Native American woman remembers her volatile childhood as she searches for her lost brother in the Canadian wilds in an extraordinary, critically acclaimed debut novelAs she races along Canada's Douglas Channel in her speedboat - heading toward the place where her younger brother Jimmy, presumed drowned, was last seen - twenty-year-old Lisamarie Hill recalls her younger days. A volatile and precocious Native girl growing up in Kitamaat, the Haisla Indian reservation located five hundred miles north of Vancouver, Lisa came of age standing with her feet firmly planted in two different worlds: the spiritual realm of the Haisla and the sobering "real" world with its dangerous temptations of violence, drugs, and despair. From her beloved grandmother, Ma-ma-oo, she learned of tradition and magic; from her adored, Elvis-loving uncle Mick, a Native rights activist on a perilous course, she learned to see clearly, to speak her mind, and never to bow down. But the tragedies that have scarred her life and ultimately led her to these frigid waters cannot destroy her indomitable spirit, even though the ghosts that speak to her in the night warn her that the worst may be yet to come.Easily one of the most admired debut novels to appear in many a decade, Eden Robinson's Monkey Beach was immediately greeted with universal acclaim and earning nominations for numerous literary awards before receiving the Ethel Wilson Fiction Prize. Evocative, moving, haunting, and devastatingly funny, it is an extraordinary read from a brilliant literary voice.

Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, the second book in Eden Robinson''s captivating Trickster trilogy.In an effort to keep all forms of magic at bay, Jared, 17, has quit drugs and drinking. But his troubles are not over: now he''s being stalked by David, his mom''s ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And his mother, Maggie, a living, breathing badass as well as a witch, can''t protect him like she used to because he''s moved away from Kitimat to Vancouver for school.     Even though he''s got a year of sobriety under his belt (no thanks to his enabling, ever-partying mom), Jared also struggles with the temptation of drinking. And he''s got to get his grades up, find a job that doesn''t involve weed cookies, and somehow live peacefully with his Aunt Mave, who has been estranged from the family ever since she tried to "rescue" him as a baby from his mother. An indigenous activist and writer, Mave smothers him with pet names and hugs, but she is blind to the real dangers that lurk around them--the spirits and supernatural activity that fill her apartment.     As the son of a Trickster, Jared is a magnet for magic, whether he hates it or not--he sees ghosts, he sees the monster moving underneath his Aunt Georgina''s skin, he sees the creature that comes out of his bedroom wall and creepily wants to suck his toes. He also still hears the Trickster in his head, and other voices too. When the David situation becomes a crisis, Jared can''t ignore his true nature any longer.

In The Sasquatch at Home, Robinson shares an intimate look into the intricacies of family, culture, and place. Robinson’s disarming honesty and wry irony shine through her depictions of the trip she and her mother took to Graceland, the potlatch where she and her sister received their Beaver Clan names, how her parents first met in Bella Bella (Waglisla, British Columbia), and a wilderness outing where she and her father try to get a look at b'gwus, the Sasquatch. Readers of memoir, Canadian literature, Indigenous history and culture, and fans of Robinson’s delightful, poignant, sometimes quirky tales will love The Sasquatch at Home.

Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe-including Junot Diaz, Victor LaValle, Lauren Beukes, N. K. Jemisin, Rabih Alameddine, S. P. Somtow, and more. These authors have earned such literary honors as the Pulitzer Prize, the American Book Award, the World Fantasy Award, and the Bram Stoker, among others.

A young man with a questionable past must survive a nightmare of terror and torture in this dark and powerful thriller from one of Canada’s most acclaimed contemporary authorsThe Downtown Eastside in Vancouver, Canada, is about as close to urban hell as you can get in the Western Hemisphere. Yet in this cauldron of drugs, shattered dreams, and extreme violence, Tom Bauer and his girlfriend, Paulie—both ex-junkies and parents of baby Melody—are trying to make a life for themselves. For years, Tom, an epileptic, was firmly under the thumb of his psychopathic criminal cousin Jeremy, who dragged Tom down into a netherworld of addiction, prostitution, pornography, sadism, and murder. But those days are over, or so Tom believes—until the day that he returns home from work to find two vicious thugs waiting for him and Paulie, and little Mel gone. What happens next will change Tom’s life forever and outdo every horror that still dwells in the shadows of his memory. In this sequel to her critically acclaimed novella “Contact Sports,” author Eden Robinson returns to the gritty urban landscape of inner-city Vancouver and offers a disturbing view of human lives on a razor’s edge. A story that jumps freely backward and forward in time, presented in a brilliant and unconventional tapestry of literary styles, Robinson’s second novel is truly a mind-blowing experience that will thrill, move, enthrall, and horrify readers in equal measure.

A young Native American woman remembers her volatile childhood as she searches for her lost brother in the Canadian wilds in an extraordinary, critically acclaimed debut novelAs she races along Canada’s Douglas Channel in her speedboat—heading toward the place where her younger brother Jimmy, presumed drowned, was last seen—twenty-year-old Lisamarie Hill recalls her younger days. A volatile and precocious Native girl growing up in Kitamaat, the Haisla Indian reservation located five hundred miles north of Vancouver, Lisa came of age standing with her feet firmly planted in two different worlds: the spiritual realm of the Haisla and the sobering “real” world with its dangerous temptations of violence, drugs, and despair. From her beloved grandmother, Ma-ma-oo, she learned of tradition and magic; from her adored, Elvis-loving uncle Mick, a Native rights activist on a perilous course, she learned to see clearly, to speak her mind, and never to bow down. But the tragedies that have scarred her life and ultimately led her to these frigid waters cannot destroy her indomitable spirit, even though the ghosts that speak to her in the night warn her that the worst may be yet to come. Easily one of the most admired debut novels to appear in many a decade, Eden Robinson’s Monkey Beach was immediately greeted with universal acclaim—called “gripping” by the San Diego Union-Tribune, “wonderful” by the Milwaukee Journal Sentinel, and “glorious” by the Globe and Mail, earning nominations for numerous literary awards before receiving the Ethel Wilson Fiction Prize. Evocative, moving, haunting, and devastatingly funny, it is an extraordinary read from a brilliant literary voice that must be heard.