Edmund Wilson - Böcker

Unfinished at the time of his death, F. Scott Fitzgerald's The Last Tycoon is a story of doomed love set against the extravagance of America's booming film industry. This Penguin Modern Classics edition is edited with an introduction by Edmund Wilson.The studio lot looks like 'thirty acres of fairyland' the night that a mysterious woman stands and smiles at Monroe Stahr, the last of the great Hollywood princes. Enchanted by one another, they begin a passionate but hopeless love affair, starting with a fast-moving seduction as slick as a scene from one of Stahr's pictures. The romance unfolds, frame by frame, watched by Cecilia, a thoroughly modern girl who has taken her lessons in sentiment and cynicism from all the movies she has seen. Her buoyant humour and satirical eye perfectly complement Fitzgerald's panorama of Hollywood at its most lavish and bewitching.F. Scott Fitzgerald (1896-1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsby is considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novels This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '.If you enjoyed The Last Tycoon, you might enjoy Fitzgerald's The Beautiful and the Damned, also available in Penguin Classics.'Wonderful ... a novel about Hollywood, written from the inside'Helen Dunmore, Sunday Times

These sumptuous new hardback editions mark the 70th anniversary of Fitzgerald's death.Their eyes 'met and tangled. For an instant they made love as no one ever dares to do after. Their glance was slower than an embrace, more urgent than a call'. A novel of the glittering decadence of Hollywood in its heyday, this was Fitzgerald's last work and he died without completing it. The novel's tragic tycoon hero is Stahr. Caught in the crossfire of his own effortless cynicism and his silent, secret vulnerability, Stahr inhabits a world dominated by business, alcohol and promiscuity. If there is a moral or social necessity to film-making in this West Coast never-never land, Stahr does not always believe in it. If there is love he does not always see it. The sharpness of Fitzgerald's prose, the steely simplicity of his style, give a cutting edge to this study of Hollywood in the thirties, from which Fitzgerald draws a painfully bitter-sweet love affair and bids his own poignant farewell to the Great American Dream.

This is an open access title. It is made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International licence. It is available to read and download as a PDF version on the Oxford Academic platform.There are more than ten thousand particle accelerators in the world from the linear accelerators used for cancer therapy in modern hospitals to the giant 'atom-smashers' at international particle physics laboratories used to unlock the secrets of creation. Many scientists and engineers spend their lives designing, constructing, and operating these machines - yet few universities include the subject of particle accelerators in their curricula. The few courses that do exist and the summer schools run by the big accelerator laboratories lack a simple introduction which covers the essentials of the subject for the many who need to learn how these machines work. This book fills that gap and takes the reader through each of the aspects of a modern accelerator giving enough information to unlock the door to the subject but does not overload the understanding with mathematics. Anyone with a general interest in modern technology based on a fascinating variety of physics and engineering will find much of interest in this book.

This is an open access title. It is made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International licence. It is available to read and download as a PDF version on the Oxford Academic platform.There are more than ten thousand particle accelerators in the world from the linear accelerators used for cancer therapy in modern hospitals to the giant 'atom-smashers' at international particle physics laboratories used to unlock the secrets of creation. Many scientists and engineers spend their lives designing, constructing, and operating these machines - yet few universities include the subject of particle accelerators in their curricula. The few courses that do exist and the summer schools run by the big accelerator laboratories lack a simple introduction which covers the essentials of the subject for the many who need to learn how these machines work. This book fills that gap and takes the reader through each of the aspects of a modern accelerator giving enough information to unlock the door to the subject but does not overload the understanding with mathematics. Anyone with a general interest in modern technology based on a fascinating variety of physics and engineering will find much of interest in this book.

Critical/biographical portraits of such notable figures as Harriet Beecher Stowe, Abraham Lincoln, Ulysses S. Grant, Ambrose Bierce, Mary Chesnut, William Tecumseh Sherman, and Oliver Wendell Holmes prove Wilson to be the consummate witness to the most eloquently recorded era in American history.

The Crack-Up tells the story of Fitzgerald's sudden descent at the age of thirty-nine from glamorous success to empty despair, and his determined recovery. Compiled and edited by Edmund Wilson shortly after F. Scott Fitzgerald's death, this revealing collection of his essays—as well as letters to and from Gertrude Stein, Edith Wharton, T.S. Eliot, John Dos Passos—tells of a man with charm and talent to burn, whose gaiety and genius made him a living symbol of the Jazz Age, and whose recklessness brought him grief and loss. "Fitzgerald's physical and spiritual exhaustion is described brilliantly," noted The New York Review of Books: "the essays are amazing for the candor."

This is an account of an Indian people's struggle to maintain an identity in American society. Also included is a study of ""The Mohawks in High Steel"" by Joseph Mitchell.

The Dead Sea Scrolls, a collection of 972 documents discovered between 1946 and 1956, are of immeasurable religious and historical significance. They include the oldest known surviving copies of Biblical-era documents. The manuscripts shed considerable light on forms of Judaism never known before. These forms contain hints of Christianity, or as put elsewhere, it was the Judaism amid which Christ and his first followers lived, thought, and wrote. Edmund Wilson's book is a record of this great scholarly find.Wilson was a prolific literary critic and social commentator, not an academic, and therefore Israel and the Dead Sea Scrolls reads like a journalist's reportage. This unique personal account weaves together threads of folklore, history, and intrigue. As Leon Edel writes in his foreword, 'Reading him, it is not difficult to imagine the ardor with which Edmund Wilson pursued his complex subject; it was the kind of subject he had always liked best, involving as it did history, politics, ancient lore, and all his faculties for imaginative reconstruction and historical analysis. . . . No book quite like this has been written in our century.'The scrolls of the Essenes, and the history of this Jewish sect's possible antecedence to Christianity, led the author to Israel and to the revelations contained in the scrolls. This book contains his resulting account of the scrolls' history. Originally published in 1978, this edition of Wilson's classic is made contemporary with a new introduction by Raphael Israeli, which illustrates the ongoing academic controversy surrounding the Dead Sea Scrolls.