Eilat Negev – författare

Giganterna i Auschwitz är en unik historia om en mycket speciell syskonskaras levnadsöde. Det här är en skildring som spänner över tiden före, under och efter andra världskriget.  Familjen Ovitz var judar och bosatta i Transylvanien, Rumänien. Sju av de tio barnen var kortväxta. Före andra världskriget var de artister inom teater, musik och sång. De uppträdde i Rumänien och angränsande länder. I maj 1944 deporterades syskonen till Auschwitz koncentrations- och förintelseläger. I enlighet med den människosyn som präglade nazismen var bland andra de med fysiska funktionsnedsättningar en belastning för samhället, ej värdiga att leva. Som judar valdes de ut för att dödas. Nazistläkaren Mengele som utförde medicinska experiment i Auschwitz hade ett särskilt intresse för tvillingar och kortväxta som försökspersoner. Mengele höll samtliga dessa sju syskon vid liv för att kunna utföra sina grymma experiment. De blev till hans mänskliga laboratoriemöss. Detta är en berättelse om en syskonskara som överlevde mot alla odds. De flyttade efter kriget till Israel där de fortsatte sin artistkarriär.

A panoramic portrait of a remarkable woman and the tumultuous Victorian era on which she made her mark, The First Lady of Fleet Street chronicles the meteoric rise and tragic fall of Rachel Beer—indomitable heiress, social crusader, and newspaper pioneer.Rich with period detail and drawing on a wealth of original material, this sweeping work of never-before-told history recounts the ascent of two of London’s most prominent Jewish immigrant families—the Sassoons and the Beers. Born into one, Rachel married into the other, wedding newspaper proprietor Frederick Beer, the sole heir to his father’s enormous fortune. Though she and Frederick became leading London socialites, Rachel was ambitious and unwilling to settle for a comfortable, idle life. She used her husband’s platform to assume the editorship of not one but two venerable Sunday newspapers—the Sunday Times and The Observer—a stunning accomplishment at a time when women were denied the vote and allowed little access to education. Ninety years would pass before another woman would take the helm of a major newspaper on either side of the Atlantic.It was an exhilarating period in London’s history—fortunes were being amassed (and squandered), masterpieces were being created, and new technologies were revolutionizing daily life. But with scant access to politicians and press circles, most female journalists were restricted to issuing fashion reports and dispatches from the social whirl. Rachel refused to limit herself or her beliefs. In the pages of her newspapers, she opined on Whitehall politics and British imperial adventures abroad, campaigned for women’s causes, and doggedly pursued the evidence that would exonerate an unjustly accused French military officer in the so-called Dreyfus Affair. But even as she successfully blazed a trail in her professional life, Rachel’s personal travails were the stuff of tragedy. Her marriage to Frederick drove an insurmountable wedge between herself and her conservative family. Ultimately, she was forced to retreat from public life entirely, living out the rest of her days in stately isolation.While the men of her era may have grabbed more headlines, Rachel Beer remains a pivotal figure in the annals of journalism—and the long march toward equality between the sexes. With The First Lady of Fleet Street, she finally gets the front page treatment she deserves.

This remarkable, never-before-told account of the Ovitz family, seven of whose ten members were dwarfs, bears witness to the best and worst of humanity and to the terrible irony of the Ovitzes' fate: being burdened with dwarfism helped them endure the Holocaust. Through dogged research and interviews with Perla, the youngest Ovitz daughter and last surviving sibling, and other relatives, authors Yehuda Koren and Eilat Negev weave the tale of a beloved and successful family of performers who were popular entertainers in Central Europe until the Nazis deported them to Auschwitz in May 1944. Descending from the transport train into the hell of the concentration camp, the Ovitz family,known widely as the Lilliput Troupe,was separated from other Jewish victims. When Dr. Josef Mengele was then notified of their arrival, he assigned them to sequestered quarters. His horrific "research" on twins and other genetically unique individuals already under way, Mengele had special plans for the Ovitzes. The authors chronicle Mengele's loathsome experiments upon the family members, the disturbing fondness he developed for these small people, and their interminable will to make it out alive. Dozens of telling photographs are included in this horrifying yet remarkable tale of survival.

'Through thick and thin, never separate. Stick together, guard each other, and live for one another.' As Hitler's war intensified, the Ovitz family would have good reason to stand by their mother's mantra. Descending from the cattle train into the death camp of Auschwitz, all twelve emerged in 1945 as survivors - the largest family to survive intact. What saved them? Ironically, the fact that they were sought out by the 'Angel of Death' himself - Dr Joseph Mengele. For seven of the Ovitzes were dwarfs - and not just any dwarfs, but a beloved and highly successful vaudeville act known as the Lilliput Troupe. Together, they were the only all-dwarf ensemble with a full show of their own in the history of entertainment. The Ovitzes intrigued Mengele, and amongst the thousands on whom he performed his loathsome experiments, they became his prize 'patients': 'You're something special, not like the rest of them.' It was this disturbing affection that saved their lives.After being plunged into the darkest moments in modern history, this remarkable troupe emerged with spirits undimmed, and went on to light up Europe and Israel, which offered them a new home, with their unique performances. Giants reveals their moving and inspirational story.

This collection of biographies is the first of its kind, as Israeli literature is almost devoid of author biographies. They are arranged chronologically and cover a hundred years of Israeli literature; the change of style and subject matter hints at the demographical and historical transformations that have occurred during this span of time. The profiles are based on interviews carried out with all the living writers, or - in the case of deceased ones - with family members, biographers and researchers. In the early days of the State, Jaffa oranges were the pride export of Israel; and then came diamonds; and, nowadays, it is books. Israelis are going through dramatic, turbulent events, experiencing an existential, social and religious crisis. This intense life means that Israelis occupy several layers of existence, which create many kinds of personal experiences that writers in other countries seldom experience. Thus, a reading of the writers' profiles offers a different way of viewing Israel, since each writer has taken a part in events outside his or her own personal scope. All this becomes their subject matter, and Israel writing provides a wide panorama not just of literature but also of Israeli life.