Emma Barron – författare

Orphan Adele Beaumont spent her childhood being passed around to cruel or indifferent relatives. She quickly learned the harsh lesson that a fatherless, penniless girl becomes an unmarriageable woman, leaving her alone and vulnerable to the whims of society. Determined to take charge of her own fate, Del decides to pursue the only means to an independent life available to her: become a courtesan to wealthy and powerful men.Rhys Camden has just turned twenty-one and is now employed as factotum in his father''s shipping company. He is eager to find his place in the world, but he finds himself fighting against his father’s control as the elder Camden seeks to increase the family’s social standing to match their newfound wealth.After a chance meeting on a foggy street, Del’s and Camden’s lives become increasingly intertwined. Their passion for each other ignites and, realizing there can be no true freedom without love, they vow to defy society and family and risk everything to be together. But they soon learn how dangerous that defiance can be.Sensuality Level: Sensual

Welcome to London's high society, where dukes and earls are worth their weight in gold and pearls. But prim and proper behavior isn't always so easy when hearts are involved. From the ballrooms to the gaming hells, these five Regency couples are turning the ton on its ear with their scandals and secrets.Once an Heiress: Well-known rogue Ethan Helling is over his ears in gambling debts and must marry a fortune. Enter Lily Bachman with the largest dowry the haute ton has seen in years and zero interest in marriage. But when the seducer becomes the seduced, Lily and Ethan are forced into a hasty union. Now, to gain her fortune, Ethan must find a way to make his unwilling bride happy.Once Upon a Scandal: Caught in a scandal of her father's making, Jane is an outcast in the society that once prized her refinement. Can Lord Benjamin Marworth, whose reputation as a rake conceals his role as a spy for the Crown, save both England and Jane by faking her death and reincarnating her as a French cousin who can ferret out the stolen war secrets he needs? It's a proposition steeped in scandal if they're caught--but love just might be worth the risk.Merry's Wonderful Christmas Gift: The winter holidays used to be Miss Merry Damonson's favorite time of year. Until her almost-fiancé Edward Everton abandoned her two days before Christmas. Now he's returned to their country village, but is it too late to reignite old flames? A holiday ball might just offer these unlucky lovers a second chance.The Glass Orchid: Determined to take charge of her own fate, orphan Adel Beaumont pursues the only means to an independent life available to her: become a courtesan to wealthy and powerful men. Twenty-one-year-old Rhys Camden is his father's answer to increasing the family's social standing to match their newfound wealth. When Adel and Rhys's lives entwine, they vow to defy society and family and risk everything to be together. But they soon learn how dangerous that defiance can be.How to Wed an Earl: To inherit the family coffers, Lucas, Earl of Ravenstone, must claim a fiancée who will no doubt be thrilled at the prospect of finally being able to use his name and become his countess. But Penelope Maitland has already been using Lucas's name--to fend off her stepfamily's creditors. Lucas finds that in order to keep his fortune, he will have to lose his heart to a woman who is tired of waiting for him.Sensuality Level: Sensual

When Mona Lisa smiled enigmatically from the cover of the Italian magazine Epoca in 1957, she gazed out at more than three million readers. As Emma Barron argues, her appearance on the cover is emblematic of the distinctive ways that high culture was integrated into Italy’s mass culture boom in the 1950s and 1960s, a period when popular appropriations of literature, fine art and music became a part of the rapidly changing modern Italian identity. Popular magazines ran weekly illustrated adaptations of literary classics. Television brought opera from the opera house into the homes of millions. Readers wrote to intellectuals and artists such as Alberto Moravia, Thomas Mann and Salvatore Quasimodo by the thousands with questions about literature and self-education. Drawing upon new archival material on the demographics of television audiences and magazine readers, this book is an engaging account of how the Italian people took possession of high culture and transformed the modern Italian identity.

When Mona Lisa smiled enigmatically from the cover of the Italian magazine Epoca in 1957, she gazed out at more than three million readers. As Emma Barron argues, her appearance on the cover is emblematic of the distinctive ways that high culture was integrated into Italy’s mass culture boom in the 1950s and 1960s, a period when popular appropriations of literature, fine art and music became a part of the rapidly changing modern Italian identity. Popular magazines ran weekly illustrated adaptations of literary classics. Television brought opera from the opera house into the homes of millions. Readers wrote to intellectuals and artists such as Alberto Moravia, Thomas Mann and Salvatore Quasimodo by the thousands with questions about literature and self-education. Drawing upon new archival material on the demographics of television audiences and magazine readers, this book is an engaging account of how the Italian people took possession of high culture and transformed the modern Italian identity.

When Mona Lisa smiled enigmatically from the cover of the Italian magazine Epoca in 1957, she gazed out at more than three million readers. As Emma Barron argues, her appearance on the cover is emblematic of the distinctive ways that high culture was integrated into Italy’s mass culture boom in the 1950s and 1960s, a period when popular appropriations of literature, fine art and music became a part of the rapidly changing modern Italian identity. Popular magazines ran weekly illustrated adaptations of literary classics. Television brought opera from the opera house into the homes of millions. Readers wrote to intellectuals and artists such as Alberto Moravia, Thomas Mann and Salvatore Quasimodo by the thousands with questions about literature and self-education. Drawing upon new archival material on the demographics of television audiences and magazine readers, this book is an engaging account of how the Italian people took possession of high culture and transformed the modern Italian identity.