Emma Dabiri - Böcker
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7 produkter
7 produkter
274 kr
Skickas inom 3-6 vardagar
156 kr
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130 kr
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'Groundbreaking . . . a scintillating, intellectual investigation into black women and the very serious business of our hair, as it pertains to race, gender, social codes, tradition, culture, cosmology, maths, politics, philosophy and history' Bernardine Evaristo Straightened. Stigmatized. 'Tamed'. Celebrated. Erased. Managed. Appropriated. Forever misunderstood. Black hair is never 'just hair'.This book is about why black hair matters and how it can be viewed as a blueprint for decolonisation. Over a series of wry, informed essays, Emma Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and on to today's Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look everything from hair capitalists like Madam C.J. Walker in the early 1900s to the rise of Shea Moisture today, from women's solidarity and friendship to 'black people time', forgotten African scholars and the dubious provenance of Kim Kardashian's braids.The scope of black hairstyling ranges from pop culture to cosmology, from prehistoric times to the (afro)futuristic. Uncovering sophisticated indigenous mathematical systems in black hairstyles, alongside styles that served as secret intelligence networks leading enslaved Africans to freedom, Don't Touch My Hair proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.
103 kr
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THE SUNDAY TIMES AND IRISH TIMES BESTSELLER'An absolute blockbuster of clear thinking and new angles...the most clear, alliance building, shame removing look at race. Emma is once-in-a generation clever' Caitlin MoranWe need to talk about racial injustice in a different way: one that builds on the revolutionary ideas of the past and forges new connections. In this incisive, radical and practical essay, Emma Dabiri - acclaimed author of Don't Touch My Hair - draws on years of research and personal experience to challenge us to create meaningful, lasting change.'Impactful . . . Emma expertly outlines how the idea of race was constructed to bolster capitalism and explains how, in a divided world, unity and coalition are needed to create a future that works for everyone' Cosmopolitan
409 kr
Skickas inom 5-8 vardagar
Take a journey along The Line, East London’s innovative outdoor art trail featuring world-renowned contemporary artistsThe Line has transformed East London’s urban landscape into a dynamic cultural corridor. Spanning nearly 8 kilometres (4.8 miles), the outdoor public art trail features monumental sculptures, intimate installations, and an evolving programme, offering a world-class contemporary art experience on a free and daily basis. Celebrating The Line’s 10th anniversary, The Line: Public Art in East London replicates the unique experience of exploring its groundbreaking public art programme. Across more than 200 pages, readers will journey through the iconic neighbourhoods of Queen Elizabeth Olympic Park, The O2 arena, and the waterways that connect three London boroughs. This beautifully illustrated book presents work by 35 international artists, including Antony Gormley, Tracey Emin, Thomas J Price, Rasheed Araeen, Rana Begum, and Helen Cammock. More than 150 colour photographs – from eye-level images of the installations to spectacular aerial drone shots – contextualize The Line’s natural and industrial environs, creating an immersive homage to this inspiring public art walk.
94 kr
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An unmissable essay from the Sunday Times bestselling author of Don't Touch My Hair and What White People Can Do Next'A magnificent text' KATY HESSEL'This is so sharp, and funny, and will be so generously liberating for so many - read it!' KATHERINE RUNDELL'A must-read' PSYCHOLOGIESFor too long, beauty has been entangled in the forces of patriarchy and capitalism: objectification, shame, control, competition and consumerism. We need to find a way to do beauty differently. This radical, deeply personal and empowering essay points to ways we can all embrace our unruly beauty and enjoy our magnificent, disobedient bodies.'This call to joyful disobedience is proof that Dabiri is one of our most important thinkers and writers ... Fresh, new and important' IRISH TIMES'Radical, incisive, thoughtful ... I can't recommend enough' VICKY SPRATT
- Nyhet
485 kr
Kommande
The first comprehensive monograph on groundbreaking neo-conceptual artist Tavares Strachan, whose diverse practice speaks powerfully to today’s cultural climateTavares Strachan is arguably one of the most important artists working today. His open-ended practice offers distinctive points of view on a broad range of urgent social and political themes: archaeology, history, geography, music, science, and extreme climatology are only a few of the subjects he has explored to create allegorical exhibitions that tell of colonialism and cultural displacement, human aspiration, mortal limitation, and the space race.Strachan’s extensively researched projects are often monumental in scale and scope. Created in collaboration with thought leaders and organizations across a wide spectrum of fields, his projects are also expansive in reach – The First Supper, Strachan’s massive sculpture at London’s Royal Academy, was one of the most popular art pieces exhibited in 2024.In his birthplace Nassau, Strachan established the scientific research platform BASEC (Bahamas Aerospace and Sea Exploration Center). In 2018, in collaboration with LACMA, Strachan launched ENOCH, a 3-U satellite bringing to light the forgotten story of Robert Henry Lawrence Jr., the first Black astronaut to be selected for any national space program. ENOCH circled the earth for three years in a sun-synchronous orbit before re-entering on December 2021.This timely monograph, created in close collaboration with the artist, reveals the breadth and impact of Strachan’s work. Part of Phaidon’s acclaimed Contemporary Artists Series, the book includes a conversation with Strachan; text contributions from writers and experts including Emma Dabiri, Gavin Delahunty, and Michele Robecchi; a studio visit with specially commissioned photography; and a comprehensive chronology of Strachan’s career.