Eoghan Walls – författare
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6 produkter
6 produkter
Häftad, Engelska, 2026
282 kr
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Häftad, Engelska, 2023
140 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2026
165 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2026
145 kr
Kommande
Elsa and the Wolfman is a powerful, lyrical duet between father and newborn daughter, written in two contrasting voices. The father, poet and caregiver, uses classical forms to wrestle with anxieties of raising a child and growing older, while Elsa’s lines – willful, instinctive, curious – dart across the page countering and shaping him.Intimate, moving, funny and sensitive to harm, the collection explores their bond as they navigate a world beset by pandemics, feathered dinosaurs, kidney stones, cruelty in the borderlands, and stark fairy-tale nightmares. From waking in a smoky house to the Wolfman letting a bat out of a window, it is a book of love, learning, and the profound, playful bond between father and daughter.
Häftad, Engelska, 2019
131 kr
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Eoghan Walls’ Pigeon Songs is a gorgeous second collection of poems: richly detailed, densely metaphorical, steeped in themes of love and loss. The pigeon as a totem animal rings true, suggesting both a down-to-earth physicality along with an ability to astonish, to take flight. From the first piece, ‘Angry Birds’ we have a sense of the poet’s themes and preoccupations: we have a richly metaphorical and densely allusive style, a pull towards formal metre and structures. There is also the occasional vigorous vulgarity, adding a touch of blue humour to the canvas, breaking up the formal rigor. Formally adept, vividly evocative, Pigeon Songs rewards re-reading.
Häftad, Engelska, 2011
143 kr
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The Salt Harvest is the debut collection from a startling new talent, Eoghan Walls. Dark and evocative, these poems carry rich, multi-layered descriptions of the natural world, and cast a sardonic yet tender eye over the human condition.All the climates of his native Ireland inspire poems of muscular imagery and complex form, each line 'packed with ore'. There is also an ambivalent, often deeply ironic attitude towards a culture once steeped in religion. Threads of humour run throughout, an imaginative playfulness evident in 'Martin Healey's War on God and Ireland', 'Frog' and 'Star Matter'."The poems in Eoghan Walls's debut collection, The Salt Harvest, are wideranging, muscular and full of a linguistic and intellectual restlessness." Hugh Dunkerley, London Review"In Walls poetry we find an acute sensitivity to register, the voice hesitant, casual, mild, and, in its own way, open to anything."John RedmondEoghan Walls won an Eric Gregory Award in 2006, and recently completed a PhD in English Literature at the Seamus Heaney Centre, Queen's University, Belfast. He has taught English in Ireland as well as in Heidelberg, Rwanda, and for the Open University. His poem 'The Naming of the Rat' was featured in Granta's New Writing 14 (2006); while his other work has appeared widely in magazines like Poetry London, The Stinging Fly, Poetry Ireland Review and The London Magazine, and he appears regularly at poetry festivals and reading events.