Erik Camayd-Freixas – författare

A fresh reading and close analysis of The Kingdom of This World, Men of Maize, and One Hundred Years of Solitude, Realismo mágico y primitivismo brings anthropology, modern art, intellectual history, reception aesthetics and semiotics to bear on the texts in question. Camayd-Freixas develops a theory of magical realism along ethnological lines as a meaningful critical concept in Latin American literary history. The author documents the historical relationship between magical realism and primitivism in Europe and Latin America. He argues that magical realism is a unity of the primitive viewpoint, the transculturation of reality-norms, and the construction of historical allegory; and examines the problems and development of magical realism in the work of leading Latin American writers. (Text in Spanish).

Although primitivism has received renewed attention in recent years, studies linking it with Latin America have been rare. This volume examines primitivism and its implications for contemporary debates on Latin American culture, literature, and arts, showing how Latin American subjects employ a Western construct to "return the gaze" of the outside world and redefine themselves in relation to modernity. Examining such subjects as Julio Cortazar and Frida Kahlo and such topics as folk art and cinema, the volume brings together for the first time the views of scholars who are currently engaging the task of cultural studies from the standpoint of primitivism. These varied contributions include analyses of Latin American art in relation to social issues, popular culture, and official cultural policy; essays in cultural criticism touching on ethnic identity, racial politics, women's issues, and conflictive modernity; and analytical studies of primitivism's impact on narrative theory and practice, film, theater, and poetry.This collection contributes offers a new perspective on a variety of significant debates in Latin American cultural studies and shows that the term primitive does not apply to these cultures as much as to our understanding of them. CONTENTS-Paradise Subverted: The Invention of the Mexican Character / Roger Bartra-Between Sade and the Savage: Octavio Paz's Aztecs / Amaryll Chanady-Under the Shadow of God: Roots of Primitivism in Early Colonial Mexico / Delia Annunziata Cosentino-Of Alebrijes and Ocumichos: Some Myths about Folk Art and Mexican Identity / Eli Bartra-Primitive Borders: Cultural Identity and Ethnic Cleansing in the Dominican Republic / Fernando Valerio-Holguin-Dialectics of Archaism and Modernity: Technique and Primitivism in Angel Rama's Transculturacion narrativa en America Latina / Jose Eduardo Gonzalez-Narrative Primitivism: Theory and Practice in Latin America / Erik Camayd-Freixas-Narrating the Other: Julio Cortazar's "Axolotl" as Ethnographic Allegory / R. Lane Kauffmann-Jungle Fever: Primitivism in Environmentalism; Romulo Gallegos's Canaima and the Romance of the Jungle / Jorge Marcone-Primitivism and Cultural Production: Future's Memory; Native Peoples?Voices in Latin American Society / Ivete Lara Camargos Walty-Primitive Bodies in Latin American Cinema: Nicolas Echevarria's Cabeza de Vaca / Luis Fernando Restrepo-Subliminal Body: Shamanism, Ancient Theater, and Ethnodrama / Gabriel Weisz-Primitivist Construction of Identity in the Work of Frida Kahlo / Wendy B. Faris-Mi andina y dulce Rita: Women, Indigenism, and the Avant-Garde in Cesar Vallejo / Tace Megan Hedrick-

Although primitivism has received renewed attention in recent years, studies linking it with Latin America have been rare. This volume examines primitivism and its implications for contemporary debates on Latin American culture, literature, and arts, showing how Latin American subjects employ a Western construct to "return the gaze" of the outside world and redefine themselves in relation to modernity.Examining such subjects as Julio CortÁzar and Frida Kahlo and such topics as folk art and cinema, the volume brings together for the first time the views of scholars who are currently engaging the task of cultural studies from the standpoint of primitivism. These varied contributions include analyses of Latin American art in relation to social issues, popular culture, and official cultural policy; essays in cultural criticism touching on ethnic identity, racial politics, women's issues, and conflictive modernity; and analytical studies of primitivism's impact on narrative theory and practice, film, theater, and poetry.This collection contributes offers a new perspective on a variety of significant debates in Latin American cultural studies and shows that the term primitive does not apply to these cultures as much as to our understanding of them.CONTENTSParadise Subverted: The Invention of the Mexican Character / Roger BartraBetween Sade and the Savage: Octavio Paz’s Aztecs / Amaryll ChanadyUnder the Shadow of God: Roots of Primitivism in Early Colonial Mexico / Delia Annunziata CosentinoOf Alebrijes and Ocumichos: Some Myths about Folk Art and Mexican Identity / Eli BartraPrimitive Borders: Cultural Identity and Ethnic Cleansing in the Dominican Republic / Fernando Valerio-HolguÍnDialectics of Archaism and Modernity: Technique and Primitivism in Angel Rama’s TransculturaciÓn narrativa en AmÉrica Latina / JosÉ Eduardo GonzÁlezNarrative Primitivism: Theory and Practice in Latin America / Erik Camayd-FreixasNarrating the Other: Julio CortÁzar’s "Axolotl" as Ethnographic Allegory / R. Lane KauffmannJungle Fever: Primitivism in Environmentalism; RÓmulo Gallegos’s Canaima and the Romance of the Jungle / Jorge MarconePrimitivism and Cultural Production: Future’s Memory; Native Peoples’ Voices in Latin American Society / Ivete Lara Camargos WaltyPrimitive Bodies in Latin American Cinema: NicolÁs EchevarrÍa’s Cabeza de Vaca / Luis Fernando RestrepoSubliminal Body: Shamanism, Ancient Theater, and Ethnodrama / Gabriel WeiszPrimitivist Construction of Identity in the Work of Frida Kahlo / Wendy B. FarisMi andina y dulce Rita: Women, Indigenism, and the Avant-Garde in CÉsar Vallejo / Tace Megan Hedrick