Ernesto de Martino – författare

The first English translation of a classic work of twentieth-century anthropology and philosophy.  A philosopher, historian of religions, and anthropologist, Ernesto de Martino (1908–1965) produced a body of work that prefigured many ideas and concerns that would later come to animate anthropology. In his writing, we can see the roots of ethnopsychiatry and medical anthropology, discussions of reflexivity and the role of the ethnographer, considerations of social inequality and hegemony from a Gramscian perspective, and an anticipation of the discipline’s “existential turn.” We also find an attentiveness to hope and possibility, despite the gloomy title of his posthumously published book La fine del mondo, or The End of the World. Examining apocalypse as an individual as well as a cultural phenomenon, treating subjects both classic and contemporary and both European and non-Western, ranging across ethnography, history, literature, psychiatry, and philosophy, de Martino probes how we relate to our world and how we might be better subjects and thinkers within it. This new translation offers English-language readers their first chance to engage with de Martino’s masterwork, which continues to appear prescient in the face of the frictions of globalization and environmental devastation.

The first English translation of a classic work of twentieth-century anthropology and philosophy.  A philosopher, historian of religions, and anthropologist, Ernesto de Martino (1908–1965) produced a body of work that prefigured many ideas and concerns that would later come to animate anthropology. In his writing, we can see the roots of ethnopsychiatry and medical anthropology, discussions of reflexivity and the role of the ethnographer, considerations of social inequality and hegemony from a Gramscian perspective, and an anticipation of the discipline’s “existential turn.” We also find an attentiveness to hope and possibility, despite the gloomy title of his posthumously published book La fine del mondo, or The End of the World. Examining apocalypse as an individual as well as a cultural phenomenon, treating subjects both classic and contemporary and both European and non-Western, ranging across ethnography, history, literature, psychiatry, and philosophy, de Martino probes how we relate to our world and how we might be better subjects and thinkers within it. This new translation offers English-language readers their first chance to engage with de Martino’s masterwork, which continues to appear prescient in the face of the frictions of globalization and environmental devastation.

The Land of Remorse (La Terra del Rimorso, first Italian edition 1961) is a classic work by Ernesto De Martino, the founding figure of Italian cultural anthropology and ethnopsychiatry. Based on fieldwork conducted in the Salentine peninsula of Southern Italy in 1959, the study deals with the phenomenon of Apulian tarantism, a form of possession related to the belief in the bite of a mythical tarantula and its ritual cure in the tarantella dance. De Martino draws together the contributions of various specialists who participated in the fieldwork, including a psychologist, a psychiatrist, an ethnomusicologist and a social anthropologist. As both an ethnologist and classically-trained religious historian, the author reviews the fieldwork data through the lens of tarantism's historical analysis. Never losing sight of his own relationship to the subjects of his study, he is able to restore the connection between the "history-less" peasants of the Salentine and the elites who wrote about tarantism in learned treatises from the Middle Ages on.The result is a compassionate and compelling account of tarantism, which no longer appears as mere mental illness or as a "survival" of shamanistic irrationality, but as a product of a cultural history defined from above, endowed with its own forms of rationality. The Land of Remorse offers an excellent introduction to Ernesto De Martino's theoretical and methodological perspective. It will be of interest to a wide range of academic fields, including cultural anthropology, folklore, medical anthropology, ethnopsychiatry, ethnomusicology, semiotics, classics, religious studies and the history of philosophy and science. Along with appendices featuring essays on tarantism by specialist members of De Martino's research team, this annotated edition includes the fieldwork photographs of those afflicted by tarantism as they perform the ritual exorcism, an example of the author's early use of visual methods in ethnographic research.

Für Ernesto de Martino ist die Magie weder ein einziger großer Irrtum noch etwas in der Evolution unserer Gesellschaften Überwundenes, sondern beschreibt das für die Menschwerdung unabdingbare existenzielle Drama, das einen über Gegenstände vermittelten Bezug von Ich und Welt überhaupt erst ermöglicht. Dabei lauert der Zusammenbruch der Ordnungen, die von de Martino sogenannte Krise der Präsenz, auch in der zeitgenössischen, modernen Welt. Was aber folgt daraus, wenn man die in Ritualen von Magiern und Schamanen formulierten Ansprüche ernst nimmt?Ernesto de Martino schrieb dieses Buch rund um Europas Stunde Null, in der Hoffnung auf eine »umfassende Befreiung des Geistes«. Mit ungekannter Radikalität stellt seine umfangreiche, 1948 erstmals erschienene Studie die Frage nach der Rolle der Magie in der Geschichte der Menschheit. Mit dieser um Selbstaussagen und Rezeptionszeugnissen angereicherten Ausgabe wird ein Klassiker nicht nur der italienischen Kulturtheorie erstmals in Deutschland zugänglich.

Ernesto de Martinos Wut – Symbol – Wert aus dem Jahr 1962 ist eine Bestandsaufnahme der unweigerlichen Gefahren und der uneingelösten Versprechen der Ethnologie. Er richtet darin seinen Blick auf die Vergangenheit und die Zukunft des Fachs – und zugleich auf die eigenen Arbeiten. Im Mittelpunkt stehen Fragen nach der Entstehung der Kultur, der Aktualität von Mythen und der Wirkung von Ritualen, die er mit Überlegungen zum Telos des Abendlandes und zur Begegnung mit dem Fremden verbindet. Auf dem Prüfstand steht dabei – damals wie heute – nichts Geringeres als unser Begriff der Moderne und unser Verständnis von Fortschritt und Zivilisation. Ergänzt werden diese programmatischen Texte durch Einblicke in de Martinos Feldforschung in Süditalien sowie durch Vignetten über die Wiederkehr des verdrängten Irrationalen im vermeintlich aufgeklärten Nachkriegseuropa und in der Sowjetunion.»Eine ›philosophische Ethnopoetik‹ von hoher sprachlicher und literarischer Intensität«: Was Peter Braun im Philosophie Magazin über Die magische Welt schrieb, gilt in gleicher Weise für Ernesto de Martinos letztes Werk.