Fuminori Nakamura – författare
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Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura''s latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity.
A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from its bizarre and grisly details to the nature of the man behind the crime. The suspect, a world-renowned photographer named Kiharazaka, has a deeply unsettling portfolio—lurking beneath the surface of each photograph is an acutely obsessive fascination with his subject.
He stands accused of murdering two women—both burned alive—and will likely face the death penalty. But something isn''t quite right, and as the young writer probes further, his doubts about this man as a killer intensify. He soon discovers the desperate, twisted nature of all who are connected to the case, struggling to maintain his sense of reason and justice. Is Kiharazaka truly guilty, or will he die to protect someone else?
Evoking Ryūnosuke Akutagawa''s Hell Screen and Truman Capote''s In Cold Blood, Fuminori Nakamura has crafted a chilling novel that asks a deceptively sinister question: Is it possible to truly capture the essence of another human being?
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The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections … but he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the thief is caught in a tangle even he might not be able to escape.
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The second book by prize-winning Japanese novelist Fuminori Nakamura to be available in English translation, a follow-up to 2012''s critically acclaimed The Thief—another fantastically creepy, electric literary thriller that explores the limits of human depravity—and the powerful human instinct to resist evil.
When Fumihiro Kuki is eleven years old, his elderly, enigmatic father calls him into his study for a meeting. "I created you to be a cancer on the world," his father tells him. It is a tradition in their wealthy family: a patriarch, when reaching the end of his life, will beget one last child to dedicate to causing misery in a world that cannot be controlled or saved. From this point on, Fumihiro will be specially educated to learn to create as much destruction and unhappiness in the world around him as a single person can. Between his education in hedonism and his family''s resources, Fumihiro''s life is one without repercussions. Every door is open to him, for he need obey no laws and may live out any fantasy he might have, no matter how many people are hurt in the process. But as his education progresses, Fumihiro begins to question his father''s mandate, and starts to resist.
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