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9 produkter
9 produkter
Inbunden, Engelska, 1999
4 170 kr
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This is Volume XV of twenty-one in the Cognitive Psychology series. Published in 1925, this study looks at the view of musical art, in an extraordinarily gifted child, whom the author studied with the aid of the methods at his disposal, endeavouring to discover the extent of his mental capacity and, in connection with this, to establish what influences determined the development of his musical talent.
Inbunden, Engelska, 2023
386 kr
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Häftad, Engelska, 2023
262 kr
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E-bok
PDF, Engelska, 2013817 kr
Läs direkt efter köp
This is Volume XV of twenty-one in the Cognitive Psychology series. Published in 1925, this study looks at the view of musical art, in an extraordinarily gifted child, whom the author studied with the aid of the methods at his disposal, endeavouring to discover the extent of his mental capacity and, in connection with this, to establish what influences determined the development of his musical talent.
E-bok
Engelska, 2013817 kr
Läs direkt efter köp
This is Volume XV of twenty-one in the Cognitive Psychology series. Published in 1925, this study looks at the view of musical art, in an extraordinarily gifted child, whom the author studied with the aid of the methods at his disposal, endeavouring to discover the extent of his mental capacity and, in connection with this, to establish what influences determined the development of his musical talent.
Häftad, Engelska, 2014
733 kr
Skickas inom 10-15 vardagar
This is Volume XV of twenty-one in the Cognitive Psychology series. Published in 1925, this study looks at the view of musical art, in an extraordinarily gifted child, whom the author studied with the aid of the methods at his disposal, endeavouring to discover the extent of his mental capacity and, in connection with this, to establish what influences determined the development of his musical talent.
Häftad, Engelska
477 kr
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Häftad, Engelska, 1939
529 kr
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Häftad, Engelska, 1937
529 kr
Skickas inom 10-15 vardagar
Does an Acoustic Space exist? There are four arguments brought forward in favour of the existence of a special acoustic space. The first concerns the originallocalisation of the two places of the riglit and left ear. It is clear that the tonic impressions without the aid of optic-haptic perceptions are not related to the head, to say nothing of ascertaining the existance of an acoustic space. The second argument is the original localisation in the inside of the skull. If this conception were correct, there could for every field of the senses, the impressions of which are not localised in our optic and haptic space, be ascertained special sense-spaces in analogy with the acoustic space, e.g. a special temperature- and pain-space. The third argument, the localisation of the subjective acoustic im- pressions in the inside of the skull, is cancelled by the proofs produced against the second argument. The fourth argument, which has most claimed the interest of psy- chologists, in favour of the existence of an acoustic space, bears upon the supposed original spacious character of the acoustic impressions.