Galina Mardilovich – författare
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3 produkter
3 produkter
New Narratives of Russian and East European Art
Between Traditions and Revolutions
Inbunden, Engelska, 2019
2 412 kr
Skickas inom 10-15 vardagar
This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.
New Narratives of Russian and East European Art
Between Traditions and Revolutions
Häftad, Engelska, 2022
658 kr
Skickas inom 10-15 vardagar
This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license
507 kr
Skickas
A comprehensive overview of the work and creative practice of American artist Theaster Gates.A self-designated “keeper of objects,” Theaster Gates investigates the value of things and their potential to hold layered meanings in his work. He activates these objects in a manner that nurtures space for disinvested histories—often Black histories. Part of his practice is also to create physical spaces for others, including through residencies he has established in Chicago’s South Side, such as through the Rebuild Foundation, Stony Island Arts Bank, and other projects. Taken together, Gates’s work is driven by questions around institutional and systemic structures, the erasure of Black histories, and ongoing social disinvestment in Black lives in Chicago and the United States.Theaster Gates: Unto Thee is published in conjunction with the Smart Museum of Art’s exhibition on the artist. Edited by Galina Mardilovich and Vanja Malloy, the accompanying catalog expands on Gates’s artistic practice and features five essays by contributing scholars. Unto Thee marks the first major museum presentation of the Chicago artist in his hometown.