Gayl Jones - Böcker

'A literary giant, and one of my absolute favourite writers' TAYARI JONES, AUTHOR OF AN AMERICAN MARRIAGE'An American writer with a powerful sense of vital inheritance, of history in the blood' JOHN UPDIKE, NEW YORKER'Eva's silence, and her status here as legally insane, are eloquent testimony to the condition of being a woman in this man's world' KIRKUS REVIEWS Eva Medina Canada sits in her psychiatric ward, silent and unremorseful. She has murdered her lover and they want to know why. Her memories weave back and forth over encounters with the men in her life - the schoolboy who played doctors and nurses with a dirty popsicle stick; her mother's boyfriend; her cousin; her husband; a stranger on the bus. She's been propositioned and abused for as long as she can remember.

THE FINALIST FOR THE NATIONAL BOOK AWARD'A literary giant, and one of my absolute favourite writers' TAYARI JONES'The novel's richness lies in its entertaining meandering, and the vitality of its spoken rhythms' MAYA JAGGI, GUARDIAN'A moving affirmation of forgiveness and trust . . . The Healing should be cause for hope, sustenance and even celebration' VALERIE SAYERS, NEW YORK TIMES Harlan Jane Eagleton is a faith healer, travelling to small towns, converting sceptics, restoring minds and bodies. But before that she was a rock star's manager and race-track gambler. She's had a fling with her rock star's ex-husband and along the way she's somehow lost her own husband - a medical anthropologist now travelling with a medicine woman in Africa. Harlan tells her story from the end backwards, drawing us ever deeper into her world and the mystery at the heart of her tale - the story of her first healing.

A 2022 PULITZER PRIZE FINALISTLONGLISTED FOR THE RATHBONES FOLIO PRIZE'A once-in-a-lifetime work of literature, the kind that changes your understanding of the world' Yara Rodriguez Fowler, Guardian 'Astonishingly rich in character and incident, filled with magic and mystery' Sunday Times'Intricate, mesmerizing and endlessly inventive and subversive' Deesha Philyaw, author of The Secret Lives of Church Ladies'A story woven with extraordinary complexity, depth and skill', Robert Jones, Jr, author of The ProphetsAN EPIC TALE OF LOVE AND LIBERATION SET IN SEVENTEENTH-CENTURY COLONIAL BRAZILFrom plantation to plantation, Almeyda, a young slave girl, hears whispers, rumours of Palmares, a hidden settlement where fugitive slaves live free. But can this promised land exist? And what price is paid for 'freedom'?In Palmares, Gayl Jones brings to life a world full of unforgettable characters, reimagining extraordinary historical events and combining them with mythology and magic. The result is a sweeping saga spanning a quarter of a century. Of Gayl Jones, the New Yorker noted, '[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.' Like nothing else before it, Palmares embodies this gift.

AN EPIC TALE OF LOVE AND LIBERATION, SET IN SEVENTEENTH-CENTURY COLONIAL BRAZILFrom plantation to plantation, Almeyda, a young slave girl, hears whispers, rumours of Palmares, a hidden settlement where fugitive slaves live free. But can this promised land exist? And what price is paid for 'freedom'?In Palmares, Gayl Jones brings to life a world full of unforgettable characters, reimagining extraordinary historical events and combining them with mythology and magic. The result is a sweeping saga spanning a quarter of a century. Of Gayl Jones, the New Yorker noted, '[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.' Like nothing else before it, Palmares embodies this gift. Palmares hails the return of a major voice in American literature - 'the best American novelist whose name you may not know' (Atlantic). Gayl Jones was first discovered and edited by Toni Morrison, and her talent was praised by writers including Maya Angelou, James Baldwin and John Updike. After a handful of acclaimed novels, she withdrew from the publishing world. Now Jones returns with her first new novel in over twenty years.

A FINALIST FOR THE 2022 PULITZER PRIZE FOR FICTIONPalmares hails the return of a major voice in literature - 'the best American novelist whose name you may not know' (Atlantic). Gayl Jones was first discovered and edited by Toni Morrison, and her talent was praised by writers including Maya Angelou, James Baldwin and John Updike. After a handful of acclaimed novels, she withdrew from the publishing world. Now Jones returns with her first new novel in over two decades.AN EPIC TALE OF LOVE AND LIBERATION SET IN SEVENTEENTH-CENTURY COLONIAL BRAZILFrom plantation to plantation, Almeyda, a young slave girl, hears whispers, rumours of Palmares, a hidden settlement where fugitive slaves live free. But can this promised land exist? And what price is paid for 'freedom'?In Palmares, Gayl Jones brings to life a world full of unforgettable characters, reimagining extraordinary historical events and combining them with mythology and magic. The result is a sweeping saga spanning a quarter of a century. Of Gayl Jones, the New Yorker noted, '[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.' Like nothing else before it, Palmares embodies this gift.

By the acclaimed writer of Palmares and Corregidora.When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges.Two powerful, epic poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution.'I want to stay here, Anninho.''There won't be any wayyou can stay here.When they catch us,they'll take you back.''The men they kill,the women they take back.'

By the acclaimed writer of Palmares and Corregidora.When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges.Two powerful, epic poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution.'I want to stay here, Anninho.''There won't be any wayyou can stay here.When they catch us,they'll take you back.''The men they kill,the women they take back.'

An exciting new novel from a major voice in American literature - exploring artists in exile, dangerous relationships and the demands of creativity.

A FINALIST FOR THE 2022 NATIONAL BOOK AWARD'A fascinating meditation on Black female creativity from the author of Corregidora and Palmares . . . Vivid characters shimmer through the pages' Suzi Feay, GUARDIAN'I am living on the white-washed island of Ibiza with my friend Catherine Shuger, a sculptor who has been declared legally insane, and her husband, Ernest. Standing on the terrace, sheltered in the smell of oranges and eucalyptus, washed in sunlight, you'd swear this was a paradise. But to tell the truth the place is full of dangers. You see, Catherine sometimes tries to kill her husband. It has been this way for years . . . My name's Amanda Wordlaw. Wonderful name for a writer, isn't it? . . . I guess I'm sort of a choice companion for the Shugers - professional watcher and listener that I am. It's like they need someone else to witness the shit, the spectacle they make of themselves.''Gayl Jones constructs a novel that is part mystery, part thriller, and wholly captivating . . . Jones is an outstanding writer . . . A shining segment of the American literary canon has been restored' Kate Webb, TIMES LITERARY SUPPLEMENT'With the plush scenery of a travelogue, the misshapen soul of a noir and the anarchic spirit of a trickster tale, this novel revolves around three Black American expatriates . . . Catherine is suspicious of Amanda's intentions toward her husband, but, in Jones's fearsome, fractured narrative, her potential for violence seems no more alarming than anything else that might befall these social outsiders' NEW YORKER (Best books of 2022)

'A literary giant, and one of my absolute favourite writers' Tayari Jones, author of AN AMERICAN MARRIAGE'Gayl Jones is a literary legend' - Yara Rodrigues Fowler, author of THERE ARE MORE THINGS'Her prose is intricate, mesmerizing, and endlessly inventive and subversive' Deesha Philyaw, author of THE SECRET LIVES OF CHURCH LADIESGayl Jones's long career began with her blistering 1975 debut, Corregidora, which was edited by Toni Morrison, and she is increasingly recognised as one of the great literary writers of the twentieth century. In this new collection of short fiction, Jones's unique talents are displayed in a range of settings and styles, from the hyper-realist to the mystical, in novella-length stories, intricate multi-part narratives and in compelling fragments. Endlessly inventive, challenging and surprising, Jones writes about our diverse world. Her characters are spies, photographers, baristas, cartoonists and revolutionaries; her settings are historical and contemporary, in Europe and the Americas. With sharp observation, wit and poignancy, Jones explores complex identities and unorthodox longings. 'Jones's writing powerfully blends narrative and lyricism . . . Her imagination seems to thrive on outstripping one's expectations' Margo Jefferson'Every Jones publication is a major event, but this one is particularly precious . . . Jones's settings, which span time and geography, vary as much as the identities of her protagonists, which include women and men, Black, brown, and Indigenous people, artists and spies. The common threads are creativity and devastating insight' Oprah Daily, 'The Books We Can't Wait to Read in 2023'

'A literary giant, and one of my absolute favourite writers' Tayari Jones, author of AN AMERICAN MARRIAGE'Gayl Jones is a literary legend' - Yara Rodrigues Fowler, author of THERE ARE MORE THINGS'Her prose is intricate, mesmerizing, and endlessly inventive and subversive' Deesha Philyaw, author of THE SECRET LIVES OF CHURCH LADIESGayl Jones's long career began with her blistering 1975 debut, Corregidora, which was edited by Toni Morrison, and she is increasingly recognised as one of the great literary writers of the twentieth century. In this new collection of short fiction, Jones's unique talents are displayed in a range of settings and styles, from the hyper-realist to the mystical, in novella-length stories, intricate multi-part narratives and in compelling fragments. Endlessly inventive, challenging and surprising, Jones writes about our diverse world. Her characters are spies, photographers, baristas, cartoonists and revolutionaries; her settings are historical and contemporary, in Europe and the Americas. With sharp observation, wit and poignancy, Jones explores complex identities and unorthodox longings. 'Jones's writing powerfully blends narrative and lyricism . . . Her imagination seems to thrive on outstripping one's expectations' Margo Jefferson'Every Jones publication is a major event, but this one is particularly precious . . . Jones's settings, which span time and geography, vary as much as the identities of her protagonists, which include women and men, Black, brown, and Indigenous people, artists and spies. The common threads are creativity and devastating insight' Oprah Daily, 'The Books We Can't Wait to Read in 2023'

'A literary giant' TAYARI JONESA richly imaginative and moving new novel from the Pulitzer finalist and acclaimed author of CorregidoraA cook and tractor repairman, Buddy was known as Budweiser to his army pals because he's a wise guy. But underneath that surface, he's a man on a quest: looking for religion, looking for meaning, looking for love.Returning from the Second World War not to a hero's welcome, but to the discrimination of the Jim Crow laws, Buddy stumbles across the Unicorn Woman, a carnival sideshow with a horn growing from her forehead, whose strange beauty he can't forget.As he drifts across the South, from Kentucky to Memphis, Buddy encounters a dazzling array of almost mythic characters: circus barkers, topiary trimmers, landladies who provide shelter and plenty of advice for their all-Black clientele, proto feminists and bigots - dreaming all the while of the unforgettable Unicorn Woman herself.With her inimitable eye for beauty, tragedy and humour, Jones offers a rich, intriguing exploration of the Black imagination in a time of frustration and hope.'Her truth-telling, filled with beauty, tragedy, humour, and incisiveness, is unmatched' IMANI PERRY'Gayl Jones is enjoying a dazzling late-career renaissance' SUZI FEAY, TLS'Intricate, mesmerising and endlessly inventive' DEESHA PHILYAW

This extraordinary new novel from Pulitzer Prize and National Book Award finalist Gayl Jones follows the witty but perplexing army veteran Buddy Ray Guy as he embodies the fate of Black soldiers who return, not to glory, but to their Jim Crow communities.A cook and tractor repairman, Buddy was known as Budweiser to his army pals because he's a wise guy. But underneath that surface, he is a true self-educated intellectual and a classic seeker: looking for religion, looking for meaning, looking for love.His odyssey takes him not only from his hometown of Lexington, Kentucky to Memphis, Tennessee, but back into his own memories, as he recalls his love affairs in post-war France and his encounters with a dazzling array of almost mythical characters: circus barkers, topiary trimmers, landladies who provide shelter and plenty of advice for their all-Black clientele, proto feminists, bigots, and - most unforgettably - the Unicorn Woman herself. With her inimitable eye for beauty, tragedy and humour, Jones offers a rich, intriguing exploration of the Black imagination in a time and place of frustration, disappointment, and spiritual hope.

'A literary giant' TAYARI JONESA richly imaginative and moving new novel from the Pulitzer finalist and acclaimed author of CorregidoraA cook and tractor repairman, Buddy was known as Budweiser to his army pals because he's a wise guy. But underneath that surface, he's a man on a quest: looking for religion, looking for meaning, looking for love.Returning from the Second World War not to a hero's welcome, but to the discrimination of the Jim Crow laws, Buddy stumbles across the Unicorn Woman, a carnival sideshow with a horn growing from her forehead, whose strange beauty he can't forget.As he drifts across the South, from Kentucky to Memphis, Buddy encounters a dazzling array of almost mythic characters: circus barkers, topiary trimmers, landladies who provide shelter and plenty of advice for their all-Black clientele, proto feminists and bigots - dreaming all the while of the unforgettable Unicorn Woman herself.With her inimitable eye for beauty, tragedy and humour, Jones offers a rich, intriguing exploration of the Black imagination in a time of frustration and hope.'Her truth-telling, filled with beauty, tragedy, humour, and incisiveness, is unmatched' IMANI PERRY'Gayl Jones is enjoying a dazzling late-career renaissance' SUZI FEAY, TLS'Intricate, mesmerising and endlessly inventive' DEESHA PHILYAW

No novel about any Black woman could ever be the same after this' TONI MORRISONI dreamed with my eyes open. All the Corregidora women with narrow waists and high cheekbones and wide hips. All the Corregidora women dancing.Blues singer Ursa is consumed by her hatred of Corregidora, the nineteenth-century slave master who fathered both her mother and grandmother. Charged with 'making generations' to bear witness to this legacy of abuse, Ursa must confront her family history after a fight with her husband leaves her unable to have children. Haunted by the ghosts of a Brazilian plantation, pained by the fractured relationships of her present, she slowly and firmly strikes her own terms with womanhood.Upon publication in 1975, Corregidora was hailed as a masterpiece, winning acclaim from writers including James Baldwin, Maya Angelou, Toni Morrison and John Updike. Exploring themes such as race, sexuality and the long repercussions of slavery, this powerful novel paved the way for Beloved and The Colour Purple.'Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women' JAMES BALDWIN 'A literary giant, and one of my absolute favourite writers' TAYARI JONES'An American writer with a powerful sense of vital inheritance, of history in the blood' JOHN UPDIKE, NEW YORKER