Geoffroy de Lagasnerie - Böcker

Edward Snowden, Julian Assange, and Chelsea Manning are key figures in the struggles playing out in our democracies over internet use, state secrets, and mass surveillance in the age of terror. When not decried as traitors, they are seen as whistle-blowers whose crucial revelations are meant to denounce a problem or correct an injustice. Yet, for Geoffroy de Lagasnerie, they are much more than that. Snowden, Assange, and Manning are exemplars who have reinvented an art of revolt. Consciously or not, they have inaugurated a new form of political action and a new identity for the political subject.Anonymity as practiced by WikiLeaks and the flight and requests for asylum of Snowden and Assange break with traditional forms of democratic protest. Yet we can hardly dismiss them as acts of cowardice. Rather, as Lagasnerie suggests, such solitary choices challenge us to question classic modes of collective action, calling old conceptions of the state and citizenship into question and inviting us to reformulate the language of critical philosophy. In the process, he pays homage to the actions and lives of these three figures.

What remains anti-democratic in our criminal justice systems, and where does it come from? Geoffroy de Lagasnerie spent years sitting in on trials, watching as individuals were judged and sentenced for armed robbery, assault, rape, and murder. His experience led to this original reflection on the penal state, power, and violence that identifies a paradox in the way justice is exercised in liberal democracies. In order to pronounce a judgment, a trial must construct an individualizing story of actors and their acts; but in order to punish, each act between individuals must be transformed into an aggression against society as a whole, against the state itself.The law is often presented as the reign of reason over passion. Instead, it leads to trauma, dispossession, and violence. Only by overturning our inherited legal fictions can we envision forms of truer justice. Combining narratives of real trials with theoretical analysis, Judge and Punish shows that juridical institutions are not merely a response to crime. The state claims to guarantee our security, yet from our birth, we also belong to it. The criminal trial, a magnifying mirror, reveals our true condition as political subjects.

Edward Snowden, Julian Assange, and Chelsea Manning are key figures in the struggles playing out in our democracies over internet use, state secrets, and mass surveillance in the age of terror. When not decried as traitors, they are seen as whistle-blowers whose crucial revelations are meant to denounce a problem or correct an injustice. Yet, for Geoffroy de Lagasnerie, they are much more than that. Snowden, Assange, and Manning are exemplars who have reinvented an art of revolt. Consciously or not, they have inaugurated a new form of political action and a new identity for the political subject.Anonymity as practiced by WikiLeaks and the flight and requests for asylum of Snowden and Assange break with traditional forms of democratic protest. Yet we can hardly dismiss them as acts of cowardice. Rather, as Lagasnerie suggests, such solitary choices challenge us to question classic modes of collective action, calling old conceptions of the state and citizenship into question and inviting us to reformulate the language of critical philosophy. In the process, he pays homage to the actions and lives of these three figures.

What remains anti-democratic in our criminal justice systems, and where does it come from? Geoffroy de Lagasnerie spent years sitting in on trials, watching as individuals were judged and sentenced for armed robbery, assault, rape, and murder. His experience led to this original reflection on the penal state, power, and violence that identifies a paradox in the way justice is exercised in liberal democracies. In order to pronounce a judgment, a trial must construct an individualizing story of actors and their acts; but in order to punish, each act between individuals must be transformed into an aggression against society as a whole, against the state itself.The law is often presented as the reign of reason over passion. Instead, it leads to trauma, dispossession, and violence. Only by overturning our inherited legal fictions can we envision forms of truer justice. Combining narratives of real trials with theoretical analysis, Judge and Punish shows that juridical institutions are not merely a response to crime. The state claims to guarantee our security, yet from our birth, we also belong to it. The criminal trial, a magnifying mirror, reveals our true condition as political subjects.

In the late 1970s, Michel Foucault dedicated a number of controversial lectures on the subject of neoliberalism. Had Foucault been seduced by neoliberalism? Did France’s premier leftist intellectual, near the end of his career, turn to the right? In this book, Geoffroy de Lagasnerie argues that far from abandoning the left, Foucault’s analysis of neoliberalism was a means of probing the limits and lacunae of traditional political philosophy, social contract theory, Marxism, and psychoanalysis. For Lagasnerie, Foucault’s analysis was an attempt to discover neoliberalism’s singularity, understand its appeal, and unearth its emancipatory potential in order to construct a new art of rebelliousness. By reading Foucault’s lectures on neoliberalism as a means of developing new practices of emancipation, Lagasnerie offers an original and compelling account of Michel Foucault’s most controversial work.

In the late 1970s, Michel Foucault dedicated a number of controversial lectures on the subject of neoliberalism. Had Foucault been seduced by neoliberalism? Did France’s premier leftist intellectual, near the end of his career, turn to the right? In this book, Geoffroy de Lagasnerie argues that far from abandoning the left, Foucault’s analysis of neoliberalism was a means of probing the limits and lacunae of traditional political philosophy, social contract theory, Marxism, and psychoanalysis. For Lagasnerie, Foucault’s analysis was an attempt to discover neoliberalism’s singularity, understand its appeal, and unearth its emancipatory potential in order to construct a new art of rebelliousness. By reading Foucault’s lectures on neoliberalism as a means of developing new practices of emancipation, Lagasnerie offers an original and compelling account of Michel Foucault’s most controversial work.