George Bowering – författare

Bringing a seasoned and highly regarded Canadian voice to the travel writing tradition, George Bowering unveils a deep love of life, food, and all things Mexico. Drawing on his time spent as a foreigner in Latin America, Bowering traces his footsteps to linger on the joy found in the little things.

Barefoot Gringo, set against a Mexican backdrop, ventures beyond travel and into engaging discussions of literature, politics, the art of aging gracefully and humorously, and, of course, Bowering's life as a writer. With his classic tongue-in-cheek humour, Bowering reflects on his growth, both in his personal and professional life, poignantly capturing his passion and appreciation for those who surround him and the world he inhabits.

An anthem to Bowering's insatiable appetite for life, Barefoot Gringo provides snapshots of daily life in a small Mexican fishing village through Canadian eyes, rendering his memoir a love letter for travellers, writers, and long-time readers alike.

Having written books in practically every genre, George Bowering is often introduced as someone who adores baseball, yet ironically he did not begin this book about the game until he was appointed Canada’s first Poet Laureate for 2002–04. This picaresque memoir of a road trip with his fiancée through the storied ballparks of a poet’s youthful dreams is built on the bargain of fiction—that the narration of someone else’s life requires the listener or reader to fill in the blanks of what we know is out there, somewhere in the world, but which takes place at such a great distance of time and space from us that we can only imagine it to be real.Beginning with the exquisite charm of listening in on Bowering as a youthful sports reporter in his home town of Oliver in 1948, “the greatest year in human history,” moving through the brash hubris of his career as a star player–reporter in the Kosmic League of the 1970s, to staring down the bittersweet foul line of the Twilight League of the twenty–first century, Baseball Love is a book about Bowering’‘s life in love and the game, played with a consummate craft and skill into the paradise of what we can only ever imagine to be real, and leavened at all times by the conscious and playfully ironic chatter of the infield.Its provenance uncertain, the diamond in the ballpark—where no cars are allowed to drive, where time stands still unless there’s an out and where one adheres to the rules governing behaviour in the yard—is the quintessential North American vision of paradise: a walled garden in the midst of the dark satanic mills of blind industrial progress and the chaos of the everyday in the exploited wilderness that surrounds it.

In this unique book of correspondence, two men from different generations write to each other about the burdens, anxieties, and singular joys of parenthood. Thirtysomething Charles Demers and 80-year-old George Bowering are both celebrated authors and the best of friends, and soon both will be the fathers of daughters. The letters begin as Charles and his wife discover they will become parents; he expresses his hopes and fears of impending fatherhood, compounded by his OCD and his own father''s illness, while George recalls his own experiences raising a daughter in the 1970s and his own anxieties about bringing a child into a troubled world.

Together, their thoughtful, funny, candid missives reveal what fathers know (or don''t know) about raising daughters, as well as themselves and each other. Their combined observations make for a passionate, funny and moving portrait of fatherhood in all its imperfect, beautiful glory.

George Bowering is Canada''s first poet laureate and an officer of the Order of Canada. He is the author of more than eighty books, the most recent of which include The Hockey Scribbler, Writing the Okanagan, and Pinboy. He lives in Vancouver, British Columbia.

Charles Demers is a comedian, performer, and writer. His previous books are The Horrors (Douglas & McIntyre) and Vancouver Special (Arsenal). He lives in Vancouver, where he teaches writing at the University of British Columbia.

The first-ever collection of the major serial poems by Canada’s inaugural Parliamentory Poet Laureate, George Bowering, Taking Measures includes work from each of the last six decades, beginning with Bowering''s engagement with process-based long poems in the 1960s and 1970s and moving through his continued exploration of the form in recent decades. Containing well-known Bowering texts, including Allophanes, Autobiology, Delayed Mercy, Genève, and Kerrisdale Elegies, as well as Baseball, At War with the U.S., Irritable Reaching, Smoking Mirror, Do Sink, His Life, and Los Pájanos de Tenacatita, Taking Measures offers a new and revealing look at this acclaimed and prolific author’s poetic development and contribution to Canadian writing.

The serial poem is a hybrid genre, stitching short lyrics together into sequential, long (typically book-length) poems; Bowering’s innovative use of the form, always rooted in an engagement with place, with language, and with the intertwining of the two, shows him at his experimental and irreverent best, his trademark playful seriousness extended and expanded, producing poetry that remains compelling, complex, and exciting decades after its composition. Edited by the award-winning poet Stephen Collis, Taking Measures offers a career-spanning and revelatory sample of one of Canada’s best-known and most versatile writers.

The making of a poem is like the making of a pearl: you take something irritating and create a jewel. George Bowering’s “goodbye” book of poems, Pearl is a bushy collection that centres around a promise he made to himself that, before he left, he would write a poem about his mother, Pearl Bowering – a hillbilly, athlete, and champion bridge player. Pearl includes this promised poem and more, raucously sprawling in a myriad of directions and tones, insisting on poetry’s multifariousness and big-heartedness. Pearl is at turns touching, ribald, and cheeky – a string of gems that reflect on the end of a life well lived and well written, all while openly resisting the idea that a poet might wrap up their time with a tidy couplet.