George Southcombe – författare

This indispensable introductory guide offers students a number of highly focused chapters on key themes in Restoration history. Each addresses a core question relating to the period 1660-1714, and uses artistic and literary sources – as well as more traditional texts of political history – to illustrate and illuminate arguments. George Southcombe and Grant Tapsell provide clear analyses of different aspects of the era whilst maintaining an overall coherence based on three central propositions:- 1660-1714 represents a political world fundamentally influenced by the civil wars and interregnum- The period can best be understood by linking together types of evidence too often separated in conventional accounts- The high politics of kings and their courts should be examined within broader social and geographical contextsFeaturing chapters on the exclusion crisis, Charles II and James VII/II, as well as the British dimension, restoration culture, and politics out-of-doors, this is essential reading for anyone studying this fascinating period in British history.

This indispensable introductory guide offers students a number of highly focused chapters on key themes in Restoration history. Each addresses a core question relating to the period 1660-1714, and uses artistic and literary sources – as well as more traditional texts of political history – to illustrate and illuminate arguments. George Southcombe and Grant Tapsell provide clear analyses of different aspects of the era whilst maintaining an overall coherence based on three central propositions:- 1660-1714 represents a political world fundamentally influenced by the civil wars and interregnum- The period can best be understood by linking together types of evidence too often separated in conventional accounts- The high politics of kings and their courts should be examined within broader social and geographical contextsFeaturing chapters on the exclusion crisis, Charles II and James VII/II, as well as the British dimension, restoration culture, and politics out-of-doors, this is essential reading for anyone studying this fascinating period in British history.

The voices of non-conformity are brought to the fore in this new exploration of late seventeenth-century politics, religion and literature.2022 Richard L. Greaves Prize Honourable MentionWhilst scholars have recently offered a much deeper and more persuasive account of the centrality of religious issues in shaping the political and cultural worlds of Restoration England, much of this has been broad-brush and the voices of individual established Church figures have been much more clearly heard than those of dissenters. This book offers a fresh and challenging new approach to the voices that the confessional state had no prospect of silencing. It provides case studies of a range of very different but highly articulate dissenters, focusing on their modes of political activism and on the varieties of dissenting response possible, and demonstrating the vitality and integrity of witnesses to a spectrum of post-revolutionary Protestantism. It also seeks, through an exploration of textual culture and poetic texts in particular, to illuminate both the ways in which nonconformists sought to engage with central authorities in Church and State, and the development of nonconformist identities in relation to each other.GEORGE SOUTHCOMBE is Director of the Sarah Lawrence Programme, Wadham College, Oxford.

Revolutionary England, c. 1630–c. 1660 presents a series of cutting-edge studies by established and rising authorities in the field, providing a powerful discourse on the events, crises and changes that electrified mid-seventeenth-century England.The descent into civil war, killing of a king, creation of a republic, fits of military government, written constitutions, dominance of Oliver Cromwell, abolition of a state church, eruption into major European conflicts, conquest of Scotland and Ireland, and efflorescence of powerfully articulated political thinking dazzled, bewildered or appalled contemporaries, and has fascinated scholars ever since. Compiled in honour of one of the most respected scholars of early modern England, Clive Holmes, this volume considers themes that both reflect Clive’s own concerns and stand at the centre of current approaches to seventeenth-century studies: the relations between language, ideas, and political actors; the limitations of central government; and the powerful role of religious belief in public affairs.Centred chronologically on Clive Holmes’ seventeenth-century heartland, this is a focused volume of essays produced by leading scholars inspired by his scholarship and teaching. Investigative and analytical, it is valuable reading for all scholars of England’s revolutionary period.

If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and influential medieval genres such as sermons and hagiography dealt with potentially heterodox positions; and the role of literary, especially fictional, debate in developing modes of articulating discord, as well as demonstrating polemic in action in political and ecclesiastical debate. Within this historical context, the position of early modern debates as part of a more general culture of articulating discord becomes more clearly visible. The structure of the volume moves from an internal textual focus, where the nature of polemic can be debated, through a middle section where these concerns are also played out in social practice, to a more historical group investigating applied polemic. In this way a more nuanced view is provided of the meaning, role, and effect of ’polemic’ both broadly across time and space, and more narrowly within specific circumstances.

The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.

The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.

The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.

If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and influential medieval genres such as sermons and hagiography dealt with potentially heterodox positions; and the role of literary, especially fictional, debate in developing modes of articulating discord, as well as demonstrating polemic in action in political and ecclesiastical debate. Within this historical context, the position of early modern debates as part of a more general culture of articulating discord becomes more clearly visible. The structure of the volume moves from an internal textual focus, where the nature of polemic can be debated, through a middle section where these concerns are also played out in social practice, to a more historical group investigating applied polemic. In this way a more nuanced view is provided of the meaning, role, and effect of ’polemic’ both broadly across time and space, and more narrowly within specific circumstances.

Revolutionary England, c. 1630–c. 1660 presents a series of cutting-edge studies by established and rising authorities in the field, providing a powerful discourse on the events, crises and changes that electrified mid-seventeenth-century England.The descent into civil war, killing of a king, creation of a republic, fits of military government, written constitutions, dominance of Oliver Cromwell, abolition of a state church, eruption into major European conflicts, conquest of Scotland and Ireland, and efflorescence of powerfully articulated political thinking dazzled, bewildered or appalled contemporaries, and has fascinated scholars ever since. Compiled in honour of one of the most respected scholars of early modern England, Clive Holmes, this volume considers themes that both reflect Clive’s own concerns and stand at the centre of current approaches to seventeenth-century studies: the relations between language, ideas, and political actors; the limitations of central government; and the powerful role of religious belief in public affairs.Centred chronologically on Clive Holmes’ seventeenth-century heartland, this is a focused volume of essays produced by leading scholars inspired by his scholarship and teaching. Investigative and analytical, it is valuable reading for all scholars of England’s revolutionary period.