Gilbert Sorrentino – författare

Arthur Rimbaud's invented "Splendide-Hotel," "built in the chaos of ice and of the polar night," provides the occasion for Sorrentino's imaginative meditation on letters and language. Each chapter serves as an opportunity for the author to expand on thoughts and images suggested by a letter of the alphabet, as well as to reflect upon the workings of the imagination, particularly in the art of William Carlos Williams and Arthur Rimbaud. Reminiscent of the philosophical treatise/poem "On Being Blue" by William H. Glass, "Splendide-Hotel" is a Grand Hotel of the mind, splendidly conceived.

"Under the Shadow"?takes the form of fifty-nine brief sketches with simple nouns as titles. These exquisite vignettes take place on a plane at once surreal, abstract, and ominous, describing a set of people and incidents derived largely from fragments of conversation and gossip gathered here and there. They are reminiscent of Raymond Roussel's characters amid his inimitable ersatz pastorals, with tableaux both innocent and grotesque. There is something ambiguous about these passages, something deliberately closed and dreamlike. Many of them read like primal scenes of private pathologies; others are memories that, many years later, retain their power to haunt.

Like a series of snapshots, this novel presents a picture of a particular Brooklyn neighborhood between the years 1935 and 1951, covering the Depression, World War II, the beginnings of the Cold War, and the Korean War. In short, colorful, dramatic episodes, the book details the collapse of a basically decent, homogeneous, and honorable group of people into a greedy, ignorant, and slipshod conglomeration, corrupted by money made available by the war economy. The neighborhood as a whole is the protagonist, although there are many characters who become familiar. Moving the way memory does, the narrative skips from episode to episode in no conventional time sequence, projecting indelible flashes of the past as they strike the mind. Gilbert Sorrentino has beautifully encompassed a section of America in this very human, funny, intelligent novel which re-creates perfectly the mood and the time of its inhabitants and its past.

Gilbert Sorrentino is one of the most accomplished innovators in twentieth-century fiction, a position that is everywhere confirmed in this trilogy of novels, Odd Number, Rose Theatre, and Misterioso. Beginning with a series of interrogations (we never do find out why they are being conducted) about characters drawn from other Sorrentino novels and concluding with the reappearance of the same characters, Pack of Lies is Gilbert Sorrentino's testament to the supremacy of the imagination, a critique of the state of art and society, and a vicious comedy portraying a world of fraud and mayhem.

Both comic and haunting, ?"Crystal Vision"?invokes the world of magic and the arcane as filtered through a group of characters gathered on the streets and in the stores of their Brooklyn neighborhood to gossip, insult, lust, brag, and argue. In a series of seventy-eight short narratives, Gilbert Sorrentino perfectly captures the speech, illusions, and confusion of The Magician, Ritchie, The Arab, Irish Billy, Big Duck, Doc Friday, Fat Frankie, and many others. Through formal inventiveness, Sorrentino liberates these characters from the confines of realism and gives us their world--zany, vulgar, hilarious, and exuberant.

Divorce in America is the subject of Gilbert Sorrentino's novel. Tracing the New York-to-San Francisco journey of a family as husband and wife try to maintain the illusion that their marriage can be rescued, The Sky Changes records the unimaginable damage they inflict upon each other in order to force themselves towards divorce. Along the way, their two children become victims of the parents' failures and are dragged through the torment of this disintegrating marriage. No other novel in American literature is so narrowly dedicated to recording close-up the devastating pain of a marriage falling apart and the doomed-to-fail efforts to make it work.

"I see him now! Somewhere out there in that gloaming that we call the Past that Time forgot--his ratty beard and frizzy hair, his hearty grease sandwiches, his rusted bicycle clips. An unlikely hero, your good faces seem to say..."And so we meet our hero Serge "Blue" Gavotte, a modern-day Candide who quits his job, mounts a piano atop a broken-down pushcart and sets off with wife and child on a visionary quest across contemporary America in search of the "Perfect Musical Phrase." From the dismal plains of the Midwest to the technicolor sunsets of the Southwest, Blue refuses to let financial troubles, lecherous professors or the burdensome weight of his piano prevent him from reaching his final goal.A work of art masquerading as artifice, "Blue Pastoral" is a madhouse production whose hilarious cast of styles and forms includes everything from Rabelaisian lists to Swiftian satires to parodies of such pastoral modes as the eclogue, the idyll, and the elegy.

David Andrews, Gilbert Sorrentino David Andrews, The Art Is the Act of Smashing the Mirror: A Conversation with Gilbert Sorrentino John Beer, Robert L. McLaughlin, Mary CaponegroWilliam Gaddis Joy Castro, Margery Latimer

For over four decades, Gilbert Sorrentino has produced brilliant, penetrating essays and reviews, each one an uncompromising statement of what is good - and what is not - in literature and culture. Something Said collects in a single volume these definitive readings of such major twentieth-century innovators as William Carlos Williams, Edward Dahlberg, Hubert Selby, John Hawkes, Flann O'Brien, William Gaddis, Italo Calvino, John Hawkes, and Robert Creeley, along with critical writings on film, pop culture, and visual art. Featuring seventy-two pieces in all, this new expanded edition includes twenty-five pieces written since the publication of the first edition in 1984, and demonstrates Sorrentino's concern for the craft of writing and the development of an American aesthetic.

Set at a boardinghouse in rural New Jersey in the summer of 1939, this novel revolves around four people who experience the comedies, torments and rare pleasures of family, romance and sex while on vacation from Brooklyn and the Depression. Billy Recco, an eager ten-year-old in search of a father... Marie Recco, nee McGrath, an attractive divorcee caught between her son and father, without a life of her own... John McGrath, dignified in manner yet brutally soured by life, insanely fearful of his daughter's restlessness... Tom Thebus, a rakish salesman who precipitates the conflict between Marie's hopes and her father's wrath. What emerges is a sure understanding of four people who are occasionally ridiculous, but whose integrity and good intentions are consistently, and tragically, frustrated. Combining humor and feeling, balancing the details and the rhythms of experience, Aberration of Starlight re-creates a time and a place as it captures the sadness and value of four lives. First published by Random House in 1980, it is widely considered one of Sorrentino's finest novels.

Wildly comic and bitterly satiric, Imaginative Qualities of Actual Things is Gilbert Sorrentino's ruthless, and timeless, attack on the New York art world of the 1950s and '60s. Among the best of Sorrentino's novels, Imaginative Qualities is also, quite simply, the best American novel ever written about writers and artists.

“Gilbert Sorrentino has long been one of our most intelligent and daring writers. But he is also one of our funniest writers, given to Joycean flights of wordplay, punning, list-making, vulgarity and relentless self-commentary.”—The New York Times“Sorrentino’s ear for dialects and metaphor is perfect: his creations, however brief their presence, are vivid, and much of his writing is very funny and clever, piled with allusions.”—The Washington Post Book WorldBearing his trademark balance between exquisitely detailed narration, ground-breaking form, and sharp insight into modern life, Gilbert Sorrentino’s first-ever collection of stories spans 35 years of his writing career and contains both new stories and those that expanded and transformed the landscape of American fiction when they first appeared in such magazines and anthologies as Harper’s, Esquire, and The Best American Short Stories.In these grimly comic, unsentimental tales, the always-memorable characters dive headlong into the wasteland of urban culture, seeking out banal perversions, confusing art with the art scene, mistaking lust for love, and letting petty aspirations get the best of them. This is a world where the American dream is embodied in the moonlit cocktail hour and innocence passes at a breakneck speed, swiftly becoming a nostalgia-ridden cliché. As Sorrentino says in the title story, “art cannot rescue anybody from anything,” but his stories do offer some salvation to each of us by locating hope, humor, and beauty amidst a prevailing wind of cynical despair.Gilbert Sorrentino has published over 20 books of fiction and poetry, including the classic Mulligan Stew and his latest novel, Little Casino, which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he recently returned to his native Brooklyn.

“For decades, Gilbert Sorrentino has remained a unique figure in our literature. He reminds us that fiction lives because artists make it. . . . To the novel—everyone’s novel—Sorrentino brings honor, tradition and relentless passion.”—Don DeLillo“Possessing both the grace of James Joyce and the snap and crackle of Tom Wolfe, [Sorrentino] is a must-read for those who fancy fiction served on wry.”—Booklist“Far from being overly highbrow, Sorrentino manages to be thrillingly disorienting and, at the same time, quite accessible.”—BookSense.com“Sorrentino has shown himself a perfect mimic of the information age, an era when all is revealed and no one can quite remember who appeared on the cover of last week’s People.”—The Washington PostA boyhood friend of the late Hubert Selby, Jr., teacher of Jeffrey Eugenides and two-time PEN/Faulkner Award finalist, Gilbert Sorrentino is an elder statesman of American literature who continues to transgress artistic boundaries.In Lunar Follies, a bitingly satiric, imaginative tour of gallery, museum and performance art exhibitions, Sorrentino skewers the pretensions of the contemporary art world and its flailing attempts at relevance in a society whose attentions have strayed to the immediacy of pop culture. With precise comedic timing and an eye toward lascivious detail, Sorrentino is the perfect guide through this deliciously absurd world.Gilbert Sorrentino has published over 20 books of fiction and poetry, including the story collection, The Moon in Its Flight, and the recent novel, Little Casino, which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he now lives in his native Brooklyn, New York.

“Sorrentino [is] a writer like no other. He’s learned, companionable, ribald, brave, mathematical, at once virtuosic and somehow without ego. Sorrentino’s books break free of the routine that inevitably accompanies traditional narrative and through a passionate renunciation shine with an unforgiving, yet cleansing, light.”—Jeffrey Eugenides“For decades, Gilbert Sorrentino has remained a unique figure in our literature. He reminds us that fiction lives because artists make it. …To the novel—everyone’s novel—Sorrentino brings honor, tradition, and relentless passion.”—Don DeLilloBorrowing its title from a William Carlos Williams poem, A Strange Commonplace lays bare the secrets and dreams of characters whose lives are intertwined by coincidence and necessity, possessions and experience. Ensnared in a jungle of city streets and suburban bedroom communities from the boozy 1950s to the culturally vacuous present, lines blur between families and acquaintances, violence and love, hope and despair. As fathers try to connect with their children, as writers struggle for credibility, as wives walk out, and an old man plays Russian roulette with a deck of cards, their stories resonate with poignancy and savage humor—familiar, tragic, and cathartic.Gilbert Sorrentino is the author of more than 30 books, including Little Casino, finalist for the PEN/Faulkner Award. A critical and influential figure in postmodern American literature, he is the recipient of two Guggenheim Fellowships and a Lannan Literary Award. His frequent appearances on Michael Silverblatt’s Bookworm can be heard at www.kcrw.org. Once an editor at Grove Press, Sorrentino is professor emeritus at Stanford University and lives in Brooklyn.

“To the novel—everyone’s novel—Sorrentino brings honor, tradition, and relentless passion.”—Don DeLillo“Sorrentino [is] a writer like no other. He’s learned, companionable, ribald, brave, mathematical, at once virtuosic and somehow without ego. Sorrentino’s books break free of the routine that inevitably accompanies traditional narrative and through a passionate renunciation shine with an unforgiving, yet cleansing, light.”—Jeffrey Eugenides“For a compelling, hilarious, and ultimately compassionate rendering of life in mid-20th-century America, forget the conscientious subjectors and take Gilbert Sorrentino at his golden Word.”—Harry Mathews“One of [Brooklyn]’s most intriguing and authentic homegrown talents, Sorrentino’s Bay Ridge deserves to be appreciated alongside Malamud’s Crown Heights, Arthur Miller’s Coney Island, Henry Miller’s and Betty Smith’s Williamsburg, Hamill’s and Auster’s Park Slope, and Lethem’s Boerum Hill.”—BookforumTitled after a line from Henry James, Gilbert Sorrentino’s final novel consists of fifty narrative set pieces full of savage humor and cathartic passion—an elegiac paean to the bleak world he so brilliantly captured in his long and storied career. Mirroring the inexplicable coincidences, encounters, and hallmarks of modern life, this novel revisits familiar characters—the aging artists, miserable couples, crackerjack salesmen, and drunken soldiers of previous books, placing them in familiar landscapes lost in time between the Depression era and some fraudulent bohemia of the present.A luminary of American literature, Gilbert Sorrentino was a boyhood friend of Hubert Selby, Jr., a confidant of William Carlos Williams, a two-time PEN/Faulkner Award finalist, and the recipient of a Lannan Literary Lifetime Achievement Award. He taught at Stanford for many years before returning to his native Brooklyn and published over thirty books before his death in 2006.

Widely regarded as Sorrentino's finest achievement, Mulligan Stew takes as its subject the comic possibilities of the modern literary imagination. As avant-garde novelist Antony Lamont struggles to write a "new wave murder mystery," his frustrating emotional and sexual life wreaks havoc on his work-in-progress. As a result, his narrative (the very book we are reading) turns into a literary "stew" an uproariously funny melange of journal entries, erotic poetry, parodies of all kinds, love letters, interviews, and lists—as Hugh Kenner in "Harper's" wrote, "for another such virtuoso of the List you'd have to resurrect Joyce." Soon, Lamont's characters (on loan from F. Scott Fitzgerald, Flann O'Brien, James Joyce, and Dashiell Hammet) take on lives of their own, completely sabotaging his narrative. Sorrentino has vastly extended the possibilities of what a novel can be in this extraordinary work, which both parodies and pays homage to the art of fiction.