. Giorgi - Böcker

Christian saints have been the objects of reverence and fascination throughout the past two millennia. Their likenesses, heroic acts, prayerful lives, and stories of martyrdom have been portrayed frequently in art of diverse media. Without familiarity with the saints and their images and symbols, viewers of art may find it challenging to identify, for example, which saint is represented as a monk with an axe through his head, or a beautiful girl holding a wheel, or a woman carrying her eyes on a plate. From Agatha to Zeno, Francis of Assisi to Mary Magdalene, this is a presentation of the characteristic features of more than 100 saints often encountered in sacred Western art. Each saint is introduced by a practical list of his or her unique attributes. Entries also include notes on the saints' lives and martyrdom and a series of visual references to help the reader recognize these exemplary figures, their histories, and their special devotions. This resource is illustrated with a collection of masterpieces.

This sumptuously illustrated volume analyzes artists' representations of angels and demons and heaven and hell from the Judeo-Christian tradition and describes how these artistic portrayals evolved over time. As with other books in the "Guide to Imagery" series, the goal of this volume is to help contemporary art enthusiasts decode the symbolic meanings in the great masterworks of Western Art. The first chapter traces the development of images of the Creation and the After world from descriptions of them in the Scriptures through their evolution in later literary and philosophical works. The following two chapters examine artists' depictions of the two paths that humans may take, the path of evil or the path of salvation, and the punishments or rewards found on each. A chapter on the Judgment Day and the end of the world explores portrayals of the mysterious worlds between life and death and in the afterlife. Finally, the author looks at images of angelic and demonic beings themselves and how they came to be portrayed with the physical attributes - wings, halos, horns, cloven hooves - with which we are now so familiar.

The seventeenth century was an era of absolute monarchs, the Habsburgs of Spain and Louis XIV of France, whose patronage of the arts helped furnish their opulent palaces. But it was also the beginning of a new era of commercialism, in which artists increasingly catered to affluent collectors.The Baroque, with its roots in classicism but with a new emphasis on emotionalism and naturalism, was the leading style of the period. Masters of the era included Caravaggio, whose innovations in the use of light and shadow were an influence to many - notably Rembrandt; the sculptor, painter, and architect Bernini with his technical brilliance and expressiveness; as well as many others such as Rubens, Poussin, Velazquez, and Vermeer."European Art in the Seventeenth Century" highlights the most important artists, works, concepts, and theories of the period, accompanied by 400 full-colour illustrations.