Gloria T. Hull - Böcker

These works are as multi-faceted as their writer, who was a teacher, editor, public speaker, and campaign manager of mixed white, black, and Indian descent, born in New Orleans in 1875. Her pieces span the full range of literary genres - from short stories, fluffy romances, mystical novelettes, poetry, and autobiographical pieces to realistic racial drama, astute political commentary and essays, and lively newspaper columns - all bearing the stamp of her own cultural ambivalence and complex personality.

These works are as multi-faceted as their writer, who was a teacher, editor, public speaker, and campaign manager of mixed white, black, and Indian descent, born in New Orleans in 1875. Her pieces span the full range of literary genres - from short stories, fluffy romances, mystical novelettes, poetry, and autobiographical pieces to realistic racial drama, astute political commentary and essays, and lively newspaper columns - all bearing the stamp of her own cultural ambivalence and complex personality.

These works are as multi-faceted as their writer, who was a teacher, editor, public speaker, and campaign manager of mixed white, black, and Indian descent, born in New Orleans in 1875. Her pieces span the full range of literary genres - from short stories, fluffy romances, mystical novelettes, poetry, and autobiographical pieces to realistic racial drama, astute political commentary and essays, and lively newspaper columns - all bearing the stamp of her own cultural ambivalence and complex personality.

" . . . absorbing biographical study . . . " —Black Enterprise"Meticulously researched and thoroughly engaging . . . " —Tulsa Studies in Women's Literature" . . . a splendid study . . . excellent . . . " —Choice"Color, Sex, and Poetry provides both the bread and the meat of critical analysis and exploration of the lives of three Black women writers." —Belles Lettres" . . . Hull succeeds not only in exploring writers whose work is hampered by their 'split authorial personalities' but also in outlining the effects of economic circumstances on literary production." —SignsA biographical/critical study of three Harlem Renaissance poets—Angelina Weld Grimké, Alice Dunbar-Nelson, and Georgia Douglas Johnson—during a rich and colorful period. Writing from a black feminist critical perspective, Hull recovers these black foremothers and in the process shakes up the traditional black literary canon.