Goldman – författare

An all-round entertainer of matchless ability and versatility, Fanny Brice was one of the great names of American musical theatre either side of the First World War. However, apart from the distorting biopics Funny Girl and Funny Lady, starring Barbra Streisand, little has been written about her dazzling career or complex private life. In this first biography of a beloved star of burlesque, vaudeville, and radio, Herbert Goldman reveals a strong woman who was equally adept at comedy, farce, and drama, and whose torch songs were the highlight of innumerable Ziegfeld Follies. He also examines the influence of her Jewish background on her work, and her troubled marriages to Nick Arnstein, the gangster who rigged baseball's World Series in 1919, and impresario Billy Rose.

What if anything justifies us in believing the testimony of others? How should we react to disagreement between ourselves and our peers, and to disagreement among the experts when we ourselves are novices? Can beliefs be held by groups of people in addition to the people composing those groups? And if so, how should groups go about forming their beliefs? How should we design social systems, such as legal juries and scientific research-sharing schemes, to promote knowledge among the people who engage in them? When different groups of people judge different beliefs to be justified, how can we tell which groups are correct? These questions are at the heart of the vital discipline of social epistemology. The classic articles in this volume address these questions in ways that are both cutting-edge and easy to understand. This volume will be of great interest to scholars and students in epistemology.