Gordon S. Haight – författare

'Was her life to be always like this? - always bringing some new source of inward strife?'When the miller Mr Tulliver becomes entangled in lawsuits, he sets off a chain of events that will profoundly affect the lives of his family and bring into conflict his passionate daughter Maggie with her inflexible but adored brother Tom. As she grows older, Maggie's discovery of romantic love draws her once more into a struggle to reconcile familial and moral claims with her own desires. Strong-willed, compassionate, and intensely loyal, Maggie seeks personal happiness and inner peace but risks rejection and ostracism in her close-knit community.Opening with one of the most powerful fictional evocations of childhood, The Mill on the Floss (1860) vividly portrays both the 'oppressive narrowness' and the appeal of provincial England, the comedy as well as the tragedy of obscure lives. George Eliot's most autobiographical novel was also her most controversial, and has been the subject of animated debate ever since. This edition combines the definitive Clarendon text with a lively new introduction and notes.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''Was her life to be always like this? - always bringing some new source of inward strife?'' When the miller Mr Tulliver becomes entangled in lawsuits, he sets off a chain of events that will profoundly affect the lives of his family and bring into conflict his passionate daughter Maggie with her inflexible but adored brother Tom. As she grows older, Maggie''s discovery of romantic love draws her once more into a struggle to reconcile familial and moral claims with her own desires. Strong-willed, compassionate, and intensely loyal, Maggie seeks personal happiness and inner peace but risks rejection and ostracism in her close-knit community. Opening with one of the most powerful fictional evocations of childhood, The Mill on the Floss (1860) vividly portrays both the ''oppressive narrowness'' and the appeal of provincial England, the comedy as well as the tragedy of obscure lives. George Eliot''s most autobiographical novel was also her most controversial, and has been the subject of animated debate ever since. This edition combines the definitive Clarendon text with a lively new introduction and notes. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''Was her life to be always like this? - always bringing some new source of inward strife?'' When the miller Mr Tulliver becomes entangled in lawsuits, he sets off a chain of events that will profoundly affect the lives of his family and bring into conflict his passionate daughter Maggie with her inflexible but adored brother Tom. As she grows older, Maggie''s discovery of romantic love draws her once more into a struggle to reconcile familial and moral claims with her own desires. Strong-willed, compassionate, and intensely loyal, Maggie seeks personal happiness and inner peace but risks rejection and ostracism in her close-knit community. Opening with one of the most powerful fictional evocations of childhood, The Mill on the Floss (1860) vividly portrays both the ''oppressive narrowness'' and the appeal of provincial England, the comedy as well as the tragedy of obscure lives. George Eliot''s most autobiographical novel was also her most controversial, and has been the subject of animated debate ever since. This edition combines the definitive Clarendon text with a lively new introduction and notes. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

`But it''s bad - it''s bad,'' Mr Tulliver added - `a woman''s no business wi'' being so clever; it''ll turn to trouble, I doubt.''Rebellious and affectionate, Maggie Tulliver is always in trouble. Recalling her own experiences as a girl, George Eliot describes Maggie''s turbulent childhood with a sympathetic engagement that makes the early chapters of The Mill on the Floss among the most immediately attractive she ever wrote. As Maggie Tulliver approaches adulthood, her spirited temperament brings her into conflict with her family, her community, and her much-loved brother Tom. Still more painfully, she findsher own nature divided between the claims of moral responsibility and her passionate hunger for self-fulfilment. George Eliot''s searching exploration of Maggie''s complex dilemma has made this one of the most enduringly popular of her works.This edition offers the definitive Clarendon text with a new introduction that gives an account of the book''s place in Eliot''s life and the intellectual context of the time, as well as providing close textual analysis.

A scholarly edition of The Mill on the Floss by George Eliot. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Gathers 14 of Gordon S. Haight''s essays on the life and work of Victorian authors and artists, among them George Eliot, George Henry Lewes, Thomas Carlyle, Charles Dickens, George Meredith, Lord Tennyson, Robert Browning, and G.F. Watts.