Graham Saunders – författare & böcker

About Kane

Häftad, Engelska, 2009

133 kr

Skickas

In About Kane, Graham Saunders offers an important study of one of the most controversial and talented playwrights of recent times. His survey includes a concise biography, in-depth analysis of Sarah Kane's work, and interviews with Kane and those who helped to put her work on stage. With Kane's reputation still growing, this book is an essential guide for the student and theatregoer.

History of Brunei

AvGraham Saunders

Inbunden, Engelska, 2002

2 248 kr

Skickas inom 10-15 vardagar

The only full-length study of the Brunei Sultanate from the earliest times to the present. First published in 1994 and a sell-out success, RoutledgeCurzon is pleased to present this new edition, updated to the present. Saunders skilfully elucidates historiographical controversies over important events, persons and developments in Brunei's past which are still important issues in defining Brunei's identity and its political and social systems today. These controversies, over the antecedents of the Sultanate, the date of the conversion to Islam, the reigns of the early sultans, early contacts with Europeans and others, retain their relevance. Newly presented are interpretations of events since 1945 during the transition from protected state to full independence, and thence to the present Malay Islamic Monarchy.

‘Love me or kill me’

Sarah Kane and the theatre of extremes

AvGraham Saunders

Häftad, Engelska, 2002

383 kr

Skickas inom 5-8 vardagar

Blasted brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Covers all Kane’s major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. A chapter-by-chapter analysis looks at each play in detail and the appendices carry transcripts of interviews with colleagues and leading theatre practitioners involved with her productions. This book is the first study of the most significant British dramatist in post-war theatre and includes unpublished interview material with Sarah Kane herself.

Sarah Kane in context

Essays

AvLaurens De vos,Graham Saunders

Häftad, Engelska, 2011

326 kr

Skickas

From the controversy in 1995 that heralded Blasted, to her death in February 1999, Sarah Kane built a reputation as an established playwright of international stature. This is the first volume of collected essays by some of the leading scholars in their field, providing a comprehensive approach to the body of work she produced in this brief period. Essays included cover the political, literary and theatrical identities that have exerted influence on Kane’s work, as well as discussing and assessing her innovative theatrical experiments and the performative issues that arise from within the plays. Sarah Kane in context examines one of the most controversial and influential dramatists who emerged during the ‘In-Yer Face’ generation of British dramatists in the 1990s and provides an essential guide to Kane for students and scholars alike.

Patrick Marber's Closer

AvGraham Saunders

Inbunden, Engelska, 2008

1 755 kr

Skickas inom 10-15 vardagar

A comprehensive critical introduction to the "Closer", giving students an overview of the background and context; detailed analysis of the play's structure, style, characters etc; analysis of key production issues and choices; overview of the performance history; and an annotated guide to further reading highlighting key critical approaches."Closer", emerges as one of the most successful plays of the 1990s, and one with a continuing afterlife through the academy award nominated film adaptation in 2004. Although the work of dramatists such as Sarah Kane and Mark Ravenhill initially attracted the most critical and academic attention, "Closer" had long West End and Broadway runs. The play has since gone on to repeat this success in over 30 other countries.This guide provides a comprehensive critical introduction to the play, giving students an overview of the background and context; detailed analysis of the play's structure, style, characters etc; analysis of key production issues and choices; overview of the performance history from the 1997 National Theatre premiere to recent productions including the film version; and an annotated guide to further reading highlighting key critical approaches.Accessible, informative critical introductions to modern plays for students in both Theatre/Performance Studies and English. Offering up-to-date coverage of a broad range of key plays throughout modern drama, the guides include accounts of performance history, production analysis, screen adaptations and summaries of important critical approaches and debates.

Patrick Marber's Closer

AvGraham Saunders

Häftad, Engelska, 2008

326 kr

Skickas inom 10-15 vardagar

"Closer", emerges as one of the most successful plays of the 1990s, and one with a continuing afterlife through the academy award nominated film adaptation in 2004. Although the work of dramatists such as Sarah Kane and Mark Ravenhill initially attracted the most critical and academic attention, "Closer" had long West End and Broadway runs. The play has since gone on to repeat this success in over 30 other countries.This guide provides a comprehensive critical introduction to the play, giving students an overview of the background and context; detailed analysis of the play's structure, style, characters etc; analysis of key production issues and choices; overview of the performance history from the 1997 National Theatre premiere to recent productions including the film version; and an annotated guide to further reading highlighting key critical approaches.This title provides accessible, informative critical introductions to modern plays for students in both Theatre/Performance Studies and English.Offering up-to-date coverage of a broad range of key plays throughout modern drama, the guides include accounts of performance history, production analysis, screen adaptations and summaries of important critical approaches and debates.

Harold Pinter

AvGraham Saunders

E-bok

PDF, Engelska, 2023

793 kr

Läs direkt efter köp

Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world.

Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus.

Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.

Harold Pinter

AvGraham Saunders

E-bok

Engelska, 2023

793 kr

Läs direkt efter köp

Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world.

Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus.

Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.

Harold Pinter

AvGraham Saunders

Inbunden, Engelska, 2023

2 360 kr

Skickas inom 10-15 vardagar

Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world.Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus.Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.

Harold Pinter

AvGraham Saunders

Häftad, Engelska, 2023

670 kr

Skickas inom 10-15 vardagar

Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world.Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus.Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.

History of Brunei

AvGraham Saunders

E-bok

PDF, Engelska, 2013

878 kr

Läs direkt efter köp

The only full-length study of the Brunei Sultanate from the earliest times to the present. First published in 1994 and a sell-out success, RoutledgeCurzon is pleased to present this new edition, updated to the present. Saunders skilfully elucidates historiographical controversies over important events, persons and developments in Brunei''s past which are still important issues in defining Brunei''s identity and its political and social systems today. These controversies, over the antecedents of the Sultanate, the date of the conversion to Islam, the reigns of the early sultans, early contacts with Europeans and others, retain their relevance. Newly presented are interpretations of events since 1945 during the transition from protected state to full independence, and thence to the present Malay Islamic Monarchy.

History of Brunei

AvGraham Saunders

E-bok

Engelska, 2013

848 kr

Läs direkt efter köp

The only full-length study of the Brunei Sultanate from the earliest times to the present. First published in 1994 and a sell-out success, RoutledgeCurzon is pleased to present this new edition, updated to the present. Saunders skilfully elucidates historiographical controversies over important events, persons and developments in Brunei''s past which are still important issues in defining Brunei''s identity and its political and social systems today. These controversies, over the antecedents of the Sultanate, the date of the conversion to Islam, the reigns of the early sultans, early contacts with Europeans and others, retain their relevance. Newly presented are interpretations of events since 1945 during the transition from protected state to full independence, and thence to the present Malay Islamic Monarchy.

Elizabethan and Jacobean Reappropriation in Contemporary British Drama

'Upstart Crows'

AvGraham Saunders

Inbunden, Engelska, 2017

1 063 kr

Skickas inom 10-15 vardagar

This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane’s Blasted and Jez Butterworth’s Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare’s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.

Elizabethan and Jacobean Reappropriation in Contemporary British Drama

''Upstart Crows''

AvGraham Saunders

E-bok

Engelska, 2017

1 182 kr

Läs direkt efter köp

This book examines British playwrights'' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard''s Rosencrantz and Guildenstern are Dead to Sarah Kane’s Blasted and Jez Butterworth’s Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare’s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.

History of Brunei

AvGraham Saunders

Häftad, Engelska, 2015

773 kr

Skickas inom 10-15 vardagar

The only full-length study of the Brunei Sultanate from the earliest times to the present. First published in 1994 and a sell-out success, RoutledgeCurzon is pleased to present this new edition, updated to the present. Saunders skilfully elucidates historiographical controversies over important events, persons and developments in Brunei's past which are still important issues in defining Brunei's identity and its political and social systems today. These controversies, over the antecedents of the Sultanate, the date of the conversion to Islam, the reigns of the early sultans, early contacts with Europeans and others, retain their relevance. Newly presented are interpretations of events since 1945 during the transition from protected state to full independence, and thence to the present Malay Islamic Monarchy.

British Theatre Companies: 1965-1979

CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 Theatre Companies

AvJohn Bull,Graham Saunders

Inbunden, Engelska, 2016

1 865 kr

Skickas inom 10-15 vardagar

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced.1965–1979, covers the period often accepted as the ‘golden age’ of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of ‘alternative’ performance venues.Leading academics provide case studies of six of the most important companies, including:* CAST, by Bill McDonnell (University of Sheffield, UK)* The People Show, by Grant Tyler Peterson (Brunel University London, UK)* Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK)* Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK)* Welfare State International, by Gillian Whitely (Loughborough University, UK)* 7:84 Theatre Companies, by David Pattie (University of Chester, UK).

British Theatre Companies: 1980-1994

Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talawa

AvGraham Saunders,John Bull

Häftad, Engelska, 2015

405 kr

Skickas inom 10-15 vardagar

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies.Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including:* Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum)*Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK)* Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA)* Joint Stock, by Jaqueline Bolton (University of Lincoln, UK)* Theatre de Complicite, by Michael Fry* Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)

British Theatre Companies: 1980-1994

Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talawa

AvGraham Saunders,John Bullm. fl.

Inbunden, Engelska, 2015

1 865 kr

Skickas inom 10-15 vardagar

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies.Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including:* Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum)*Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK)* Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA)* Joint Stock, by Jaqueline Bolton (University of Lincoln, UK)* Theatre de Complicite, by Michael Fry* Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)

British Theatre Companies: 1980-1994

Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talawa

AvGraham Saunders

E-bok

Engelska, 2015

437 kr

Läs direkt efter köp

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies.Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher''s Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including:* Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum)*Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK)* Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA)* Joint Stock, by Jaqueline Bolton (University of Lincoln, UK)* Theatre de Complicite, by Michael Fry* Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)

British Theatre Companies: 1980-1994

Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talawa

AvGraham Saunders

E-bok

PDF, Engelska, 2015

421 kr

Läs direkt efter köp

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies.Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher''s Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including:* Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum)*Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK)* Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA)* Joint Stock, by Jaqueline Bolton (University of Lincoln, UK)* Theatre de Complicite, by Michael Fry* Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)

British Theatre Companies: 1995-2014

Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk

AvLiz Tomlin,Graham Saunders

Häftad, Engelska, 2015

405 kr

Skickas inom 10-15 vardagar

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream.Leading academics provide case studies of six of the most important companies, including:* Mind the Gap, by Dave Calvert (University of Huddersfield, UK)* Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK)* Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic)* Punchdrunk, by Josephine Machon (Middlesex University, UK)* Kneehigh, by Duška Radosavljevic (University of Kent, UK)* Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)

British Theatre Companies: 1995-2014

Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk

AvLiz Tomlin,Graham Saundersm. fl.

Inbunden, Engelska, 2015

1 865 kr

Skickas inom 10-15 vardagar

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream.Leading academics provide case studies of six of the most important companies, including:* Mind the Gap, by Dave Calvert (University of Huddersfield, UK)* Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK)* Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic)* Punchdrunk, by Josephine Machon (Middlesex University, UK)* Kneehigh, by Duška Radosavljevic (University of Kent, UK)* Stan's Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)

Patrick Marber's Closer

AvGraham Saunders

E-bok

PDF, Engelska, 2011

348 kr

Läs direkt efter köp

Closer emerged as one of the most successful plays of the 1990s, and one with a continuing afterlife through the academy award nominated film adaptation in 2004. Although the work of dramatists such as Sarah Kane and Mark Ravenhill initially attracted the most critical and academic attention, Patrick Marber's Closer had long West End and Broadway runs. The play has since gone on to repeat this success in over 30 other countries.

Patrick Marber's Closer

AvGraham Saunders

E-bok

Engelska, 2013

348 kr

Läs direkt efter köp

Closer emerged as one of the most successful plays of the 1990s, and one with a continuing afterlife through the academy award nominated film adaptation in 2004. Although the work of dramatists such as Sarah Kane and Mark Ravenhill initially attracted the most critical and academic attention, Patrick Marber''s Closer had long West End and Broadway runs. The play has since gone on to repeat this success in over 30 other countries.

Indonesia - Culture Smart!

The Essential Guide to Customs & Culture

AvGraham Saunders,Jessica Ginting

Häftad, Engelska, 2021

161 kr

Skickas

Don't just see the sights get to know the people.Indonesia, stretching across three time zones and situated on one of the world s great maritime trade routes, has a rich and varied culture.Culture Smart! Indonesia describes the many different cultural backgrounds that make up this rainbow nation, helping you to better understand the values that underpin its diverse society. It reveals how modern Indonesians view themselves and go about their daily lives, and gives advice on how to navigate unfamiliar situations. Armed with essential cultural information and tips on effective communication, readers are better placed to have a more meaningful and successful experience in this fascinating country.Have a more meaningful and successful time abroad through a better understanding of the local culture. Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.

Arnold Wesker

Fragments and Visions

AvAnne Etienne,Graham Saunders

Inbunden, Engelska, 2021

1 473 kr

Skickas inom 5-8 vardagar

This new collection will add significantly to the body of scholarship on this important dramatist. This is the first study of the whole body of Wesker’s work, and will create new interest in this partly forgotten key figure in post-war British theatre.A new study of Wesker’s work is overdue. The editors are recognized scholars in the field with a track record of publication on British theatre. An impressive list of contributors comprises important scholars of post-war theatre – including John Bull and Chris Megson – alongside practitioners such as Edward Bond and Pamela Howard, who bring professional insights to bear.Arnold Wesker was hailed in the press as ‘one of the great overlooked’ of British drama when he died in April 2016. Despite his pivotal engagement with the cultural politics of 1960s Britain and his international career, only a fraction of Wesker’s dramatic output tends to be studied. He is still remembered and discussed as the author of The Trilogy, three plays staged between 1958–60 that fail to reflect the daring aesthetics of his later work, thereby perpetuating an incorrect image of a naturalist playwright.This important new book aims to remedy the recent critical neglect of the dramatist, building on existing scholarship and introducing new insights and perspectives. It examines the whole body of Wesker’s work for the first time, including some of his non-dramatic work, and considers it from a variety of perspectives. These include Wesker’s reception in Europe, his Jewishness and his attitude to politics and to community. Significant use is made of material from the Arnold Wesker archive, held by the Harry Ransom Humanities Research Center at the University of Texas at Austin, USA.It includes chapters on Wesker’s representation of, and attitude towards, women, his relationship with his Jewish origins and identity, and his role in establishing Centre 42 following his imprisonment for participation in the Aldermaston March in 1959. Centre 42 was initially a touring festival aimed at devolving art and culture from London to the other working class towns of Britain, and arose from Resolution 42 of the 1960 Trades Union Congress, which concerned the importance of arts in the community.It will be of most interest to academics and scholars of post-war British theatre, and to those teaching theatre and drama. It is accessible for a student readership at all undergraduate levels, as well as postgraduates. It has potential for textbook and reading list use.Wesker’s significance in British theatre history of the 1950s and 1960s means that the book may find readers amongst the informed general public.

Arnold Wesker

Fragments and Visions

AvGraham Saunders,Anne Etienne

E-bok

PDF, Engelska, 2020

1 152 kr

Läs direkt efter köp

This new collection will add significantly to the body of scholarship on this important dramatist. This is the first study of the whole body of Wesker’s work, and will create new interest in this partly forgotten key figure in post-war British theatre.

A new study of Wesker’s work is overdue. The editors are recognized scholars in the field with a track record of publication on British theatre. An impressive list of contributors comprises important scholars of post-war theatre – including John Bull and Chris Megson – alongside practitioners such as Edward Bond and Pamela Howard, who bring professional insights to bear.

Arnold Wesker was hailed in the press as ‘one of the great overlooked’ of British drama when he died in April 2016. Despite his pivotal engagement with the cultural politics of 1960s Britain and his international career, only a fraction of Wesker’s dramatic output tends to be studied. He is still remembered and discussed as the author of The Trilogy, three plays staged between 1958–60 that fail to reflect the daring aesthetics of his later work, thereby perpetuating an incorrect image of a naturalist playwright.

This important new book aims to remedy the recent critical neglect of the dramatist, building on existing scholarship and introducing new insights and perspectives. It examines the whole body of Wesker’s work for the first time, including some of his non-dramatic work, and considers it from a variety of perspectives. These include Wesker’s reception in Europe, his Jewishness and his attitude to politics and to community. Significant use is made of material from the Arnold Wesker archive, held by the Harry Ransom Humanities Research Center at the University of Texas at Austin, USA.

It includes chapters on Wesker’s representation of, and attitude towards, women, his relationship with his Jewish origins and identity, and his role in establishing Centre 42 following his imprisonment for participation in the Aldermaston March in 1959. Centre 42 was initially a touring festival aimed at devolving art and culture from London to the other working class towns of Britain, and arose from Resolution 42 of the 1960 Trades Union Congress, which concerned the importance of arts in the community.

It will be of most interest to academics and scholars of post-war British theatre, and to those teaching theatre and drama. It is accessible for a student readership at all undergraduate levels, as well as postgraduates. It has potential for textbook and reading list use.

Wesker’s significance in British theatre history of the 1950s and 1960s means that the book may find readers amongst the informed general public.

Arnold Wesker

Fragments and Visions

AvGraham Saunders,Anne Etienne

E-bok

Engelska, 2020

1 152 kr

Läs direkt efter köp

This new collection will add significantly to the body of scholarship on this important dramatist. This is the first study of the whole body of Wesker’s work, and will create new interest in this partly forgotten key figure in post-war British theatre.

A new study of Wesker’s work is overdue. The editors are recognized scholars in the field with a track record of publication on British theatre. An impressive list of contributors comprises important scholars of post-war theatre – including John Bull and Chris Megson – alongside practitioners such as Edward Bond and Pamela Howard, who bring professional insights to bear.

Arnold Wesker was hailed in the press as ‘one of the great overlooked’ of British drama when he died in April 2016. Despite his pivotal engagement with the cultural politics of 1960s Britain and his international career, only a fraction of Wesker’s dramatic output tends to be studied. He is still remembered and discussed as the author of The Trilogy, three plays staged between 1958–60 that fail to reflect the daring aesthetics of his later work, thereby perpetuating an incorrect image of a naturalist playwright.

This important new book aims to remedy the recent critical neglect of the dramatist, building on existing scholarship and introducing new insights and perspectives. It examines the whole body of Wesker’s work for the first time, including some of his non-dramatic work, and considers it from a variety of perspectives. These include Wesker’s reception in Europe, his Jewishness and his attitude to politics and to community. Significant use is made of material from the Arnold Wesker archive, held by the Harry Ransom Humanities Research Center at the University of Texas at Austin, USA.

It includes chapters on Wesker’s representation of, and attitude towards, women, his relationship with his Jewish origins and identity, and his role in establishing Centre 42 following his imprisonment for participation in the Aldermaston March in 1959. Centre 42 was initially a touring festival aimed at devolving art and culture from London to the other working class towns of Britain, and arose from Resolution 42 of the 1960 Trades Union Congress, which concerned the importance of arts in the community.

It will be of most interest to academics and scholars of post-war British theatre, and to those teaching theatre and drama. It is accessible for a student readership at all undergraduate levels, as well as postgraduates. It has potential for textbook and reading list use.

Wesker’s significance in British theatre history of the 1950s and 1960s means that the book may find readers amongst the informed general public.

Palgrave Handbook of Theatre Censorship

AvAnne Etienne,Graham Saunders

Inbunden, Engelska, 2024

3 673 kr

Skickas inom 5-8 vardagar

This book incorporates a wide theoretical, cultural, literary and historical engagement in exploring the tension between dramatic productions and the forms of censorship they encounter from creation to reception. The Palgrave Handbook of Theatre Censorship offers global new insights into censorship practices, examining attempts at repression motivated either by fears that audiences gathering together to watch live dramatic events will lead to sedition and mass uprisings, or by moral or religious squeamishness requiring the establishment of institutional systems of censorship to curb or suppress the stage. As such, the Handbook aims to initiate redefinitions of what we understand or experience as censorship.Who knew theatre could (still) carry so many threats, or be so widely provocative and dangerous? This is an extraordinary and often eye-opening set of thirty-six individually insightful, wide-ranging and oftentimes disturbing essays, each of which offers unique insights into theatre censorship practices and their impact within a specific political and moral culture. There is a particular emphasis on the recent and current, and the authors speak with first-hand knowledge and from direct experience not only about the restrictions but also how artists sometimes negotiate and evade these. What makes the book so especially fascinating and illuminating is seeing so many examples juxtaposed together. This enables the reader to hear the essays and the cultures talking to and alongside each other. The collection repeatedly breaks fresh ground, and the editors deserve enormous credit for gathering and effectively curating so many reports from the front-line. Steve Nicholson, Emeritus Professor, University of Sheffield, UKAnne Etienne and Graham Saunders’s book is a wide-ranging, incisive and compelling collection of reflections and case studies on the theatre industry’s relationship to censorship and self-censorship from a historical and contemporaneous perspective. An impressive array of authors have been assembled for this volume representing, among them, views on the subject from Spain, Denmark, Norway, Zimbabwe, South Africa, Germany, Italy, Indonesia, Iran, Portugal, Turkey, Brazil, Japan, Ireland, Australia, Russia, England and more. The book is by turns surprising in its curatorial and narrative design and wonderfully effective at delineating the complex and thorny paths that create socio-political cultures where the censorship and self-censorship of theatre artists thrives and/or is efficaciously contested and rebelled against. Of note is a through line of argument in the book around less overt modes of surveillance that police artists’ imaginations and thereby the work they create and produce. At a time in the world where many governments are increasingly seeking to limit artistic expression, this book is a necessary reminder of the many freedoms that have been fought for in theatres around the globe, and how the power of being unsilenced must never be taken for granted. – Caridad Svich. Playwright & Translator This is a truly excellent collection of incisive studies. It is wide-ranging, impressively global in scope, with an illuminating balance of the historical and the contemporary. In its impressive and well-realised ambition, demonstrated by the well-focused intelligence and academic flair of its many contributors, this collection is both magisterial and vital. It is an essential contribution to censorship studies, fascinating and inspiring, a must-read for anyone interested in the subject. – Aleks Sierz. Theatre critic and author of Rewriting the Nation: British Theatre Today (2011) & Good Nights Out: A History of British Theatre Since the Second World War (2021)

Palgrave Handbook of Theatre Censorship

AvGraham Saunders,Anne Etienne

E-bok

Engelska, 2024

4 562 kr

Läs direkt efter köp

This book incorporates a wide theoretical, cultural, literary and historical engagement in exploring the tension between dramatic productions and the forms of censorship they encounter from creation to reception. The Palgrave Handbook of Theatre Censorship offers global new insights into censorship practices, examining attempts at repression motivated either by fears that audiences gathering together to watch live dramatic events will lead to sedition and mass uprisings, or by moral or religious squeamishness requiring the establishment of institutional systems of censorship to curb or suppress the stage. As such, the Handbook aims to initiate redefinitions of what we understand or experience as censorship.

Who knew theatre could (still) carry so many threats, or be so widely provocative and dangerous? This is an extraordinary and often eye-opening set of thirty-six individually insightful, wide-ranging and oftentimes disturbing essays, each of which offers unique insights into theatre censorship practices and their impact within a specific political and moral culture. There is a particular emphasis on the recent and current, and the authors speak with first-hand knowledge and from direct experience not only about the restrictions but also how artists sometimes negotiate and evade these. What makes the book so especially fascinating and illuminating is seeing so many examples juxtaposed together. This enables the reader to hear the essays and the cultures talking to and alongside each other. The collection repeatedly breaks fresh ground, and the editors deserve enormous credit for gathering and effectively curating so many reports from the front-line.

Steve Nicholson, Emeritus Professor, University of Sheffield, UK

Anne Etienne and Graham Saunders’s book is a wide-ranging, incisive and compelling collection of reflections and case studies on the theatre industry’s relationship to censorship and self-censorship from a historical and contemporaneous perspective. An impressive array of authors have been assembled for this volume representing, among them, views on the subject from Spain, Denmark, Norway, Zimbabwe, South Africa, Germany, Italy, Indonesia, Iran, Portugal, Turkey, Brazil, Japan, Ireland, Australia, Russia, England and more. The book is by turns surprising in its curatorial and narrative design and wonderfully effective at delineating the complex and thorny paths that create socio-political cultures where the censorship and self-censorship of theatre artists thrives and/or is efficaciously contested and rebelled against. Of note is a through line of argument in the book around less overt modes of surveillance that police artists’ imaginations and thereby the work they create and produce. At a time in the world where many governments are increasingly seeking to limit artistic expression, this book is a necessary reminder of the many freedoms that have been fought for in theatres around the globe, and how the power of being unsilenced must never be taken for granted.

– Caridad Svich. Playwright & Translator

This is a truly excellent collection of incisive studies. It is wide-ranging, impressively global in scope, with an illuminating balance of the historical and the contemporary. In its impressive and well-realised ambition, demonstrated by the well-focused intelligence and academic flair of its many contributors, this collection is both magisterial and vital. It is an essential contribution to censorship studies, fascinating and inspiring, a must-read for anyone interested in the subject.

– Aleks Sierz. Theatre critic and author of Rewriting the Nation: British Theatre Today (2011) & Good Nights Out: A History of British Theatre Since the Second World War (2021)