Grover Smith – författare
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6 produkter
Josiah Royce's Seminar 1913-1914
As Recorded in the Notebooks of Harry T. Costello
Av Harry Todd Costello, Grover Smith
Inbunden, 1981
714 kr
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Josiah Royce's graduate seminar in comparative methodology exerted one of the great teaching and intellectual influences of its time. Edited from photostatic copies of the original notebooks by Grover Smith, the text offers a condensed account of a great course in an era when great ideas were being …
Archibald MacLeish - American Writers 99
University of Minnesota Pamphlets on American Writers
Av Grover Smith
Häftad, 1971
292 kr
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Archibald MacLeish - American Writers 99 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Waste Land
Av Grover Smith
E-bok, 2020
741 kr
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In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a ‘music of allusions’ and shows the resemblance of this music in its …
Waste Land
Av Grover Smith
E-bok, 2020
757 kr
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In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a ‘music of allusions’ and shows the resemblance of this music in its …
Waste Land
Av Grover Smith
Inbunden, 2015
2454 kr
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In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a ‘music of allusions’ and shows the resemblance of this music in its evocativeness …
Waste Land
Av Grover Smith
Häftad, 2017
645 kr
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In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a ‘music of allusions’ and shows the resemblance of this music in its evocativeness …