Gudrun Swoboda – författare
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3 produkter
575 kr
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460 kr
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Competition is one of the driving forces of our time - everything can suddenly turn into a challenge or a contest. Art, on the other hand - that is outside the art market—can be seen as a free space in which something genuinely unique emerges. That this construct is a historical exception is revealed by a fresh look at the early modern period: Here, the principle of competition was thought to be decisive for artistic work. What is more, the competitive habitus of imitation, competition and surpassing - imitatio, aemulatio and superatio - was supposed to bring about cultural progress as such. Even Leonardo knew that “good envy” spurs high performance. Hence, some of the most famous works of the Renaissance and Baroque periods emerged from the competitive battles that artists in early modern Europe fought among themselves, as well as with long-dead models from antiquity. This splendid catalogue reveals mutual inspiration and cooperation, but also sheds light on the dark side of competition for prestigious commissions - envy, intrigue, and slander.
378 kr
Kommande
A newly attributed portrait at the Kunsthistorisches Museum reveals Bernini’s rare talent as a painter, blending sculptural force and painting in a remarkable Baroque rediscovery.Long considered anonymous, a striking portrait of an old man in the Kunsthistorisches Museum is now attributed to the Baroque genius Gian Lorenzo Bernini, a rare and remarkable discovery. Almost life-size, the bust grips viewers with its piercing gaze and palpable presence. Bernini, famed creator of Apollo and Daphne and architect of St. Peter’s Square, is known to have painted only for his own pleasure, and fewer than twenty works survive as autograph paintings.This book traces the thrilling investigation behind the attribution and reveals how Bernini infused paint with sculptural force, redefining the boundaries between painting and sculpture.