Hannah Feldman – författare
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3 produkter
3 produkter
Inbunden, Engelska, 2014
1 300 kr
Skickas inom 11-20 vardagar
From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.
Häftad, Engelska, 2014
311 kr
Skickas inom 5-8 vardagar
From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.
Häftad, Engelska, 2026
508 kr
Kommande
The most comprehensive survey of the overlooked Lebanese artist’s sinuous, erotic oeuvre returns to printPublished with Hammer Museum/Museo Nacional Centro de Arte Reina Sofía.In a career spanning almost five decades, the Lebanese artist Huguette Caland (1931–2019) defied all societal and aesthetic expectations of her time. Her multifaceted oeuvre is informed by her life spent across different cultures: from Beirut to Paris to Los Angeles and back. In paintings, drawings, sculptures and fabric works, she challenges traditional representations of sexuality, bodies and desire. Straddling figuration and abstraction—sometimes with explicitly erotic motifs—the artist developed her characteristic alphabet of curves, slits, bulges and dimples, with which she was well ahead of her time. Originally published in 2025, A Life in a Few Lines surveys Caland’s corpus, presenting more than 200 works, retracing biographical lines and painting a picture of her historical context.