Hans Arp – författare

In 1931, while on holiday in Arcachon, Huidobro and the Franco-German artist and writer, Hans (Jean) Arp together wrote Tres novelas exemplares (Three Exemplary Novels - no doubt a reference to the Exemplary Novels by Cervantes, to which of course they bear no resemblance at all), a set of wild quasi-surrealist "stories". In 1935, Huidobro - once again living in Chile - offered the set to a publisher in Santiago, but was told that the book was too short. Accordingly he wrote two further stories on his own, and the whole volume was titled Tres inmensas novelas. Which are therefore, not three, not huge and not novels. This volume offers all five stories in a bilingual format, and the cover is almost a copy of the one used in the first edition.

First-ever facsimile edition of Hans Arp and El Lissitzky’s iconic survey of avant-garde movements.With art history’s notorious “isms” as its protagonists, the facsimile of this 1920s publication brings back a pioneering and original take on avant-garde art. Published as a trilingual English, French and German edition, the work is considered a seminal polemic on early twentieth-century art by two key figures of the time.Carefully put together by Hans Arp and El Lissitzky, CDie Kunstismen illustrates the diversity of modern art movements from 1914 to 1924, using paintings, sculptures and drawings by a range of inter-national artists to represent eachism. Lissitzky’s exceptional graphic design epitomizes the new approach to art and sets the scene for the movements and accompanying artworks.

Discover renowned avant-gardist Hans/Jean Arp’s works with and on paper in this expansive survey of the artist’s drawings and collages.From his early years as part of Zurich Dada until the 1960s, Hans/Jean Arp produced an extraordinary and influential body of work. He is best known for two- and three-dimensional work deploying biomorphic forms that would come to epitomize organic abstraction. This new publication focuses on Arp’s works on paper, as well as his paper collages, providing a comprehensive picture of their role in the artist’s multifaceted output, including as a vehicle for play and as a way of inventing new worlds. Split across five chapters, some two hundred illustrations offer a rich and representative selection of works that have mostly never been reproduced or exhibited publicly before. An intriguing new perspective on the artist’s unique vocabulary of shapes and gestures emerges through the book’s five thematically organized chapters and the texts accompanying them, while an illuminating introduction by Arie Hartog and Loretta Würtenberger unpacks the formal language and artistic resonances of these works, both drawing out their connections to Arp’s iconic sculptural practice and considering his prolific work with and on paper as a fascinating world in itself.