Harold Skulsky – författare

Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience.

A searching contribution to the study of what gurative language is and how it works, this book is a guide to the sophisticated and powerful artistry of the seventeenth-century English poets who have come to be known by the misleading name of “Metaphysicals.” Harold Skulsky argues that “Metaphorists” is the more apt label. After exploring the dramatic and transactional theory of figurative language that these poets owe to the traditions they share, Skulsky gives close and carefully argued readings of their major poems. We watch metaphor being enacted rather than made in a high-stakes game of cue and response between writer and reader, a game sustained by a network of mutual understandings. In effect, Skulsky provides a reader-friendly manual of the skills we need to be players.