Harold Skulsky – författare
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3 produkter
3 produkter
Häftad, Engelska, 2012
605 kr
Skickas inom 5-8 vardagar
A searching contribution to the study of what gurative language is and how it works, this book is a guide to the sophisticated and powerful artistry of the seventeenth-century English poets who have come to be known by the misleading name of “Metaphysicals.” Harold Skulsky argues that “Metaphorists” is the more apt label. After exploring the dramatic and transactional theory of figurative language that these poets owe to the traditions they share, Skulsky gives close and carefully argued readings of their major poems. We watch metaphor being enacted rather than made in a high-stakes game of cue and response between writer and reader, a game sustained by a network of mutual understandings. In effect, Skulsky provides a reader-friendly manual of the skills we need to be players.
Häftad, Engelska, 2011
552 kr
Skickas inom 5-8 vardagar
Armed with a fresh analysis of Shakespeare’s inherited resources for articulating anxieties rooted in philosophical doubt, Skulsky shows that in four plays—Hamlet, Measure for Measure, King Lear, and Othello—the drama of doubt in search of an exit gives its own kind of urgency to the more familiar Shakespearean drama of action and motive.From Skulsky’s study, the four plays emerge as insidiously telling exercises in challenging our working faith in the objectivity of moral choice and the possibility of knowing other minds. In particular, Skulsky notes that Shakespeare takes calculated risks with our personal interest in his heroes by assigning them disturbing convictions as well as contemptible actions. In one of the plays, such convictions end by looking just as threatening as they do at the outset. In the others, Shakespeare offers a special kind of affirmation and compassion—an affirmation designed to stand against the worst of pessimism, and a compassion that makes room for the worst of the damned.
Inbunden, Engelska, 1981
982 kr
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Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience.