Heather Salter – författare

The interview secrets that experts and top professionals use.Get results fast with this quick, easy guide to the fundamentals of Interviews.Includes how to:• Research the needs of the employer• Focus the interview on your strengths• Use body language to impress• Deal with difficult questions• Negotiate the perfect package

The interview secrets that experts and top professionals use.Get results fast with this quick, easy guide to the fundamentals of Interviews.Includes how to:• Research the needs of the employer• Focus the interview on your strengths• Use body language to impress• Deal with difficult questions• Negotiate the perfect package

Few novels have had more influence on individuals and literary culture than J.D. Salinger's The Catcher in the Rye. Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novel's protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker's Adam Gopnik who insisted as recently as 2010 that Catcher is a "perfect" twentieth-century novel). One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salinger's attention to the nuances and qualities of experience in the modern world. Coupled with Salinger's deft subjective, first-person style, Holden comes to seem more real than any fictional character should.This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salinger's attention to lived, as opposed to theorized, experience. Holden's preoccupation with "phonies," along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurt's recently celebrated analysis of "bullshit." Per Salinger's request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salinger's death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.

Few novels have had more influence on individuals and literary culture than J.D. Salinger’s The Catcher in the Rye. Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novel’s protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker’s Adam Gopnik who insisted as recently as 2010 that Catcher is a "perfect" twentieth-century novel).One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salinger’s attention to the nuances and qualities of experience in the modern world. Coupled with Salinger’s deft subjective, first-person style, Holden comes to seem more real than any fictional character should. This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salinger’s attention to lived, as opposed to theorized, experience. Holden’s preoccupation with “phonies,” along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurt’s recently celebrated analysis of "bullshit."Per Salinger’s request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salinger’s death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.

Heather Salter uncovers a remarkable secret history of espionage and counterespionage, repression and resistance, corruption and courage, heartbreak and betrayal in Shanghai between the world wars. At the heart of this story lies the fate of Tatyana Moiseenko and Yakob Rudnik - known then only as Paul and Gertrud Ruegg - a couple arrested, tried, and imprisoned for running a clandestine communist spy ring. Against the backdrop of the battle between communism and anti-communism that would shape much of the twentieth century, this dramatic history provides a uniquely human perspective on the global volatility of the 1930s. Through Tatyana and Yakobs' eyes, Salter traces global police networks, MI6 in China, and the worldwide reach of the Comintern to shed light on the deep historical roots of antagonism between Russia, China, and the West.

Bringing together leading international scholars, Explaining International History provides a timely, cutting-edge companion to the central concepts, approaches, and literatures that make up this dynamic and exciting field. In twenty-four chapters, contributors explore a variety of themes and debates, approaching international history from numerous vantage points. Each chapter reveals how recent scholarship on international history has reshaped the field, how new perspectives and approaches have opened a range of fresh historical questions, and how historians might further advance the field. Featuring multiple analytical perspectives, the volume makes the case for international history as a crucial field of historical study now and into the future.