Nineteen-year-old Kate Brady joined the army to bring honor to her family and democracy to the Middle East. Instead, she finds herself in a forgotten corner of the Iraq desert in 2003, guarding a makeshift American prison. There, Kate meets Naema Jassim, an Iraqi medical student whose father and little brother have been detained in the camp.

Kate and Naema promise to help each other, but the war soon strains their intentions. Like any soldier, Kate must face the daily threats of combat duty, but as a woman, she is in equal danger from the predatory men in her unit. Naema suffers bombs, starvation, and the loss of her home and family. As the two women struggle to survive and hold on to the people they love, each comes to have a drastic and unforeseeable effect on the other''s life.

Culled from real-life stories of female soldiers and Iraqis, Sand Queen offers a story of hope, courage and struggle from the rare perspective of women at war.

Set in 2018 against the ironic backdrop of an overcrowded, fetid refugee camp on the beautiful, Homeric island of Samos in Greece, The Good Deed follows the stories of five women: Amina, who is nineteen and has just been released from one of Bashar al-Assad''s secret and torture-ridden prisons in Syria; Leila, a Syrian widow with two little sons, who has lost her daughter and granddaughter to smugglers on a Turkish beach; Nafisa, who survived civil war and gang rape in Sudan only to see her entire family murdered, save for one daughter; Farah, Leila''s lost daughter; and finally, an American named Hilma, who came from New York to Samos to escape her own dark secret, only to become entangled in conflict with the very people she wishes to help.

Drawing from four years of interviews with refugees on Samos, along with twelve previous years of work on the Iraq War, Benedict has written The Good Deed as a series of lyrical, intensely felt alternating voices, following these women’s everyday lives in the camp, as well each of their backstories—stories of families, love, secrets, violence, war, and flight. When Hilma, the American, unwittingly does a “good deed,” she triggers a crisis that brings her and the refugee women into a conflict that escalates dramatically as each character struggles for what she needs.

In essence, The Good Deed is about the struggle never to lose hope, even in the face of war and the world’s hostility to refugees; the complexities that arise out of trying to help others; the healing power of friendship; and the everlasting bonds between mothers and children.

Nineteen-year-old Kate Brady joined the army to bring honor to her family and democracy to the Middle East. Instead, she finds herself in a forgotten corner of the Iraq desert in 2003, guarding a makeshift American prison. There, Kate meets Naema Jassim, an Iraqi medical student whose father and little brother have been detained in the camp.

Kate and Naema promise to help each other, but the war soon strains their intentions. Like any soldier, Kate must face the daily threats of combat duty, but as a woman, she is in equal danger from the predatory men in her unit. Naema suffers bombs, starvation, and the loss of her home and family. As the two women struggle to survive and hold on to the people they love, each comes to have a drastic and unforeseeable effect on the other''s life.

Culled from real-life stories of female soldiers and Iraqis, Sand Queen offers a story of hope, courage and struggle from the rare perspective of women at war.

Set in 2018 against the ironic backdrop of an overcrowded, fetid refugee camp on the beautiful, Homeric island of Samos in Greece, The Good Deed follows the stories of five women: Amina, who is nineteen and has just been released from one of Bashar al-Assad''s secret and torture-ridden prisons in Syria; Leila, a Syrian widow with two little sons, who has lost her daughter and granddaughter to smugglers on a Turkish beach; Nafisa, who survived civil war and gang rape in Sudan only to see her entire family murdered, save for one daughter; Farah, Leila''s lost daughter; and finally, an American named Hilma, who came from New York to Samos to escape her own dark secret, only to become entangled in conflict with the very people she wishes to help.

Drawing from four years of interviews with refugees on Samos, along with twelve previous years of work on the Iraq War, Benedict has written The Good Deed as a series of lyrical, intensely felt alternating voices, following these women’s everyday lives in the camp, as well each of their backstories—stories of families, love, secrets, violence, war, and flight. When Hilma, the American, unwittingly does a “good deed,” she triggers a crisis that brings her and the refugee women into a conflict that escalates dramatically as each character struggles for what she needs.

In essence, The Good Deed is about the struggle never to lose hope, even in the face of war and the world’s hostility to refugees; the complexities that arise out of trying to help others; the healing power of friendship; and the everlasting bonds between mothers and children.