Hermione De Almeida – författare
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5 produkter
5 produkter
Inbunden, Engelska, 1991
2 831 kr
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John Keats was a licensed apothecary and general practitioner of medicine. This book addresses the four fundamental intellectual issues of Romantic medicine - the physician's task, the meaning of life, the constituents of health and prescriptions of disease, and evolution of matter and mind - as they find focus and expression in poetry and aesthetic theory. The book traces the genesis of these issues and shows the reason for their immediate relevance to the Romantic period as a whole. It identifies them as the primary philosophical counters of the artistic and scientific debates of the revolutionary period and discusses them and their ideologies in the context of the era's belief in the art of healing as the foremost humanistic discipline.
E-bok
PDF, Engelska, 19902 430 kr
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Using original research in scientific treatises, philosophical manuscripts, and political documents, this pioneering study describes the neglected era of revolutionary medicine in Europe through the writings of the English poet and physician, John Keats. De Almeida explores the four primary concerns of Romantic medicine--the physician''s task, the meaning of life, the prescription of disease and health, and the evolution of matter and mind--and reveals their expression in Keats''s poetry and thought. By delineating a distinct but unknown era in the history of medicine, charting the poet''s milieu within this age, and providing close reading of his poems in these contexts, Romantic Medicine and John Keats illustrates the interdisciplinary bonds between the two healing arts of the Romantic period: medicine and poetry.
Inbunden, Engelska, 2006
2 316 kr
Skickas inom 10-15 vardagar
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
Häftad, Engelska, 2016
873 kr
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Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
E-bok
Engelska, 20151 620 kr
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This interdisciplinary book honors Columbia professor and New York intellectual Carl Woodring. Chapters on Romantic and Victorian literary culture written by leading scholars in the field join in conversation with Woodring’s teachings on literature and visual art and his commentaries on American culture. A multiple-authored chapter of postscripts on the aesthetic range of Woodring’s intellectual interests across cultural disciplines, his contributions to English studies and his informing influence on several generations of scholars, and their areas of interest, follows. A chapter from Woodring’s unpublished autobiography, on his childhood in small-town America, then concludes the volume with an ironic retrospection on intercultural origins.Topics addressed among the chapters include portraiture and self-fashioning, landscape art, physiognomy and caricatures, radical print ephemera, illustrated picaresque verse, social and political satire, traditions of the sublime in art and literature, transatlantic influences and aesthetics, chaos theory and the laws of thermodynamics, the Caribbean slave trade, revolutionary history, Napoleonic wars, the politics of multicultural communities, gender and race, marginalia and textual revelations, Native America, historical interchanges in curating museum shows, and contemporary American sculpture and art. Cultural figures of the nineteenth century that are featured in the discussions include Henry Adams, Beethoven, Blake, Byron, Willa Cather, Thomas Cole, Coleridge, James Fenimore Cooper, George Cruikshank, Ugo Foscolo, Washington Irving, Keats, Willibrord Mähler, George Romney, Rowlandson, Shelley, and Wordsworth. Chapter essays, commentaries, and Carl Woodring’s unpublished writings function together in Nature, Politics, and the Arts: Essays on Romantic Culture for Carl Woodring—with a depth of original perspectives and a multi-voiced and intercultural coherence. The book as a whole testifies to Woodring’s living and intellectually potent legacy for future students of nineteenth-century transatlantic culture and twenty-first century scholarship on literature and art.