Howard W. French – författare

In A Continent for the Taking Howard W. French, a veteran correspondent for The New York Times, gives a compelling firsthand account of some of Africa’s most devastating recent history–from the fall of Mobutu Sese Seko, to Charles Taylor’s arrival in Monrovia, to the genocide in Rwanda and the Congo that left millions dead. Blending eyewitness reportage with rich historical insight, French searches deeply into the causes of today’s events, illuminating the debilitating legacy of colonization and the abiding hypocrisy and inhumanity of both Western and African political leaders. While he captures the tragedies that have repeatedly befallen Africa’s peoples, French also opens our eyes to the immense possibility that lies in Africa’s complexity, diversity, and myriad cultural strengths. The culmination of twenty-five years of passionate exploration and understanding, this is a powerful and ultimately hopeful book about a fascinating and misunderstood continent.From the Trade Paperback edition.

An exciting, hugely revealing account of China’s burgeoning presence in Africa—a developing empire already shaping, and reshaping, the future of millions of people.             A prizewinning foreign correspondent and former New York Times bureau chief in Shanghai and in West and Central Africa, Howard French is uniquely positioned to tell the story of China in Africa. Through meticulous on-the-ground reporting—conducted in Mandarin, French, and Portuguese, among other languages—French crafts a layered investigation of astonishing depth and breadth as he engages not only with policy-shaping moguls and diplomats, but also with the  ordinary men and women navigating the street-level realities of cooperation, prejudice, corruption, and opportunity forged by this seismic geopolitical development. With incisiveness and empathy, French reveals the human face of China’s economic, political, and human presence across the African continent—and in doing so reveals what is at stake for everyone involved.             We meet a broad spectrum of China’s dogged emigrant population, from those singlehandedly reshaping African infrastructure, commerce, and even environment (a self-made tycoon who harnessed Zambia’s now-booming copper trade; a timber entrepreneur determined to harvest the entirety of Liberia’s old-growth redwoods), to those just barely scraping by (a sibling pair running small businesses despite total illiteracy; a karaoke bar owner–cum–brothel madam), still convinced that Africa affords them better opportunities than their homeland. And we encounter an equally panoramic array of African responses: a citizens’ backlash in Senegal against a “Trojan horse” Chinese construction project (a tower complex to be built over a beloved soccer field, which locals thought would lead to overbearing Chinese pressure on their economy); a Zambian political candidate who, having protested China’s intrusiveness during the previous election and lost, now turns accommodating; the ascendant middle class of an industrial boomtown; African mine workers bitterly condemning their foreign employers, citing inadequate safety precautions and wages a fraction of their immigrant counterparts’. French’s nuanced portraits reveal the paradigms forming around this new world order, from the all-too-familiar echoes of colonial ambition—exploitation of resources and labor; cut-rate infrastructure projects; dubious treaties—to new frontiers of cultural and economic exchange, where dichotomies of suspicion and trust, assimilation and isolation, idealism and disillusionment are in dynamic flux.             Part intrepid travelogue, part cultural census, part industrial and political exposé, French’s keenly observed account ultimately offers a fresh perspective on the most pressing unknowns of modern Sino-African relations: why China is making the incursions it is, just how extensive its cultural and economic inroads are, what Africa’s role in the equation is, and just what the ramifications for both parties—and the watching world—will be in the foreseeable future.

From the former New York Times Asia correspondent and author of China''s Second Continent, an incisive investigation of China''s ideological development as it becomes an ever more aggressive player in regional and global diplomacy. For many years after its reform and opening in 1978, China maintained an attitude of false modesty about its ambitions. That role, reports Howard French, has been set aside. China has asserted its place among the global heavyweights, revealing its plans for pan-Asian dominance by building its navy, increasing territorial claims to areas like the South China Sea, and diplomatically bullying smaller players. Underlying this attitude is a strain of thinking that casts China''s present-day actions in decidedly historical terms, as the path to restoring the dynastic glory of the past. If we understand how that historical identity relates to current actions, in ways ideological, philosophical, and even legal, we can learn to forecast just what kind of global power China stands to become--and to interact wisely with a future peer.      Steeped in deeply researched history as well as on-the-ground reporting, this is French at his revelatory best.From the Hardcover edition.

In a sweeping narrative that traverses 600 years, one that eloquently weaves precise historical detail with poignant personal reportage, Pulitzer Prize finalist Howard W. French retells the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in America and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanising engagement with the “darkest” continent.Born in Blackness dramatically retrieves the lives of major African historical figures whose stories have been repeatedly etiolated and erased over centuries, from unimaginably rich medieval African emperors who traded with Asia; to Kongo sovereigns who heroically battled seventeenth-century European powers; to ex-slaves who liberated Haitians from bondage. In doing so, French tells the story of gold, tobacco, sugar and cotton—and the greatest “commodity” of all, the millions of people brought in chains from Africa to the New World, whose reclaimed histories fundamentally help explain our present world.

The Second Emancipation, a work of Odyssean dimension, recasts the liberation of post–Second World War colonial Africa and the American civil rights struggle through the lens of Ghana’s revolutionary visionary Kwame Nkrumah (1909–1972), who emerges as the most significant African leader of the twentieth century. Determined that readers fully understand Nkrumah’s legacy, Howard W. French newly dramatises the Nkrumah story. The language soars as French evokes a continent in the throes of liberation and a roiling United States in the Cold War era.In its dramatic depiction of a continent that once exuded the promise of a newly won freedom, The Second Emancipation is a generational work that positions not only Africa but also the American civil rights movement at the forefront of modern-day history.Howard W. French’s Born in Blackness was praised as:“[S]earing, humbling and essential reading."—Nigel Cliff, The New York Times“[A] magnificent, powerful and absorbing book [...] beautifully done; a masterpiece even [...] French writes with the elegance you would expect from a distinguished foreign correspondent, and with the passion of someone deeply committed to providing a corrective."—Peter Frankopan, The Observer

The Second Emancipation recasts the liberation of post–Second World War colonial Africa and the American civil rights struggle through the lens of Ghana’s revolutionary visionary Kwame Nkrumah (1909–1972), who emerges as the most significant African leader of the twentieth century. Howard W. French newly dramatises the Nkrumah story, a continent in the throes of liberation and a roiling United States in the Cold War era.In its dramatic depiction of a continent that once exuded the promise of a newly won freedom, The Second Emancipation positions not only Africa but also the American civil rights movement at the forefront of modern-day history.

In a sweeping narrative that traverses 600 years, one that eloquently weaves precise historical detail with poignant personal reportage, Pulitzer Prize finalist Howard W. French retells the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in America and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanising engagement with the “darkest” continent.Born in Blackness dramatically retrieves the lives of major African historical figures whose stories have been repeatedly etiolated and erased over centuries, from unimaginably rich medieval African emperors who traded with Asia; to Kongo sovereigns who heroically battled seventeenth-century European powers; to ex-slaves who liberated Haitians from bondage. In doing so, French tells the story of gold, tobacco, sugar and cotton—and the greatest “commodity” of all, the millions of people brought in chains from Africa to the New World, whose reclaimed histories fundamentally help explain our present world.

»Eine ebenso schmerzhafte wie notwendige Lektüre, die demütig werden lässt.« New York Times Book ReviewSachbuchbestenliste der ZEITIn dieser fesselnden Darstellung erkundet Howard W. French die zentrale, aber absichtlich vernachlässigte Rolle Afrikas und der Afrikaner bei der Entstehung von Wirtschaftssystemen und politischem Denken unserer modernen Welt. Souverän und aufrüttelnd zeigt der Autor, wie die tragische Beziehung zwischen Afrika und Europa, die im 15. Jahrhundert begann, unsere Moderne hervorbrachte.Die Geschichte Afrikas ist lange in die entlegendsten Winkel unserer globalen Geschichte verbannt worden. Doch was ist, wenn wir statt dessen Afrika und die Afrikaner in den Mittelpunkt unseres Denkens über die Ursprünge der Moderne stellen? In einer mitreißenden Darstellung, die mehr als sechs Jahrhunderte umspannt, deutet Howard W. French die Erzählung vom mittelalterlichen und ins Licht der Geschichte tretenden Afrika grundlegend neu. Dabei zeigt er, wie der ökonomische Aufstieg Europas und die Verankerung der Demokratie im Westen ebenso wie die Durchsetzung der so genannten Ideale der Aufklärung aus Europas entmenschlichendem Umgang mit dem »schwarzen« Kontinent erwuchsen. In packenden Schilderungen spürt der Autor den Lebensläufen wichtiger afrikanischer Persönlichkeiten nach: von unvorstellbar reichen mittelalterlichen Kaisern, die mit dem Nahen Osten und darüber hinaus Handel trieben, über die Stammesfürsten des Kongo, die den europäischen Mächten im 17. Jahrhundert heldenhaft die Stirn boten, bis hin zu den ehemaligen Sklaven, die die Haitianer aus der Leibeigenschaft befreiten und dem Lauf der Geschichte eine andere Richtung gaben. Eine kraftvolle Neudeutung der Weltgeschichte, deren neues Verständnis unserer gemeinsamen Geschichte uns auffordert, sich dieser Vergangenheit zu stellen, um eine andere Zukunft gestalten zu können.»Howard Frenchs Buch ist die unglaublich wichtige Neuerzählung einer Geschichte, von der Afrika und die Afrikaner lange bewusst ausgeschlossen wurden: Das Buch macht ihre Rolle als Hauptakteure bei der Entstehung der Moderne sichtbar – eine unentbehrliche Lektüre für alle, die sich für Weltgeschichte interessieren.« Amitav Ghosh »Ein Schwarzer Journalist deutet die moderne Geschichte neu, indem er Afrika den ihm zustehenden Platz im Zentrum des Geschehens zurückgibt ..." Kirkus»Um die Welt zu verstehen, in der wir heute leben, ist dieses Buch unverzichtbar.« Sven Beckert, Autor von King Cotton. Eine Globalgeschichte des Kapitalismus »… ein großartiges, eindringliches und packendes Buch … Es ist keine angenehme oder tröstende Lektüre, aber es ist wunderbar geschrieben, ein wahres Meisterwerk.« The Observer »Eine packende ... Darstellung der grausamen Ursprünge der globalen Wirtschaft.«, Publishers Weekly»Die lang nachhallende Wirkung dieser atemberaubenden Arbeit auf die gängige Darstellung afrikanischer und afroamerikanischer Geschichte kann man mit Worten kaum beschreiben ... Absolut empfehlenswert!«, Monique Martinez, Library Journal