Ian Kinane – författare
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20 produkter
20 produkter
Inbunden, Engelska, 2021
2 763 kr
Skickas inom 10-15 vardagar
This volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on current society, but which are also problematic celebrations of the very issues they purport to critique? And what happens when texts intended and received in one manner are themselves ironically recontextualised in another? Bringing together studies across a range of cultural texts including popular music, film and television, Isn’t it Ironic? will appeal to scholars of the social sciences and humanities with interests in cultural studies, media studies, popular culture, literary studies and sociology.
Häftad, Engelska, 2023
713 kr
Skickas inom 10-15 vardagar
This volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on current society, but which are also problematic celebrations of the very issues they purport to critique? And what happens when texts intended and received in one manner are themselves ironically recontextualised in another? Bringing together studies across a range of cultural texts including popular music, film and television, Isn’t it Ironic? will appeal to scholars of the social sciences and humanities with interests in cultural studies, media studies, popular culture, literary studies and sociology.
E-bok
PDF, Engelska, 2021762 kr
Läs direkt efter köp
This volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on current society, but which are also problematic celebrations of the very issues they purport to critique? And what happens when texts intended and received in one manner are themselves ironically recontextualised in another? Bringing together studies across a range of cultural texts including popular music, film and television, Isn’t it Ironic? will appeal to scholars of the social sciences and humanities with interests in cultural studies, media studies, popular culture, literary studies and sociology.
E-bok
Engelska, 2021851 kr
Läs direkt efter köp
This volume addresses the relationship between irony and popular culture and the role of the consumer in determining and disseminating meaning. Arguing that in a cultural climate largely characterised by fractious communications and perilous linguistic exchanges, the very role of irony in popular culture needs to come under greater scrutiny, it focuses on the many uses, abuses, and misunderstandings of irony in contemporary popular culture, and explores the troubling political populism at the heart of many supposedly satirical and (apparently) non-satirical texts. In an environment in which irony is frequently claimed as a defence for material and behaviour judged controversial, how do we, as a society entrenched in forms of popular culture and media, interpret work that is intended as satire but which reads as unironic? How do we accurately decode works of popular film, literature, television, music, and other cultural forms which sell themselves as bitingly ironic commentaries on current society, but which are also problematic celebrations of the very issues they purport to critique? And what happens when texts intended and received in one manner are themselves ironically recontextualised in another? Bringing together studies across a range of cultural texts including popular music, film and television, Isn’t it Ironic? will appeal to scholars of the social sciences and humanities with interests in cultural studies, media studies, popular culture, literary studies and sociology.
Inbunden, Engelska, 2021
1 593 kr
Skickas inom 10-15 vardagar
Previously considered an avowed nationalist, this book explores how Ian Fleming’s writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming’s Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming's deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming's writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.
E-bok
PDF, Engelska, 2021557 kr
Läs direkt efter köp
Previously considered an avowed nationalist, this book explores how Ian Fleming''s writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming''s Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming''s deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming''s writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.
E-bok
Engelska, 2021557 kr
Läs direkt efter köp
Previously considered an avowed nationalist, this book explores how Ian Fleming''s writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming''s Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming''s deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming''s writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.
Häftad, Engelska, 2022
515 kr
Skickas inom 10-15 vardagar
Previously considered an avowed nationalist, this book explores how Ian Fleming’s writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming’s Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming's deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming's writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.
Inbunden, Engelska, 2025
1 241 kr
Skickas inom 5-8 vardagar
On the Very Edge: Bidentities in Michelle Cliff’s Fiction uses the life and work of bisexual, biracial, and bicultural author Michelle Cliff (1946–2016) to develop an entirely new approach to intersectional cultural, race, and gender/sexuality studies that prioritizes "bi-ness" as a methodological tool. The book focuses not "simply" on bisexuality, biracialism, or biculturalism as isolated identity concepts; rather, it explores the very nature of these intersectional identity categories as configured by Cliff. The text, therefore, represents a reclamation of bi identity in Cliff’s work as a much broader cultural, and not just sexual or racial, category, arguing that Cliff’s spaces and/or stages of "bi-ness" are in themselves significant in understanding contemporary global identity politics, as well as in navigating complex and often damaging identity constructs.Partnered with poet Adrienne Rich and "passing" as white, Michelle Cliff’s sexuality and cultural ethnicity were often invisible. Yet her acclaimed work—Abeng, No Telephone to Heaven, Bodies of Water, If I Could Write This in Fire, Free Enterprise, and others—demonstrates the intersections between bisexuality, biracialism, and biculturalism in often profound ways. Drawing on original research, interviews, diaries, editorials, and other correspondences, On the Very Edge will have far-reaching implications in the understanding of complex Caribbean identity politics and intersectional race, gender, and sexuality studies at large.
Häftad, Engelska, 2025
367 kr
Skickas inom 5-8 vardagar
On the Very Edge: Bidentities in Michelle Cliff’s Fiction uses the life and work of bisexual, biracial, and bicultural author Michelle Cliff (1946–2016) to develop an entirely new approach to intersectional cultural, race, and gender/sexuality studies that prioritizes "bi-ness" as a methodological tool. The book focuses not "simply" on bisexuality, biracialism, or biculturalism as isolated identity concepts; rather, it explores the very nature of these intersectional identity categories as configured by Cliff. The text, therefore, represents a reclamation of bi identity in Cliff’s work as a much broader cultural, and not just sexual or racial, category, arguing that Cliff’s spaces and/or stages of "bi-ness" are in themselves significant in understanding contemporary global identity politics, as well as in navigating complex and often damaging identity constructs.Partnered with poet Adrienne Rich and "passing" as white, Michelle Cliff’s sexuality and cultural ethnicity were often invisible. Yet her acclaimed work—Abeng, No Telephone to Heaven, Bodies of Water, If I Could Write This in Fire, Free Enterprise, and others—demonstrates the intersections between bisexuality, biracialism, and biculturalism in often profound ways. Drawing on original research, interviews, diaries, editorials, and other correspondences, On the Very Edge will have far-reaching implications in the understanding of complex Caribbean identity politics and intersectional race, gender, and sexuality studies at large.
Inbunden, Engelska, 2016
2 225 kr
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Theorising Literary Islands is a literary and cultural study of both how and why the trope of the island functions within contemporary popular Robinsonade narratives. It traces the development of Western “islomania” – or our obsession with islands – from its origins in Daniel Defoe’s Robinson Crusoe right up to contemporary Robinsonade texts, focusing predominantly on American and European representations of fictionalized Pacific Island topographies in contemporary literature, film, television, and other media. Theorising Literary Islands argues that the ubiquity of island landscapes within the popular imagination belies certain ideological and cultural anxieties, and posits that the emergence of a Western popular culture tradition can largely be traced through the development of the Robinsonade genre, and through early European and American fascination with the Pacific region.
Häftad, Engelska, 2018
585 kr
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Theorising Literary Islands is a literary and cultural study of both how and why the trope of the island functions within contemporary popular Robinsonade narratives. It traces the development of Western “islomania” – or our obsession with islands – from its origins in Daniel Defoe’s Robinson Crusoe right up to contemporary Robinsonade texts, focusing predominantly on American and European representations of fictionalized Pacific Island topographies in contemporary literature, film, television, and other media. Theorising Literary Islands argues that the ubiquity of island landscapes within the popular imagination belies certain ideological and cultural anxieties, and posits that the emergence of a Western popular culture tradition can largely be traced through the development of the Robinsonade genre, and through early European and American fascination with the Pacific region.
E-bok
Engelska, 2016636 kr
Läs direkt efter köp
Theorising Literary Islands is a literary and cultural study of both how and why the trope of the island functions within contemporary popular Robinsonade narratives. It traces the development of Western “islomania” – or our obsession with islands – from its origins in Daniel Defoe’s Robinson Crusoe right up to contemporary Robinsonade texts, focusing predominantly on American and European representations of fictionalized Pacific Island topographies in contemporary literature, film, television, and other media. Theorising Literary Islands argues that the ubiquity of island landscapes within the popular imagination belies certain ideological and cultural anxieties, and posits that the emergence of a Western popular culture tradition can largely be traced through the development of the Robinsonade genre, and through early European and American fascination with the Pacific region.
Inbunden, Engelska, 2016
2 257 kr
Skickas inom 10-15 vardagar
Landscapes of Liminality expands upon existing notions of spatial practice and spatial theory, and examines more intricately the contingent notion of “liminality” as a space of “in-between-ness” that avoids either essentialism or stasis. It capitalises on the extensive research that has already been undertaken in this area, and elaborates on the increasingly important and interrelated notion of liminality within contemporary discussions of spatial practice and theories of place. Bringing together international scholarship, the book offers a broad range of cross-disciplinary approaches to theories of liminality including literary studies, cultural studies, human geography, social studies, and art and design. The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality.
Häftad, Engelska, 2018
705 kr
Skickas inom 10-15 vardagar
Landscapes of Liminality expands upon existing notions of spatial practice and spatial theory, and examines more intricately the contingent notion of “liminality” as a space of “in-between-ness” that avoids either essentialism or stasis. It capitalises on the extensive research that has already been undertaken in this area, and elaborates on the increasingly important and interrelated notion of liminality within contemporary discussions of spatial practice and theories of place. Bringing together international scholarship, the book offers a broad range of cross-disciplinary approaches to theories of liminality including literary studies, cultural studies, human geography, social studies, and art and design. The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality.
E-bok
Engelska, 2016766 kr
Läs direkt efter köp
Landscapes of Liminality expands upon existing notions of spatial practice and spatial theory, and examines more intricately the contingent notion of “liminality” as a space of “in-between-ness” that avoids either essentialism or stasis. It capitalises on the extensive research that has already been undertaken in this area, and elaborates on the increasingly important and interrelated notion of liminality within contemporary discussions of spatial practice and theories of place. Bringing together international scholarship, the book offers a broad range of cross-disciplinary approaches to theories of liminality including literary studies, cultural studies, human geography, social studies, and art and design. The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality.
Del 75 - Liverpool English Texts and Studies
Didactics and the Modern Robinsonade
New Paradigms for Young Readers
Inbunden, Engelska, 2019
2 304 kr
Skickas inom 5-8 vardagar
Didactics and the Modern Robinsonade examines modern and contemporary Robinsonade texts written for young readers, looking specifically at the ways in which later adaptations of the Robinson Crusoe story subvert both traditional narrative structures and particular ideological codes within the genre. This collection redresses both the gender and geopolitical biases that have characterized most writings within the Robinsonade genre since its inception, and includes chapters on little-known works of fiction by female authors, as well as works from outside the mainstream of Anglo-American culture.
Del 75 - Liverpool English Texts and Studies
Didactics and the Modern Robinsonade
New Paradigms for Young Readers
Häftad, Engelska, 2022
613 kr
Skickas inom 5-8 vardagar
Didactics and the Modern Robinsonade examines modern and contemporary Robinsonade texts written for young readers, looking specifically at the ways in which later adaptations of the Robinson Crusoe story subvert both traditional narrative structures and particular ideological codes within the genre. This collection redresses both the gender and geopolitical biases that have characterized most writings within the Robinsonade genre since its inception, and includes chapters on little-known works of fiction by female authors, as well as works from outside the mainstream of Anglo-American culture.
Inbunden, Engelska, 2026
1 611 kr
Skickas inom 10-15 vardagar
This is an excellent and timely book that makes a valuable contribution to the field of bisexual studies. The range of genres covered in this book, and the ways in which authors have been able to site their discussions in similar theoretical ground (liminality, erasure, stereotypes) without the discussions ever feeling repetitive, is impressive. Instead, each chapter sheds new light on these complex topics. This book will be essential reading for academics, students, and general audiences seeking to make sense of the ways in which bisexuality is represented in popular culture.”- Dr Helen Bowes-Catton, Senior Lecturer, The Open University, UKThis book explores the multifaceted representations of bisexuality within the cultural imagination, focusing on how bisexuality is portrayed and understood through literature, television, and media. By examining these diverse forms, this collection addresses the critical need to understand bisexuality’s crucial role in shaping societal perceptions of sexual identity.Bisexuality and Popular Culture considers how bisexuality disrupts traditional binaries and offers new frameworks for understanding bisexual identity.
E-bok
Engelska, 20262 049 kr
Läs direkt efter köp
This is an excellent and timely book that makes a valuable contribution to the field of bisexual studies. The range of genres covered in this book, and the ways in which authors have been able to site their discussions in similar theoretical ground (liminality, erasure, stereotypes) without the discussions ever feeling repetitive, is impressive. Instead, each chapter sheds new light on these complex topics. This book will be essential reading for academics, students, and general audiences seeking to make sense of the ways in which bisexuality is represented in popular culture.”- Dr Helen Bowes-Catton, Senior Lecturer, The Open University, UKThis book explores the multifaceted representations of bisexuality within the cultural imagination, focusing on how bisexuality is portrayed and understood through literature, television, and media. By examining these diverse forms, this collection addresses the critical need to understand bisexuality’s crucial role in shaping societal perceptions of sexual identity.Bisexuality and Popular Culture considers how bisexuality disrupts traditional binaries and offers new frameworks for understanding bisexual identity.