Drawing on an unprecedented access to interviews, diaries, court records and the criminal himself, I is the inside story of Keith Hunter Jesperson, Oregon's "Happy Face Killer" who strangled eight innocent women in the 1990s. The murderer's own words chronicle his evolution from angry child to sociopathic murderer, from tormentor of animals to torturer of women. Through Olson's profoundly disturbing account, the killer describes in harrowing detail how he played his "death game" how he got away with it, taunting the police after they incarcerated the wrong people; and finally how he was finally brought to face justice.

The mass murder of almost thirty young boys in Houston may well have been the most heinous crime of the century. How could such a series of murders go undetected for almost three years before being exposed? The Man with the Candy is a brilliant investigative journalist’s story of the crime and the answer to that question.The night David Hilligiest didn't come home was both like and unlike other nights when other Houston boys disappeared between the years 1971 and 1973. At three in the morning the police were called, but they just said that boys were running away from the best of homes nowadays and that they'd list David as a runaway. No, there would be no official search for the youngster. Aghast, the Hilligiests, in the months that followed, hired their own detective, put up posters, even sought the aid of clairvoyants. But David never did come home again because, along with at least twenty-six other Houston boys, he had been murdered and buried by the homosexual owner of a candy factory, the mass murderer of the century, Dean Corll, according to his two teenage confessed accomplices, Elmer Wayne Henley, Jr., and David Brooks. Many of the young boys had not even been reported as missing, and the fact that they were dead would probably never have come to light had not one of the murderers confessed. For in Houston, where in a typical year the total number of murders is twice that of London despite the fact that London is six times as large and far more densely populated, missing persons and violence are likely to be considered commonplace. In the months before the trial of Henley and Brooks, Jack Olsen interviewed and probed for answers about the criminals, the victims and the city itself, which remained for the most part silent, angry and defensive. The result is a classic of true crime reportage.

The mass murder of almost thirty young boys in Houston may well have been the most heinous crime of the century. How could such a series of murders go undetected for almost three years before being exposed? The Man with the Candy is a brilliant investigative journalist’s story of the crime and the answer to that question.The night David Hilligiest didn''t come home was both like and unlike other nights when other Houston boys disappeared between the years 1971 and 1973. At three in the morning the police were called, but they just said that boys were running away from the best of homes nowadays and that they''d list David as a runaway. No, there would be no official search for the youngster. Aghast, the Hilligiests, in the months that followed, hired their own detective, put up posters, even sought the aid of clairvoyants. But David never did come home again because, along with at least twenty-six other Houston boys, he had been murdered and buried by the homosexual owner of a candy factory, the mass murderer of the century, Dean Corll, according to his two teenage confessed accomplices, Elmer Wayne Henley, Jr., and David Brooks. Many of the young boys had not even been reported as missing, and the fact that they were dead would probably never have come to light had not one of the murderers confessed. For in Houston, where in a typical year the total number of murders is twice that of London despite the fact that London is six times as large and far more densely populated, missing persons and violence are likely to be considered commonplace. In the months before the trial of Henley and Brooks, Jack Olsen interviewed and probed for answers about the criminals, the victims and the city itself, which remained for the most part silent, angry and defensive. The result is a classic of true crime reportage.

From the award-winning author of Son: A Psychopath and His Victims comes the revealing confessions of fourteen college women and their free-swinging experiments outside of the classroom. If there were a Dean’s List for outspoken candor, the fourteen women featured in The Girls on Campus would be on it. Find out about their “extracurricular activities” as college students in the tumultuous 1970s, in a rebellious environment filled with alcohol, drugs, and sex. Free from the constraints of parents and home, they came to college to learn about life—and that includes a lot of things you never read about in textbooks. Education doesn’t always end with lectures and study halls as these women come of age during a counterculture movement. Jack Olsen provides readers with an insightful and personal perspective of life on campus in the 1970s through the eyes of these young women.

Drawing on an unprecedented access to interviews, diaries, court records and the criminal himself, I is the inside story of Keith Hunter Jesperson, Oregon's "Happy Face Killer" who strangled eight innocent women in the 1990s. The murderer's own words chronicle his evolution from angry child to sociopathic murderer, from tormentor of animals to torturer of women. Through Olson's profoundly disturbing account, the killer describes in harrowing detail how he played his "death game" how he got away with it, taunting the police after they incarcerated the wrong people; and finally how he was finally brought to face justice.

The mass murder of almost thirty young boys in Houston may well have been the most heinous crime of the century. How could such a series of murders go undetected for almost three years before being exposed? The Man with the Candy is a brilliant investigative journalist’s story of the crime and the answer to that question.The night David Hilligiest didn't come home was both like and unlike other nights when other Houston boys disappeared between the years 1971 and 1973. At three in the morning the police were called, but they just said that boys were running away from the best of homes nowadays and that they'd list David as a runaway. No, there would be no official search for the youngster. Aghast, the Hilligiests, in the months that followed, hired their own detective, put up posters, even sought the aid of clairvoyants. But David never did come home again because, along with at least twenty-six other Houston boys, he had been murdered and buried by the homosexual owner of a candy factory, the mass murderer of the century, Dean Corll, according to his two teenage confessed accomplices, Elmer Wayne Henley, Jr., and David Brooks. Many of the young boys had not even been reported as missing, and the fact that they were dead would probably never have come to light had not one of the murderers confessed. For in Houston, where in a typical year the total number of murders is twice that of London despite the fact that London is six times as large and far more densely populated, missing persons and violence are likely to be considered commonplace. In the months before the trial of Henley and Brooks, Jack Olsen interviewed and probed for answers about the criminals, the victims and the city itself, which remained for the most part silent, angry and defensive. The result is a classic of true crime reportage.

The mass murder of almost thirty young boys in Houston may well have been the most heinous crime of the century. How could such a series of murders go undetected for almost three years before being exposed? The Man with the Candy is a brilliant investigative journalist’s story of the crime and the answer to that question.The night David Hilligiest didn''t come home was both like and unlike other nights when other Houston boys disappeared between the years 1971 and 1973. At three in the morning the police were called, but they just said that boys were running away from the best of homes nowadays and that they''d list David as a runaway. No, there would be no official search for the youngster. Aghast, the Hilligiests, in the months that followed, hired their own detective, put up posters, even sought the aid of clairvoyants. But David never did come home again because, along with at least twenty-six other Houston boys, he had been murdered and buried by the homosexual owner of a candy factory, the mass murderer of the century, Dean Corll, according to his two teenage confessed accomplices, Elmer Wayne Henley, Jr., and David Brooks. Many of the young boys had not even been reported as missing, and the fact that they were dead would probably never have come to light had not one of the murderers confessed. For in Houston, where in a typical year the total number of murders is twice that of London despite the fact that London is six times as large and far more densely populated, missing persons and violence are likely to be considered commonplace. In the months before the trial of Henley and Brooks, Jack Olsen interviewed and probed for answers about the criminals, the victims and the city itself, which remained for the most part silent, angry and defensive. The result is a classic of true crime reportage.

From the award-winning author of Son: A Psychopath and His Victims comes the revealing confessions of fourteen college women and their free-swinging experiments outside of the classroom. If there were a Dean’s List for outspoken candor, the fourteen women featured in The Girls on Campus would be on it. Find out about their “extracurricular activities” as college students in the tumultuous 1970s, in a rebellious environment filled with alcohol, drugs, and sex. Free from the constraints of parents and home, they came to college to learn about life—and that includes a lot of things you never read about in textbooks. Education doesn’t always end with lectures and study halls as these women come of age during a counterculture movement. Jack Olsen provides readers with an insightful and personal perspective of life on campus in the 1970s through the eyes of these young women.