James Macdonald Lockhart – författare

Winner of The Royal Society of Literature Jerwood Award for Non-Fiction in 2011 and the Authors' Foundation Roger Deakin Award in 2011A stunning debut in the tradition of Robert Macfarlane and Helen MacdonaldOf all the birds of the British Isles, the raptor reigns supreme, sparking the imagination like no other. In this magnificent hymn to these beautiful animals, James Macdonald Lockhart explores all fifteen breeding birds of prey on these shores – from the hen harrier swimming over the land in the dregs of a May gale on Orkney, to the ghostly sparrowhawk displaying in the fields around his home in Warwickshire. This is a book that will change how we think of our own skies.

Winner of The Royal Society of Literature Jerwood Award for Non-Fiction in 2011 and the Authors' Foundation Roger Deakin Award in 2011A stunning debut in the tradition of Robert Macfarlane and Helen MacdonaldOf all the birds of the British Isles, the raptor reigns supreme, sparking the imagination like no other. In this magnificent hymn to these beautiful animals, James Macdonald Lockhart explores all fifteen breeding birds of prey on these shores – from the hen harrier swimming over the land in the dregs of a May gale on Orkney, to the ghostly sparrowhawk displaying in the fields around his home in Warwickshire. This is a book that will change how we think of our own skies.

Winner of The Royal Society of Literature Jerwood Award for Non-Fiction in 2011 and the Authors'' Foundation Roger Deakin Award in 2011A stunning debut in the tradition of Robert Macfarlane and Helen MacdonaldOf all the birds of the British Isles, the raptor reigns supreme, sparking the imagination like no other. In this magnificent hymn to these beautiful animals, James Macdonald Lockhart explores all fifteen breeding birds of prey on these shores – from the hen harrier swimming over the land in the dregs of a May gale on Orkney, to the ghostly sparrowhawk displaying in the fields around his home in Warwickshire. This is a book that will change how we think of our own skies.

Shortlisted for the 2023 Highland Book Prize‘Joyful and mindful, a powerful argument for being still and listening’ Sunday TimesA book about birds, birdsong and the countryside they inhabit, from the critically acclaimed author of Raptor.In Wild Air, James Macdonald Lockhart sets out to write about a series of birds as though he has his granny’s role of listening to birds’ songs and calls and relaying what she heard to her aged and by then quite deaf father – the famous naturalist Seton Gordon. From a nightjar’s strange churring song on a heath in the south of England, to a lapwing displaying over the machair in the Outer Hebrides, he writes about eight different birds who he has spent most time with, returned to most often and relays what he hears.The eight species are all representative of a different habitat. Nightjars on a lowland heath; shearwaters on a mountain overlooking the sea; dippers on a river; skylarks in farmland; ravens in woodland; divers on a loch; lapwings on the coast; and nightingales in dense scrub. Not all of the birds are songbirds in the traditional sense, though each possesses its own distinctive music. That music can vary from the strange, as in the weird gurgling sound a shearwater makes inside its burrow, to the joyous exuberance of the skylark’s song. Sometimes, he hears a lot, and sees little (shearwaters in the pitch dark); sometimes he sees a lot, but hears little (black-throated divers on their loch). But in every case the sounds the birds make become an introduction to their lives – an audible introduction to the birds and the places they are found.

Shortlisted for the 2023 Highland Book Prize ‘Joyful and mindful, a powerful argument for being still and listening’ Sunday Times A book about birds, birdsong and the countryside they inhabit, from the critically acclaimed author of Raptor. In Wild Air, James Macdonald Lockhart sets out to write about a series of birds as though he has his granny’s role of listening to birds’ songs and calls and relaying what she heard to her aged and by then quite deaf father – the famous naturalist Seton Gordon. From a nightjar’s strange churring song on a heath in the south of England, to a lapwing displaying over the machair in the Outer Hebrides, he writes about eight different birds who he has spent most time with, returned to most often and relays what he hears.The eight species are all representative of a different habitat. Nightjars on a lowland heath; shearwaters on a mountain overlooking the sea; dippers on a river; skylarks in farmland; ravens in woodland; divers on a loch; lapwings on the coast; and nightingales in dense scrub. Not all of the birds are songbirds in the traditional sense, though each possesses its own distinctive music. That music can vary from the strange, as in the weird gurgling sound a shearwater makes inside its burrow, to the joyous exuberance of the skylark’s song. Sometimes, he hears a lot, and sees little (shearwaters in the pitch dark); sometimes he sees a lot, but hears little (black-throated divers on their loch). But in every case the sounds the birds make become an introduction to their lives – an audible introduction to the birds and the places they are found.

Shortlisted for the 2023 Highland Book Prize ‘Joyful and mindful, a powerful argument for being still and listening’ Sunday Times A book about birds, birdsong and the countryside they inhabit, from the critically acclaimed author of Raptor. In Wild Air, James Macdonald Lockhart sets out to write about a series of birds as though he has his granny’s role of listening to birds’ songs and calls and relaying what she heard to her aged and by then quite deaf father – the famous naturalist Seton Gordon. From a nightjar’s strange churring song on a heath in the south of England, to a lapwing displaying over the machair in the Outer Hebrides, he writes about eight different birds who he has spent most time with, returned to most often and relays what he hears.The eight species are all representative of a different habitat. Nightjars on a lowland heath; shearwaters on a mountain overlooking the sea; dippers on a river; skylarks in farmland; ravens in woodland; divers on a loch; lapwings on the coast; and nightingales in dense scrub. Not all of the birds are songbirds in the traditional sense, though each possesses its own distinctive music. That music can vary from the strange, as in the weird gurgling sound a shearwater makes inside its burrow, to the joyous exuberance of the skylark’s song. Sometimes, he hears a lot, and sees little (shearwaters in the pitch dark); sometimes he sees a lot, but hears little (black-throated divers on their loch). But in every case the sounds the birds make become an introduction to their lives – an audible introduction to the birds and the places they are found.

Shortlisted for the 2023 Highland Book Prize ‘Joyful and mindful, a powerful argument for being still and listening’ Sunday Times A book about birds, birdsong and the countryside they inhabit, from the critically acclaimed author of Raptor. In Wild Air, James Macdonald Lockhart sets out to write about a series of birds as though he has his granny’s role of listening to birds’ songs and calls and relaying what she heard to her aged and by then quite deaf father – the famous naturalist Seton Gordon. From a nightjar’s strange churring song on a heath in the south of England, to a lapwing displaying over the machair in the Outer Hebrides, he writes about eight different birds who he has spent most time with, returned to most often and relays what he hears.The eight species are all representative of a different habitat. Nightjars on a lowland heath; shearwaters on a mountain overlooking the sea; dippers on a river; skylarks in farmland; ravens in woodland; divers on a loch; lapwings on the coast; and nightingales in dense scrub. Not all of the birds are songbirds in the traditional sense, though each possesses its own distinctive music. That music can vary from the strange, as in the weird gurgling sound a shearwater makes inside its burrow, to the joyous exuberance of the skylark’s song. Sometimes, he hears a lot, and sees little (shearwaters in the pitch dark); sometimes he sees a lot, but hears little (black-throated divers on their loch). But in every case the sounds the birds make become an introduction to their lives – an audible introduction to the birds and the places they are found.

Archipelago is one of the most important and influential literary magazines of the lasttwenty years. Running to twelve editions, it was edited by Andrew McNeillie, with theassistance later of James McDonald Lockhart, and began as an attempt to reimagine therelationships between the islands of Ireland and Britain. Archipelago has brought togetherestablished and emerging artists in creative conversations that have transformed the studyof islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from theAran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through someof the best in contemporary writing about place and people.This collection gathers poetry, prose and visual art in clusters grouped around the Irishand British archipelago, with contributions from an array of significant artists. It includesnewly commissioned work as well as an interview between Andrew McNeillie andRobert Macfarlane on the development of Archipelago across the years.